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DID YOU READ

Brian Wilson on the Beach Boys, Gershwin and his upcoming biopic

Brian Wilson on the Beach Boys, Gershwin and his upcoming biopic  (photo)

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In 1966, after The Beach Boys masterwork, “Pet Sounds,” the band planned to follow up their success with an album called “Smile.” But as so often happens complications arose and somewhere during the many recording sessions between the spring of ’66 and the summer of ’67, the band fell apart. The master tapes were shelved, and the record was never released. Though the band was destined to release many more albums afterward, that album plagued by disputes and Brian Wilson’s breakdown in ’67, never saw a proper release. Wilson eventually released his own critically acclaimed solo version, but in the legendary songwriter’s own words, the original 1966-’67 “Smile Sessions” just finally released after 44 years is perhaps more “interesting.”

I talked with Wilson, whom I was told loved Broadway musicals more than anything, and though that proved not to be wholly accurate, he certainly loves Gershwin more than anything. We talked about his favorites, an upcoming Brian Wilson/Beach Boys biopic, and how the 1965 film “The Monkey’s Uncle” blew him out.

Was some of the material on “Smile” too cryptic for the rest of the band at the time, too complex?

Right, complex is the word, yeah.

How does this compare to the solo version you released a few years back?

Well, a little more interesting, I think. It’s the makings of “Smile.” Sort of like the background view of what we did back then [in the 60’s].

You were inspired by Gershwin, and did that great re-imagining of his songs last year, which I thought was pretty fantastic. How have Broadway musicals influenced your own writing?

You know what? There are hardly any, not really at all.

Really, you didn’t find them to be much of an influence, even back in the day?

No, Tony Hatch I liked a lot, but, you know. I didn’t really go to musicals, hardly at all.

But Gershwin certainly inspired your songwriting.

Well George Gershwin was my big hero. Of course, yeah. I first heard Gershwin’s Rhapsody in Blue when I was 3 years old. Our song “Heroes and Villains” [on “Smile”] had a lot of Gershwin in it. He was the greatest.

Have you ever thought of film composing?

No, I haven’t. I can write songs, I’ve had songs in movies, but I can’t compose film scores, you know?

Were you happy with how your Disney album came out?

Yeah, we just finished it up, songs “In the key of Disney.” It had 12 songs on it, and I produced it and sang the leads. My background band played the instruments and sang background. It took us about 2 months to make it, it’s a great album. “When you Wish Upon a Star,” “Stay, Stay Awake Baby of Mine.” There’s so many beautiful tunes on there.

So not even that, those were all really film songs, that hasn’t sparked your interest in composing music for film?

Well, no, not really [laughs].

What’s your usual reaction to hearing the Beach Boys in a movie?

Well in “The Monkey’s Uncle?” It blew me out! I was so proud to be part of Annette Funicello and Frankie Avalon too, you know? I never really met Frankie Avalon, well I might have, but I can’t remember [laughter].

I hear there’s a film about you coming out, is that true?

That’s true. We don’t know when. We don’t know when but it’s in the makings now. We’re trying to get the script so it’s accurate and doesn’t, you know, say things that I didn’t do, you know. You know what I mean?

So you’re involved, kind of approving things?

Yeah, we’ve been doing that off and on for a couple of months now. As soon as the script’s done they’ll go ahead with the movie.

Is it going to be a broad Brian Wilson biopic or focus in on a particular time of The Beach Boys?

Both, both.

If you could inhabit a Gershwin tune, which would it be?

Oh, well, “Love Is Here to Stay.” And “I Loves You, Porgy,” “Summertime”, “You Can’t Take That Away From Me,” and “Someone to Watch Over Me.” Those 5 are my favorite.

I like a Gershwin tune, how about you? Let us know in the comments below or on Twitter or Facebook!

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.