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Brian Wilson on the Beach Boys, Gershwin and his upcoming biopic

Brian Wilson on the Beach Boys, Gershwin and his upcoming biopic  (photo)

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In 1966, after The Beach Boys masterwork, “Pet Sounds,” the band planned to follow up their success with an album called “Smile.” But as so often happens complications arose and somewhere during the many recording sessions between the spring of ’66 and the summer of ’67, the band fell apart. The master tapes were shelved, and the record was never released. Though the band was destined to release many more albums afterward, that album plagued by disputes and Brian Wilson’s breakdown in ’67, never saw a proper release. Wilson eventually released his own critically acclaimed solo version, but in the legendary songwriter’s own words, the original 1966-’67 “Smile Sessions” just finally released after 44 years is perhaps more “interesting.”

I talked with Wilson, whom I was told loved Broadway musicals more than anything, and though that proved not to be wholly accurate, he certainly loves Gershwin more than anything. We talked about his favorites, an upcoming Brian Wilson/Beach Boys biopic, and how the 1965 film “The Monkey’s Uncle” blew him out.

Was some of the material on “Smile” too cryptic for the rest of the band at the time, too complex?

Right, complex is the word, yeah.

How does this compare to the solo version you released a few years back?

Well, a little more interesting, I think. It’s the makings of “Smile.” Sort of like the background view of what we did back then [in the 60’s].

You were inspired by Gershwin, and did that great re-imagining of his songs last year, which I thought was pretty fantastic. How have Broadway musicals influenced your own writing?

You know what? There are hardly any, not really at all.

Really, you didn’t find them to be much of an influence, even back in the day?

No, Tony Hatch I liked a lot, but, you know. I didn’t really go to musicals, hardly at all.

But Gershwin certainly inspired your songwriting.

Well George Gershwin was my big hero. Of course, yeah. I first heard Gershwin’s Rhapsody in Blue when I was 3 years old. Our song “Heroes and Villains” [on “Smile”] had a lot of Gershwin in it. He was the greatest.

Have you ever thought of film composing?

No, I haven’t. I can write songs, I’ve had songs in movies, but I can’t compose film scores, you know?

Were you happy with how your Disney album came out?

Yeah, we just finished it up, songs “In the key of Disney.” It had 12 songs on it, and I produced it and sang the leads. My background band played the instruments and sang background. It took us about 2 months to make it, it’s a great album. “When you Wish Upon a Star,” “Stay, Stay Awake Baby of Mine.” There’s so many beautiful tunes on there.

So not even that, those were all really film songs, that hasn’t sparked your interest in composing music for film?

Well, no, not really [laughs].

What’s your usual reaction to hearing the Beach Boys in a movie?

Well in “The Monkey’s Uncle?” It blew me out! I was so proud to be part of Annette Funicello and Frankie Avalon too, you know? I never really met Frankie Avalon, well I might have, but I can’t remember [laughter].

I hear there’s a film about you coming out, is that true?

That’s true. We don’t know when. We don’t know when but it’s in the makings now. We’re trying to get the script so it’s accurate and doesn’t, you know, say things that I didn’t do, you know. You know what I mean?

So you’re involved, kind of approving things?

Yeah, we’ve been doing that off and on for a couple of months now. As soon as the script’s done they’ll go ahead with the movie.

Is it going to be a broad Brian Wilson biopic or focus in on a particular time of The Beach Boys?

Both, both.

If you could inhabit a Gershwin tune, which would it be?

Oh, well, “Love Is Here to Stay.” And “I Loves You, Porgy,” “Summertime”, “You Can’t Take That Away From Me,” and “Someone to Watch Over Me.” Those 5 are my favorite.

I like a Gershwin tune, how about you? Let us know in the comments below or on Twitter or Facebook!

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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