“Take Shelter,” reviewed

“Take Shelter,” reviewed (photo)

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There were plenty of horror movies at Fantastic Fest 2011, stories of ghosts and aliens and human centipedes. But far and away the scariest film of the festival was one that hit much closer to home, with no monsters at all save the ones inside the dark corners of our own minds. It’s called “Take Shelter,” and it’s not just one of the scariest movies I’ve seen in quite a while, it’s also one of the best.

The film is literally nightmarish. Soon-to-be Oscar nominee Michael Shannon plays Curtis, a construction worker living in rural Ohio with his wife Samantha (“The Tree of Life”‘s Jessica Chastain) and deaf daughter. He is a good man with a good life until a bad night’s sleep brings him a terrifying vision. In it, he sees an oncoming storm of immense proportions. It’s pouring weird, brown, oily rain. The next night, the dream returns and intensifies; the night after that, it happens again.

Curtis becomes convinced these dreams are a real warning sign of something terrible coming. Maybe a storm really is headed his way. Or maybe the dreams portend something else. At around the same age Curtis is now, his mother suffered a mental breakdown. Is he headed for one of his own? Ever the pragmatist, Curtis begins to prepare for the worst on two fronts: since all his dreams revolve around awful storms, he builds out the antiquated storm shelter in his backyard. And since his mother’s illness could be hereditary, he seeks psychiatric counseling. The one thing he doesn’t do, at least at first, is tell Samantha about either.

What follows is a haunting and moving illustration of President Franklin Roosevelt’s old adage that the only thing we have to fear is fear itself, as Curtis’ anxiety about an uncertain future quickly proves just as destructive to his life and his marriage as any hurricane could be. If you’ve never suffered from a panic attack, and want to know what it feels like, watch “Take Shelter.” This movie is a panic attack in cinematic form. Because Curtis’ nightmares are so vividly real, it’s not always immediately apparent whether you’re watching dream or reality. And when they happen, the dreams are so truly unsettling that you watch the movie the way Curtis lives his life: constantly in dread of their return. Even in seemingly calm scenes, your pulse quickens and your palms sweat. This movie played me like a fiddle. A quivering, covering-my-eyes-because-the-movie’s-too-scary baby-shaped fiddle.

Michael Shannon, quickly becoming his generation’s Christopher Walken — makes strange and unpredictable career movies, shines in smart, uncommercial independents, enlivens crummy mainstream projects with wild performances — is absolutely perfect as Curtis. He’s restrained when he needs to be and full-on crazysauce when the scene demands. Chastain, though, might arguably have the tougher role. She inarguably has the less showy role, since she has to react to a man who is incredibly guarded about his emotions. In spite of, or perhaps because of, the part’s limitations she’s better here than she was in “The Tree of Life,” particularly as she watches Curtis’ sanity slip further and further away. By the time the family is hunkered down in that storm shelter, she’s stealing scene after scene from Michael Shannon. That’s no easy task.

But then nothing is easy about “Take Shelter,” which was written and directed by Jeff Nichols. I’ve never met the man, but watching this nakedly personal film, I feel like I know exactly who he is. Like Nichols — and like Curtis — I’m a man in my thirties with a young family. I’m lucky enough not to come from a family with a history of mental illness, but I do know what it’s like to freak out about the future, to worry that global warming is going to kill us all, or to feel like there’s absolutely nothing any of us can do about it. I might be a little nuts myself — don’t think the thought hasn’t crossed my mind — but if I am, I don’t think I’m alone. I think Nichols has tapped into something much more powerful out in the cultural zeitgeist.

Some movies hit us on an emotional level. Others stimulate us intellectually. The best movies do both, and that’s what “Take Shelter” does. It speaks to anxieties that a lot of us feel about our lives and the world at large without resorting to cheap horror movie tactics. Moments terrified me until I was gripping my armrests, and other moments moved me to tears (the ending is perfect too). Maybe the movie was blessed by good timing, opening a few weeks after Hurricane Irene became the first storm to blow through the New York City area in years. Or maybe Nichols is a good enough — and prescient enough — filmmaker to be the first guy to see the writing on the wall and make a movie about it.

“Take Shelter” is now playing in limited release. If you see it, we want to hear what you think. Tell us in the comments below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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