DID YOU READ

Think “The Muppets” are selling out? Think again.

Think “The Muppets” are selling out?  Think again. (photo)

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The Muppets sure are busy these days. Their new movie — their first in twelve years — opens in theaters on Thanksgiving and Jim Henson’s famous creations have been popping up everywhere to promote it. They’ve made a billion parody trailers, a cover album of their old hits, and cranked out tons on TV cameos including, most strangely, an appearance on WWE’s Monday Night Raw. In the wake of this marketing, I’ve started to see articles online and hear rumblings from friends and other critics that this behavior represents conduct unbecoming of The Muppets. That somehow the Muppets should be better than pimping their movie on pro wrestling.

That’s ridiculous. It is impossible for The Muppets to sell out. Why? Because the Muppets have been appearing in advertisements a lot longer than they’ve been appearing in movies.

From the earliest days of his company, Jim Henson boosted the income he made working in television by producing commercials. Although the word “commercial” doesn’t appear once in the Muppets’ Wikipedia page, their work in television ads throughout the 1950s and 60s were important both to the growth of Henson’s company and the growth of his characters.

Before he was the Muppets’ resident piano player, for example, Rowlf the Dog was a pitchman for Purina dog food. He was specifically created for the company’s ads starting in 1962.

Rowlf wasn’t the only Muppet to get his start in commercials and transition into a featured character on television. See if you recognize this iconic Muppet in one of his first appearances, hawking potato chips before he developed a taste for sweets.

Many of Henson’s vintage commercials are shameless, and it definitely feels a little strange to watch a beloved childhood icon extolling the virtues of Esskay thick-cut bacon. But Henson’s ads were also very mature for their time, both in form and content, and they sported a cutting edge sense of humor. For example, watch this inspired ad for La Choy canned chow mein, featuring the adorably clumsy La Choy Dragon. The background gag with the store clerk and the fire extinguisher looks like something that would feel right at home in a 2011 commercial — and this spot is almost 50 years old.

While we often think of vintage marketing as quaint and dated, Henson’s commercials remain fresh and sometimes shockingly subversive. Check out this one for Ideal Toys’ Muppet puppets for kids. Listen particularly to the incredibly dark lyrics of the song the puppets sing. If this commercial aired today, it — and maybe the entire Muppet brand — would be banned instantly.

Bear these ads in mind the next time you kvetch that the Muppets have gotten away from their core values. In fact, every time Kermit, Miss Piggy, and the rest of the gang cleverly shill for Alamo Rent-a-Car or MasterCard they’re just getting a little bit closer to their roots.

Do you think The Muppets have sold out? Tell us in the comments below or on Facebook and Twitter. And for more on Jim Henson’s commercial work, check out the fabulous Jim Henson’s Fantastic World exhibit at the Museum of the Moving Image through January 16.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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