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“Paradise Lost 3: Purgatory,” reviewed

“Paradise Lost 3: Purgatory,” reviewed (photo)

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With its third entry, the documentary series “Paradise Lost” earns its title: these films now constitute an epic tragedy of American injustice. The first film, “Paradise Lost: The Child Murders at Robin Hood Hills,” premiered in 1996; the second, “Paradise Lost 2: Revelations,” debuted in 2000. Now “Paradise Lost 3: Purgatory” returns to the aftermath of the same horrific crime fifteen years later. Characters from all sides of the case — investigators and prosecutors, victims and the accused — reflect on who they were then and who they are now. Directors Joe Berlinger and Bruce Sinofsky cut back and forth between the past and the present. The addition of time adds scope, insight and poignancy to everything we see.

Berlinger and Sinofsky have been chronicling the case against Damien Echols, Jason Baldwin, and Jessie Misskelley — collectively known as the West Memphis Three — since they were first arrested for the murders of three young Arkansas boys back in 1993. From the very beginning, the filmmakers were skeptical of the official version of events put forth by police, who claimed that Echols was the ringleader of a local Satanic cult, and that he, Baldwin, and Misskelley committed the crime as a sort of religious sacrifice. Their skepticism was well-founded since there was no evidence that the West Memphis 3 were involved in any way, except for a confession by Misskelley procured under questionable circumstances.

You might expect the fact that the West Memphis Three were released from prison in August to blunt “Paradise Lost 3″‘s impact. It doesn’t. Berlinger and Sinofsky do an outstanding job of contextualizing this summer’s surprising turn of events, and of explaining the reasons why they happened. They also explain why the State of Arkansas would release the West Memphis Three for pleading guilty (via an obscure legal technicality called an Alford plea) after they spent decades futilely protesting their innocence (the short answer: to avoid admitting their own guilt and risking a civil suit). The scene where the Three are released after they plead guilty plays like a something out of Terry Gilliam’s “Brazil,” only this isn’t a glimpse into a dystopian fantasy of society’s dark future, it’s a glimpse of our actual society’s dark present.

The filmmakers also do a remarkable job of updating us on the lives of all their characters. The most interesting one might by John Mark Byers, the stepfather of one of the victims who Berlinger and Sinofsky incorrectly fingered as a possible suspect in “Paradise Lost 2” (whoops). After years of Bible-thumping and fire-and-brimstone preaching against Echols, Byers seems to have found peace and a certain amount of clarity. “What’s right and what’s wrong are two different things,” he says. “And the right thing is these boys are innocent.” Byers even has a “Free the West Memphis Three” bumper sticker on his truck. Whodathunkit?

Over their nearly twenty year journey with the West Memphis Three, Berlinger and Sinofsky have become more than storytellers; they’re now a fundamental part of the story itself. The first film led directly to the rise of a nationwide grassroots movement to free the West Memphis Three which led directly to the outside funding that led directly to new avenues in their defense. When Byers presented the directors with a blood-flecked knife as a gift, they handed the knife over to police and helped spur an investigation into his possible role in the murders. Berlinger and Sinofsky’s actions throughout the “Paradise Lost” saga may raise ethical questions about the appropriate behavior of documentarians, but those are dwarfed by the ethical questions raised about the American legal system, which is revealed in these films to be deeply damaged if not irreparably broken. So thank goodness Berlinger and Sinofsky were there to watch this all happen, and to encourage people to stand up against injustice. It’s good when a film moves people to tears. It’s better when it moves them to action.

“Paradise Lost 3: Purgatory” screens tonight at the New York Film Festival. If you see it, tell us what you think; leave us a comment below or write to us on Facebook and Twitter.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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