Countdown to Top Ten 2K11: “Cold Weather”

Countdown to Top Ten 2K11: “Cold Weather” (photo)

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Countdown to Top Ten 2K11 is a column with one simple goal: to help you decide what films you need to see before making your end of the year top ten list. Each installment features my thoughts on a critically acclaimed 2011 movie, a sampling of other critics’ reactions, the odds of the film making my own list, and the reasons why it might make yours.

This time we’re covering “Cold Weather,” which has been suggested by more readers for inclusion in this column than any other film released in 2011. Are my readers brilliant cinephiles or nutjobs who have no idea what they’re talking about? Let’s find out.

Movie: “Cold Weather”
Director: Aaron Katz
Rotten Tomatoes Score: 74%
Plot Synopsis: A college dropout and Sherlock Holmes fan finds himself at the center of a mystery in his hometown of Portland, Oregon.
What the Critics Said: “Gorgeous, lyrical, leisurely,” Glenn Kenny, MSN Movies
“Good in so many subtle ways,” Roger Ebert, Chicago Sun-Times
“Almost a textbook example of how to do more with less,” Peter Rainer, Christian Science Monitor
Were They Right?The 74% of critics were, anyway. I’m surprised the Tomatometer score for this movie isn’t higher, given the passion of the film’s supporters. I suppose its pacing — which is, as Kenny notes, leisurely — and its charms — which are, as Ebert notes, subtle — are not necessarily for everyone.

Its structure reminded me a little bit of “Meek’s Cutoff,” the film I covered in this column last week. Both open with scenes of seeming inconsequence whose importance only becomes clearer later in the film. In the case of “Cold Weather,” it’s a sequence following Doug (Cris Lankenau) as he readjusts to life back in Portland. Doug dropped out of school where he was pursuing a degree in forensic science and moved in with his sister Gail (Trieste Kelly Dunn). Looking for any job that’ll have him, he finds one in an ice factory where he initiates a friendship with another guy on the graveyard shift named Carlos (Raúl Castillo). They have a lot of time for chit chat while they haul bags of ice; they spend most of it discussing pop culture. Carlos likes “Star Trek;” Doug prefers Sherlock Holmes novels. Carlos lives his “Star Trek” obsession by attending conventions but Doug is about to get an even more powerful opportunity to step into the role of his hero.

An ex-girlfriend of Doug’s named Rachel (Robyn Rikoon) comes for a visit and starts hanging out with Carlos. When she stands him up on a date, Carlos becomes convinced she’s gone missing. He drags a skeptical Doug to her motel room in the middle of the night. Rachel is nowhere to be found. While they search her room, Doug glances out the window and sees a pickup truck in the parking lot, watching them. As they head outside to see what the driver wants, he peels out into the night. Suddenly, Doug’s not so skeptical anymore.

Katz is previously known as the director of two “mumblecore” features about tentative romantic encounters between young men and women. He may have started this project from an experimental impulse: trying to marry his low-fi, naturalistic style with a genre that relies heavily on contrivance and formula. “Cold Weather”‘s early scenes feel as aimless as Doug’s life and as carefully observed yet carefully plotless as many other mumblecore films. But from the moment Doug sees that pickup truck and becomes convinced that Rachel is, in fact, involved in some kind of trouble, the pace tightens, aided immensely by a terrific, percussive score by Keegan DeWitt.

Rachel’s mystery is suitably realistic for the confines of Katz’s understated cinematography and drama, and the director pauses, cleverly I think, even after the detective story kicks into gear to remind you that these characters are living in “the real world.” Stumped, Doug decides to do what Sherlock Holmes would do: smoke a pipe. Only our hero doesn’t own a pipe, so he has to go buy one. The film dutifully follows him to a tobacconist for a hilarious scene where he tries to find a cool looking pipe that he can afford on his meager budget. There’s Katz’s project in a nutshell: “I want to make a detective movie. How do I make something that looks cool for no money?”

The cigar store scene isn’t an aberration; for a mystery story with no jokes, “Cold Weather” is a surprisingly funny movie. That’s because Katz is, in a very quiet way, a brilliant observer of human behavior. Sherlock Holmes is the most obvious antecedent for “Cold Weather” but there’s also a bit of “Seinfeld” in here as well. The scene in which Doug, Carlos, and Gail stake out a man’s apartment and kill the time with awkward conversations, reminded me of “The Sniffing Accountant,” a “Seinfeld” episode that featured a similar, albeit more overtly jokey, riff on the same premise.

I really enjoyed Katz’s last feature, “Quiet City” (also starring the ultra-laconic Lankenau), and I liked “Cold Weather” even more. The early moments of quiet slackerhood that look so superfluous really pay off as the mystery deepens. Because Doug, Carlos, and Gail seem like real people, there’s real tension in the film’s various chases, stakeouts, and break-ins. With a true sense of reality established, there’s no guarantee of a Hollywood ending and no certainty that Sherlock Doug will be right about his hunches or survive to solve another case even if he is. Add in some beautiful photography of the Pacific Northwest and that memorable score and you’ve got one of the best movies of 2011, and maybe the one I’d be most happy to see a sequel to at some point in the future.

Worthy of an Oscar Nomination For: Best Original Score (Keegan DeWitt)
Chances of Making My Top Ten: Not a mortal lock, but definitely not a pipe dream either.
It Might Make Your Top Ten List If: you’re a sucker for off-beat genre movies; you love Sir Arthur Conan Doyle’s Sherlock Holmes and hate Guy Ritchie’s “Sherlock Holmes.”

“Cold Weather” is now available on DVD and Netflix Watch Instantly. If you see it, tell us what you think; leave us a comment below or write to us on Facebook and Twitter.

Previously in Countdown to Top Ten 2K11
“Meek’s Cutoff,” directed by Kelly Reichardt
“Margin Call,” directed by J.C. Chandor
“Bill Cunningham New York,” directed by Richard Press
“Hanna,” directed by Joe Wright

Have a movie you wanted covered in a future installment of Countdown to Top Ten 2K11? Let me know on Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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