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The 12 most evil movie laughs of all time (with video)

The 12 most evil movie laughs of all time (with video) (photo)

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“Mua-ha-ha-ha-ha!” It’s harder to do than it seems, which makes having a decent Evil Laugh one of the most underrated skills that an actor (or inanimate object, at that) can have. We’re not interested in just “decent,” though — we want the best, and here they are, for your moustache-twirling amusement.

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12. Count Olaf (Jim Carrey) in “Lemony Snicket’s A Series of Unfortunate Events”

If at first you don’t succeed at an evil laugh, try, try again. Count Olaf (Jim Carrey) demonstrates how practice makes perfect, experimenting with a few variations before ultimately deciding on the one evil laugh he can truly call his own. The criminally underrated “Lemony Snicket’s A Series of Unfortunate Events” actually features one of our favorite Jim Carrey performances — Olaf is a delightful ghoul who gleefully conjures a series of macabre methods by which to kill a bunch of orphans and thereby claim their family fortune as his own. Mua-ha-ha indeed! You also get Emily Browning as one of the aforementioned orphans, a few years before she became the pixie cheesecake of Zack Snyder’s “Sucker Punch.”


11. The Predator (Peter Cullen) in “Predator”

The Predator literally gets the last laugh at the end of his first cinematic hunt. The mighty alien hunter is ultimately bested by the skills (and dumb luck) of his human opponent, Dutch (Arnold Schwarzenegger) as a giant tree branch crushes him and effectively ends his killing spree. Dutch moves as if to finish the creature off by smashing in its face with a rock but then pauses to ponder, “What the hell are you?” “What the hell are you?” counters the visitor from outer space, and activates his handy self-destruct mechanism with his bittersweet, triumphant cackle filling the forest. Run, Arnold, run!


10. Agent Smith (Hugo Weaving) in “The Matrix Revolutions”

It was immensely satisfying when Agent Smith (Hugo Weaving) finally got to indulge in his own evil laugh — it didn’t happen until the third and final film in the “Matrix” series, but it was worth the wait. What finally got the rogue computer virus that looks great in a suit to finally lighten up a little and go full-on maniacal villain-ish? The absorbing of the Oracle herself, the final step in Smith completely taking over the Matrix. And what does Smith then do to the virtual reality program that imprisons so many human minds? He makes it rain a lot. Well, at least he sets a gloomy mood.


9. Emperor Palpatine (Ian McDiarmid) in “Star Wars: Episode III – Revenge of the Sith”

The final installment of the “Star Wars” prequel trilogy got all freak show in the final act, with Anakin getting most of his limbs cut off and burning up in molten lava and Palpatine sporting one of the worst special effects makeup jobs in cinematic history after Sam Jackson zaps him with his own Force lightning. The battle between Anakin and Obi-Wan was cool and all, but the duel we were really looking forward to is the one between the newly disfigured Emperor and the pint-sized, ass-kicking Jedi Master, Yoda. After becoming so ugly and sporting a black cloak and hood, how could Palpatine not indulge in evil laughter? If we looked like him, we’d cackle maniacally all day.


8. The Joker (Mark Hamill) in “Batman: Mask of the Phantasm”

Both Heath Ledger and Jack Nicholson had great Joker laughs with their respective turns as Batman’s number-one arch-enemy, but our all-time favorite Joker laugh definitely belongs to Mark Hamill, who played the role on “Batman: The Animated Series” and in various other incarnations (including the recent video game, “Batman: Arkham Asylum”). His is the laugh we heard in our head whenever we read the many variations of “HAHAHAHAHAHA” in the “Batman” comic books. And his last laugh in the animated feature, “Batman: Mask of the Phantasm,” is truly epic.


7. Vincent Price in Michael Jackson’s “Thriller”

What’s better than hearing horror icon Vincent Price say, “To terrorize y’all’s neighborhood?” Hearing him laugh his inimitable Vincent Price laugh at the end of the brilliant music video for Michael Jackson’s “Thriller.” The King of Pop was scary-smart for bringing on both Price and director John Landis (“An American Werewolf in London”) to help him bring his “Thriller” vision to life; the result is one of the best music videos — and short films, period, at that — of all time. Price’s laugh over the final freeze-frame of Jackson’s beastly eyes is truly unsettling.


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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

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IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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