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Anton Yelchin’s unscripted thoughts on “Like Crazy”

Anton Yelchin’s unscripted thoughts on “Like Crazy” (photo)

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If you’re impressed by the screenplay for the indie romance “Like Crazy,” here’s an important bit of info: technically, there was no screenplay. Director Drake Doremus and co-writer Ben York Jones penned a detailed outline then developed the characters and story with their lead actors, Felicity Jones and Anton Yelchin. The heartbreakingly authentic dialogue? Yelchin and Jones improvised it on the set.

“It was a 50-page outline that read like a short story,” Yelchin told me about the (non)-script he received from Doremus. “It was actually very detailed in terms of subtext and the emotional condition of the characters. There was enough there to figure out who these people were, and then by virtue of that, to fill in the rest of the blanks.”

These people are Yelchin’s Jacob and Jones’ Anna, twentysomethings who meet at college in Los Angeles and fall madly in love. There’s just one problem: Anna’s from England and once school ends, her visa expires. That drives the couple apart — Anna returns home to work for a magazine in the UK, while Jacob starts his own custom furniture business — and forces them to decide whether their relationship can endure a distance of 5,000 miles and seven time zones.

The 22-year-old Yelchin — who’s been acting professionally since the age of ten — told me he relished the opportunity to help create a character from the ground up and to improvise in a drama, rather than a comedy. During our conversation, which also included a few questions about Yelchin’s role in “Star Trek 2,” we talked about the challenge of improvising without speaking and just who the heck he’s talking to in all those scenes acting into a cell phone.

What inspired you to get into acting?


I was a horrible athlete. My parents [former professional figure skaters Irina Korina and Viktor Yelchin] are athletes; they tried me to get me to do that, but I just couldn’t. I sucked. First I wanted to be a scientist, and I set our bathroom on fire. Then I wanted to be a basketball player and I’m a not-very-tall white, Russian Jewish kid. So that didn’t work out either.

There wasn’t anything in my life that I felt really excited about. Then I went to an acting class. I was very shy but very animated in private, and a friend of ours who is an actor knew me well enough to tell my parents “You should take your son to an acting class.” My parents were of the opinion, because they had started skating very young, that you should have something that you do that you care about, because it structures your life as you’re growing up. I went to this class and I loved it and I told them I loved it, and they were super supportive because they thought “Great, he won’t just be playing with his friends all day, he’s going to be doing something.”

So “Like Crazy:” when you first met with Drake, what attracted you to the project?

I’d known about Drake for a couple years because his producer, Jonathan Schwartz, and I have been friends for a while. He would tell me about their last movie, “Douchebag,” how they were going to go out in a car for two weeks and make an improv movie for no money. I very strongly believe in the freedom to do that, to make movies for no money with whatever technology is available. So when Drake had this project, the idea of doing an improv film at that level in that way felt really inspiring to me. I always thought it was kind of a blessing for an actor to get to improvise a drama. So Drake and I connected over all these things, our ideas about what you could accomplish in independent cinema and also this idea of improv.

Have you done a lot of improv before this film?

No, the only thing that I’d done that was improv was an episode of “Curb Your Enthusiasm” when I was 13. That’s similar in some ways but different in a lot of other ways.

When you started working on the film were there any big things you brought to the character that weren’t on the page? Besides all of the dialogue, obviously.

I had no idea who Jacob was until I met Dakota, the furniture designer who built all the chairs in the film. He really was Jacob; he has a very powerful presence without saying very much and he’s very committed to this idea of permanence and being connected to these chairs he’s creating and the people they’re for. When I heard that, it really spoke volumes about our story, which is all about connections and the way they get destroyed by time. Before Jacob met Anna he was really obsessed with his art. Then he met her and she was the first person he opened up to; the tragedy is that the first person he’s actually willing to open up to he loses. That whole idea and backstory was in the script, but it was really developed through conversations with Dakota and then in my own thinking.

