“Take Shelter,” reviewed

“Take Shelter,” reviewed (photo)

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There were plenty of horror movies at Fantastic Fest 2011, stories of ghosts and aliens and human centipedes. But far and away the scariest film of the festival was one that hit much closer to home, with no monsters at all save the ones inside the dark corners of our own minds. It’s called “Take Shelter,” and it’s not just one of the scariest movies I’ve seen in quite a while, it’s also one of the best.

The film is literally nightmarish. Soon-to-be Oscar nominee Michael Shannon plays Curtis, a construction worker living in rural Ohio with his wife Samantha (“The Tree of Life”‘s Jessica Chastain) and deaf daughter. He is a good man with a good life until a bad night’s sleep brings him a terrifying vision. In it, he sees an oncoming storm of immense proportions. It’s pouring weird, brown, oily rain. The next night, the dream returns and intensifies; the night after that, it happens again.

Curtis becomes convinced these dreams are a real warning sign of something terrible coming. Maybe a storm really is headed his way. Or maybe the dreams portend something else. At around the same age Curtis is now, his mother suffered a mental breakdown. Is he headed for one of his own? Ever the pragmatist, Curtis begins to prepare for the worst on two fronts: since all his dreams revolve around awful storms, he builds out the antiquated storm shelter in his backyard. And since his mother’s illness could be hereditary, he seeks psychiatric counseling. The one thing he doesn’t do, at least at first, is tell Samantha about either.

What follows is a haunting and moving illustration of President Franklin Roosevelt’s old adage that the only thing we have to fear is fear itself, as Curtis’ anxiety about an uncertain future quickly proves just as destructive to his life and his marriage as any hurricane could be. If you’ve never suffered from a panic attack, and want to know what it feels like, watch “Take Shelter.” This movie is a panic attack in cinematic form. Because Curtis’ nightmares are so vividly real, it’s not always immediately apparent whether you’re watching dream or reality. And when they happen, the dreams are so truly unsettling that you watch the movie the way Curtis lives his life: constantly in dread of their return. Even in seemingly calm scenes, your pulse quickens and your palms sweat. This movie played me like a fiddle. A quivering, covering-my-eyes-because-the-movie’s-too-scary baby-shaped fiddle.

Michael Shannon, quickly becoming his generation’s Christopher Walken — makes strange and unpredictable career movies, shines in smart, uncommercial independents, enlivens crummy mainstream projects with wild performances — is absolutely perfect as Curtis. He’s restrained when he needs to be and full-on crazysauce when the scene demands. Chastain, though, might arguably have the tougher role. She inarguably has the less showy role, since she has to react to a man who is incredibly guarded about his emotions. In spite of, or perhaps because of, the part’s limitations she’s better here than she was in “The Tree of Life,” particularly as she watches Curtis’ sanity slip further and further away. By the time the family is hunkered down in that storm shelter, she’s stealing scene after scene from Michael Shannon. That’s no easy task.

But then nothing is easy about “Take Shelter,” which was written and directed by Jeff Nichols. I’ve never met the man, but watching this nakedly personal film, I feel like I know exactly who he is. Like Nichols — and like Curtis — I’m a man in my thirties with a young family. I’m lucky enough not to come from a family with a history of mental illness, but I do know what it’s like to freak out about the future, to worry that global warming is going to kill us all, or to feel like there’s absolutely nothing any of us can do about it. I might be a little nuts myself — don’t think the thought hasn’t crossed my mind — but if I am, I don’t think I’m alone. I think Nichols has tapped into something much more powerful out in the cultural zeitgeist.

Some movies hit us on an emotional level. Others stimulate us intellectually. The best movies do both, and that’s what “Take Shelter” does. It speaks to anxieties that a lot of us feel about our lives and the world at large without resorting to cheap horror movie tactics. Moments terrified me until I was gripping my armrests, and other moments moved me to tears (the ending is perfect too). Maybe the movie was blessed by good timing, opening a few weeks after Hurricane Irene became the first storm to blow through the New York City area in years. Or maybe Nichols is a good enough — and prescient enough — filmmaker to be the first guy to see the writing on the wall and make a movie about it.

“Take Shelter” is now playing in limited release. If you see it, we want to hear what you think. Tell us in the comments below or on Facebook and Twitter.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.


It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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