As a viewer, when I hear the word “improv,” the sort of acting that comes to mind is usually very talkative. But as you mentioned, Jacob doesn’t say much. How much of the challenge of the improvisation was finding the balance between silence and speech? You’re improvising, but you’re also improvising silence.

It’s funny. The first time Felicity and I got together, our first instinct was to just talk all over each other, because that felt like what people do when they’re having a conversation. On any other film, silences are where the editors start cutting. That’s a thing I’ve heard on many projects: “You need to keep the tempo up or they’re going to start cutting away.” Maybe silence is something we’re uncomfortable with as a culture, I don’t know.

What we realized very quickly was that the most honest thing about conversations can be the silences. So much is said in what’s not said, whether someone’s really happy and doesn’t need to speak, or whether they’re going through all these difficulties and they don’t know what to say. That fit so well with Jacob because he’s so reserved.

I’ve been lucky to play characters that are really broad. To sort of reverse that and study someone who’s all about what’s going on inside and often doesn’t say what he’s feeling was really interesting. And challenging, too, because that’s very different from me. It was so exciting to get to explore a character that was about those silences and more about everything being internalized rather than externalized.

When I saw the film I didn’t know much about its backstory, but I realized very quickly that it was made by someone with firsthand knowledge of long distance relationships because I have firsthand knowledge of long distance relationships and it got them absolutely right. Did Drake ever talk to you and Felicity about the experiences that inspired the story?

Drake filled us in on his relationship and I read some of his girlfriend’s letters to him, but it wasn’t so much to say “Hey, let’s make this autobiographical” as it was to just show us what that emotionally felt like for him and what he went through. Having all this information about Dakota and Drake’s life, the characters take on a life of their own and they become a little bit of this and a little bit of that, but very much their own thing. The goal was never to create a sort of autobiography for Drake, though I did borrow some things, little behaviors I noticed, gestures that he does.

Can you give me an example?

Drake does this thing where he puts his hands together, like he sticks one set of fingers into the other and does this repeated jabbing motion. I don’t know how to describe it, but he does it all the time. He does it when he’s excited, he does it when things are really intense. He did it so much that I was like, “I’ve got to put this in the movie. It’s such a Doremus thing that I’ve noticed every day.” There’s a montage in London and we’re walking down the street and you’ll see me do it. And I’m so grateful that it’s in there; every time I see it I get a kick out of it.

Did he realize you were copying his move in that moment?

Oh yeah. I think I had thrown it in a couple times before, but that’s the one that made the cut — and that’s the one that really works because it’s just us goofing off and it made Felicity laugh.

There are a lot of scenes between Jacob and Anna on the phone; Jacob in Los Angeles, Anna in England. When you’re shooting those scenes, who are you talking to? Is Felicity on the other end of the phone acting with you?

We shot the two sides of those phone conversations at different points in the shoot — we shot Felicity’s side when we were in England, and we shot my side when we were in Santa Monica. But she was always on the phone. When I was on camera, Felicity was like a block away in a car. When she was on camera, I was on the roof on her building with a phone.

The characters’ phones are one of the clearest markers of time in the film. At the start of the movie, you guys are using these ancient looking flip phones; later, you both have iPhones.

Yeah, Drake jokes that he’s going to see the movie in five years and it’s going to feel really dated because we’re using the iPhone 2 or something and by then it’ll be the iPhone Zillion.

[laughs]

It’s true though; the movie takes place before the ascendance of Skype as a kind of global communication tool. Had the story been set a couple of years later, Skype would have been the cell phones. So the cell phones are their attempt at feeling like they’re with one another. And I think people do do that when they’re in a long distance relationship. You Skype, and if you can’t Skype you’re always texting or sending each other pictures. You compensate in what is really a very closed-off, technological way that can’t really capture the emotions. In some ways, it may be even worse; it’s almost a tease.

“Like Crazy” is in theaters now. If you see it, tell us what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Janet Varney -Photo Credit: Kim Simms/IFC

Jan Against Evil

10 Things You Need to Know About Janet Varney

Catch Janet Varney on Stan Against Evil premiering November 2nd at 10P with back-to-back episodes.

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Janet Varney is about to go big time. She’s been on our radar for years, always popping up on that show, Web series or podcast we couldn’t get enough of. Now, Janet’s about to star on Stan Against Evil, the new IFC horror comedy series from the folks behind The Simpsons and The Walking Dead. As a little homework, we thought we’d dig into this talented performer’s past, and see what’s helped make her such a star on the rise.

Bone up on all things Janet Varney below, and be sure to stay tuned to IFC.com for more Stan Against Evil news before the big premiere on November 2nd at 10P.

10. She’s an Animation Voice Acting Superstar.

Korra
Nickelodeon Animation Studio

While Janet might be a new face to some folks, animation fans know she’s been the voice behind some beloved animated characters. Probably best known for bringing the heroic Korra to life on The Legend of Korra, she’s also provided her talents to shows and movies like Norm of the North, Sanjay and Craig and Dante’s Inferno.


9. The San Francisco Sketchfest? She co-founded it.

SF Sketchfest
SF Sketchfest

Now entering its 15th year, the SF Sketchfest started as an excuse by Varney, and friends David Owen and Cole Stratton, to give Bay Area comedians a place to perform. Over the years it has transformed into a comedy hotbed, with everyone from Zach Galifianakis to the original cast members of SNL taking part.


8. She’s Been Known to Perform Old Time Radio Plays.

Shawn Robinson / The Daily Quirk

Shawn Robinson / The Daily Quirk

The Thrilling Adventure Hour is a stage show and podcast that performs in the style of the radio plays of yore. Varney began as a guest, popping up in numerous productions, until she finally just went ahead and joined the troupe. Some of the show’s more notable regulars include Nathan Fillion, Comedy Bang! Bang! favorite Paul F. Tompkins and Linda Cardellini.


7. She Nailed a Classic Key & Peele Sketch.

Key & Peele was always at its best when deconstructing race in America. In this classic sketch, Janet Varney and comedian Natasha Leggero starred as two women who vacillated between the good and the bad of having preconceived notions about black people. Are stereotypes always racist? Can you use people’s ignorance to your own advantage? Is it wrong to have sex with a racist girl? No, seriously, is it? Because Key and Peele would like to know.


6. She’s Riffed Movies with the MST3K gang.

Footloose Rifftrax
ColeStratton.com/Rifftrax

From the warped minds behind Mystery Science Theater 3000RiffTrax Presents is a series where comedians are set loose on lousy movies, taking them down one sarcastic comment at a time. Varney, along with longtime collaborator Cole Stratton, are frequent guests on the show.


5. She claims June Diane Raphael is an Amazing Kisser.

Burning Love
Yahoo! Studios

While doing an AMA on Reddit, Janet coughed up some juicy gossip. Varney was one of the stars of the Yahoo! series Burning Love, making it all the way to the end of the parody dating series. At one point, she was fortunate to lock lips with Mrs. Raphael, and gives the experience a big thumbs up.


4. Her Podcast The JV Club Perfectly Captures Our Awkward Years.

The JV Club
Nerdist

A renaissance woman if there ever was one, Varney curates her own art exhibition called Fleeting Immersion, writes music, and hosts her own podcast, The JV Club, on the Nerdist Network. A weekly look back at all of our awkward years, the show is consistently featured in The Onion’s AV Club “Best Podcasts” lists. Guests from all areas of entertainment have stopped by to dish about their formative years, including Portlandia‘s own Carrie Brownstein.


3. She Had Puppet Dreams with Neil Patrick Harris.

Neil's Puppet Dreams
Nerdist

Varney helped bring Neil and his partner David Burtka’s puppet fantasies to life with the Web series Neil’s Puppet Dreams. She raved about working on the Jim Henson Company series, telling Nerdist that “[Neil’s Puppet Dreams is] my baby. I had a baby with two gay men and that’s what came out.”


2. Remember Dinner and a Movie? She Cohosted it!

Dinner and a Movie
TBS

What better way to enjoy a movie than with a delicious dinner inspired by a pun? From “Snow Coens” to “The Hippocratic Loaf” to “The Beets Go On,” if there was an adorably corny food-related joke to mine, the good people behind Dinner and a Movie found it. Thankfully, that was far from the only reason to tune in. From 2005 to 2011, Janet got to stuff her face and flaunt her film knowledge as the host of the late night dinner party. Unfortunately, the show was canceled, but Varney says she’s still extremely close with cohosts Paul Gilmartin and Claud Mann.


1. She Plays Becca on You’re The Worst.

Janet Varney You're the Worst
FX

Prior to signing on to fight demons in Stan Against Evil, Janet was channeling inner demons on the FX dysfunction-com You’re the Worst. Her role as Becca, sister to Lindsay and Jimmy’s ex, is both integral to the show (her wedding is where Jimmy meets Gretchen) and earned Varney rave reviews.

Check out Janet in a clip from Stan Against Evil below.

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The Wicker Man Nic Cage Bees

Great Moments in Rotten History

10 Classic Rotten Movie Moments

Catch "Too Rotten to Miss" movies Fridays at 8P on IFC.

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Photo Credit: Warner Brothers/courtesy Everett Collection

Sometimes you don’t need to watch an entire movie to know how bad it is. Sometimes, just knowing about infamous scenes is enough to know why some movies have entered the cultural lexicon of badness. As we kick off a new month of “Too Rotten to Miss” movies on IFC, here are ten of the most infamous rotten movie moments — notorious even if you haven’t seen the movie from which they spawned.

1. “Not the bees!,” The Wicker Man

Nic Cage bees
Warner Bros.

There could be an entire list of these moments starring just Nicolas Cage. But despite a wealth of moments to choose from, the actor’s most infamous rotten moment comes from The Wicker Man, in which a fragile masculine fever dream in the form of a neo-pagan cult dumps a bucket of bees on Nic’s head.

This one is particularly beloved in bad movie circles — it was even made into a techno remix.


2. “I was being trained…to conquer GALAXIES!,” Battlefield Earth

Though I’m partial to all of the scenes on this list, this one has a special place in my heart. Battlefield Earth‘s badness is mostly stylistic, a film that positions itself as epic and badass but is really just…well, it’s something.

In this scene, John Travolta’s alien character Terl is getting drunk to drown his woes, so his line read is exceptionally ridiculous in a film full of already ridiculous line reads. And while you can’t say the failure of Battlefield Earth is entirely Travolta’s fault, he’s not blameless, either.


3. “Man, everybody got AIDS and shit!,” Showgirls

Showgirls hand wave
United Artists

Picking only one scene from this fruit salad of wonderful, terrible ideas was a challenge — what could possibly outdo “Different PLACES!“? Or Nomi’s empowering beating of her friend’s rapist while topless with lipstick on her nipples? Or any scene between Elizabeth Berkley and Gina Gershon?

Showgirls whorey
United Artists

But really, one must go with that exercise in David Lynchian surrealism where Nomi is warned off by her friend/mentor(?) James against…unsafe sex? Metaphorical promiscuity? Actual promiscuity? Because everybody got AIDS. AND shit. #90s.


4. “Daddy would you like some sausage?,” Freddy got Fingered

Like with Showgirls, Freddy Got Fingered is also a stacked deck — do I choose, for instance, the scene in which Gord (Tom Green) manually stimulates a horse while merrily shrieking, “Look at me, daddy! I’m a farmer!”? Or, perhaps I could go with the one where he shoots elephant semen at Rip Torn out of an ejaculating elephant like an anti-aircraft missile? But no, perhaps because it’s more absurd than disgusting, Gord trying to tap into his creativity by chanting a monotone “Daddy, would you like some sausage?” has probably become the most infamous scene from an already infamously terrible movie.


5. “They’re eating her…,” Troll 2

Troll 2 is so terrible it even has a documentary (Best Worst Movie) chronicling its terrible-ness. But the truth about Troll 2 (which happens not to really be a sequel to Troll, or have much at all to do with it, really) is that, unlike Freddy Got Fingered and Showgirls, Troll 2 doesn’t have a litany of delightfully terrible sequences to choose from, and is comparatively forgettable. But the scene in which Arnold (Darren Ewing) witnesses a girl turn into plant matter, and reacts…accordingly(?) is definitely one for the books.

This one also has a dubstep remix!


6. Basketball scene, Catwoman

Catwoman is cited by many as the film that single-handedly killed superhero movies starring women, a genre which has been basically non-existent until next year’s Wonder Woman film (finger’s crossed, everyone). Here, a newly powered Catwoman (Halle Berry) goes one-on-one with her love interest, played by Eric Roberts. I think what they were going for is light-hearted and sexy, but the result defies not only logic, but spatial relativity, from a point-of-view shot where Berry is awkwardly shaking her booty to the confusing rapid fire cuts. Why, God why, are there so many cuts?


7. “Hi doggy!,” The Room

The Room is more a collection of surreal one-liners than scenes with intent or purpose. With that in mind, which do I go with as the most rotten moment? The “I definitely have breast cancer” scene? Or perhaps, even more memorable, “Everyone betray me!” (Watch it above.)

But I have to go with “Hi doggy!” for being the scene that wholly embodies the strangeness of The Room. Aside from the fact that the scene doesn’t really need to be in the movie, it looks like the crew only had this flower shop available to shoot in for ten minutes, and the rushed, surreal nature of the clipped dialogue just puts it over the edge.


8. “Turkey Time,” Gigli

And thank you, Jennifer Lopez, for basically ensuring that the boyfriends of an entire generation of women would never, ever go down on them. Alternately, if you’re not a fan of oral sex and want to make sure he never tries, this line is guaranteed to kill any mood, possibly forever.


9. Peter Parker dance, Spider-Man 3

When people want to explain why Spider-man 3 was the worst of the Spider-Man movies, perhaps the worst of any movie, this is the go-to example for why. People generally enjoyed Sam Raimi’s Spider-Man run for its ability to straddle a line between dramatic realism and comic book-y chicanery, but this scene alone brought the whole franchise dangerously close to Batman & Robin territory.


10. “Stop lubricating the man,” Transformers

Personally, I don’t think this one gets enough credit for the awful moment it is. Beloved character actor John Turturro gets pissed on by a precocious mute giant space robot named Bumblebee.

Oh, there are many terrible moments in later Transformers films, and yes, most of them do involve John Turturro…

But the first time I saw the Bumblebee golden shower scene, I legitimately thought I had dreamed it until a friend reminded me of its existence days later, including the little “byooiing!” as his…lubricant cap pops off? Truly, this was a landmark of badness.

Kick back with The Matrix Revolutions this Friday at 8P on IFC!

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John C. McGinley -Photo Credit Kim Simms/IFC

Necessary Evil

Get Freaky With New Stan Against Evil Photos

Stan Against Evil haunts IFC starting November 2nd at 10P with back-to-back episodes.

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From the warped minds behind The Simpsons and The Walking Dead comes your next horror comedy obsession.

Stan Against Evil employs ghoulish horror and pitch-black comedy that’ll both tingle the spine and tickle the ribs. And before the demon-possessed festivities kick off Wednesday, November 2nd at 10P ET with back-to-back episodes, we’ve got a glimpse at stars John C. McGinley and Janet Varney as mismatched small New England town sheriffs Stan Miller and Evie Barret who find themselves pitted against witches, demonic goats and other bizarre horrors.

Check out the Stan Against Evil stars — both living and undead — in the brand new photos below. Follow Stan on Facebook and Twitter for more updates as we approach the scarifiying November 2nd premiere.

Janet Varney Stan Against Evil

Witch Stan Against Evil

Book Stan Against Evil

Demon Stan Against Evil

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