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“Paradise Lost 3: Purgatory,” reviewed

“Paradise Lost 3: Purgatory,” reviewed (photo)

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With its third entry, the documentary series “Paradise Lost” earns its title: these films now constitute an epic tragedy of American injustice. The first film, “Paradise Lost: The Child Murders at Robin Hood Hills,” premiered in 1996; the second, “Paradise Lost 2: Revelations,” debuted in 2000. Now “Paradise Lost 3: Purgatory” returns to the aftermath of the same horrific crime fifteen years later. Characters from all sides of the case — investigators and prosecutors, victims and the accused — reflect on who they were then and who they are now. Directors Joe Berlinger and Bruce Sinofsky cut back and forth between the past and the present. The addition of time adds scope, insight and poignancy to everything we see.

Berlinger and Sinofsky have been chronicling the case against Damien Echols, Jason Baldwin, and Jessie Misskelley — collectively known as the West Memphis Three — since they were first arrested for the murders of three young Arkansas boys back in 1993. From the very beginning, the filmmakers were skeptical of the official version of events put forth by police, who claimed that Echols was the ringleader of a local Satanic cult, and that he, Baldwin, and Misskelley committed the crime as a sort of religious sacrifice. Their skepticism was well-founded since there was no evidence that the West Memphis 3 were involved in any way, except for a confession by Misskelley procured under questionable circumstances.

You might expect the fact that the West Memphis Three were released from prison in August to blunt “Paradise Lost 3″‘s impact. It doesn’t. Berlinger and Sinofsky do an outstanding job of contextualizing this summer’s surprising turn of events, and of explaining the reasons why they happened. They also explain why the State of Arkansas would release the West Memphis Three for pleading guilty (via an obscure legal technicality called an Alford plea) after they spent decades futilely protesting their innocence (the short answer: to avoid admitting their own guilt and risking a civil suit). The scene where the Three are released after they plead guilty plays like a something out of Terry Gilliam’s “Brazil,” only this isn’t a glimpse into a dystopian fantasy of society’s dark future, it’s a glimpse of our actual society’s dark present.

The filmmakers also do a remarkable job of updating us on the lives of all their characters. The most interesting one might by John Mark Byers, the stepfather of one of the victims who Berlinger and Sinofsky incorrectly fingered as a possible suspect in “Paradise Lost 2” (whoops). After years of Bible-thumping and fire-and-brimstone preaching against Echols, Byers seems to have found peace and a certain amount of clarity. “What’s right and what’s wrong are two different things,” he says. “And the right thing is these boys are innocent.” Byers even has a “Free the West Memphis Three” bumper sticker on his truck. Whodathunkit?

Over their nearly twenty year journey with the West Memphis Three, Berlinger and Sinofsky have become more than storytellers; they’re now a fundamental part of the story itself. The first film led directly to the rise of a nationwide grassroots movement to free the West Memphis Three which led directly to the outside funding that led directly to new avenues in their defense. When Byers presented the directors with a blood-flecked knife as a gift, they handed the knife over to police and helped spur an investigation into his possible role in the murders. Berlinger and Sinofsky’s actions throughout the “Paradise Lost” saga may raise ethical questions about the appropriate behavior of documentarians, but those are dwarfed by the ethical questions raised about the American legal system, which is revealed in these films to be deeply damaged if not irreparably broken. So thank goodness Berlinger and Sinofsky were there to watch this all happen, and to encourage people to stand up against injustice. It’s good when a film moves people to tears. It’s better when it moves them to action.

“Paradise Lost 3: Purgatory” screens tonight at the New York Film Festival. If you see it, tell us what you think; leave us a comment below or write to us on Facebook and Twitter.

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Thank Azaria

Best. Characters. Ever.

Our favorite Hank Azaria characters.

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GIFs via Giphy

Hank Azaria may well be the most prolific voice and character actor of our time. The work he’s done for The Simpsons alone has earned him a permanent place in the pop culture zeitgeist. And now he’s bringing another character to the mainstream: a washed-up sports announcer named Jim Brockmire, in the aptly titled new series Brockmire.

We’re looking forward to it. So much so that we want to look backward, too, with a short-but-sweet retrospective of some of Azaria’s important characters. Shall we begin?

Half The Recurring Simpsons Characters

He’s Comic Book Guy. He’s Chief Wiggum. He’s Apu. He’s Cletus. He’s Snake. He’s Superintendent Chalmers. He’s the Sea Captain. He’s Kurt “Can I Borrow A Feeling” Van Houten. He’s Professor Frink. He’s Carl. And he’s many more. But most importantly he’s Moe Szyslak, the staple character Azaria has voiced since his very first audition for The Simpsons.

Oh, and He’s Frank Grimes

For all the regular Simpsons characters Azaria has played over the years, his most brilliant performance may have been a one-off: Frank Grimes, the scrappy bootstrapper who worked tirelessly all his life for honest, incremental, and easily-undermined success. Azaria’s portrayal of this character was nuanced, emotional, and simply magical.

Patches O’Houlihan

Dodgeball is a “sport of violence, exclusion and degradation.” as Hank Azaria generously points out in his brief but crucial cameo in Dodgeball. That’s sage wisdom. Try applying his “five D’s” to your life on and off the court and enjoy the results.

Harold Zoid

Of Futurama fame. The crazy uncle of Dr. Zoidberg, Harold Zoid was once a lion (or lobster) of the silver screen until Smell-o-vision forced him into retirement.

Agador

The Birdcage was significant for many reasons, and the comic genius of Hank Azaria’s character “Agador” sits somewhere towards the top of that list. If you haven’t seen this movie, shame on you.

Gargamel

Nobody else could make a live-action Gargamel possible.

Ed Cochran

From Ray Donovan. Great character, great last name [editorial note: the author of this article may be bias].

Kahmunra, The Thinker, Abe Lincoln

All in the Night At The Museum: Battle Of The Smithsonian, a file that let Azaria flex his voice acting and live-action muscles in one fell swoop.

The Blue Raja

Mystery Men has everything, including a fatal case of Smash Mouth. Azaria’s iconic superhero makes the shortlist of redeemable qualities, though.

Dr. Huff

Huff put Azaria in a leading role, and it was good. So good that there is no good gif of it. Internet? More like Inter-not.

Learn more about Hank Azaria’s newest claim to fame right here, and don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Flame Out

Brockmire and Other Public Implosions

Brockmire Premieres April 5 at 10P on IFC.

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There’s less than a month until the Brockmire premiere, and to say we’re excited would be an insulting understatement. It’s not just that it stars Hank Azaria, who can do no wrong (and yes, that’s including Mystery Men, which is only cringeworthy because of Smash Mouth). It’s that the whole backstory of the titular character, Jim Brockmire, is the stuff of legends. A one-time iconic sportscaster who won the hearts of fans and players alike, he fell from grace after an unfortunate personal event triggered a seriously public meltdown. See for yourself in the NSFW Funny or Die digital short that spawned the IFC series:

See? NSFW and spectacularly catastrophic in a way that could almost be real. Which got us thinking: What are some real-life sports fails that have nothing to do with botched athletics and everything to do with going tragically off script? The internet is a dark and dirty place, friends, but these three examples are pretty special and mostly safe for work…

Disgruntled Sports Reporter

His co-anchor went offsides and he called it like he saw it.

Jim Rome vs Jim “Not Chris” Everett

You just don’t heckle a professional athlete when you’re within striking distance. Common sense.

Carl Lewis’s National Anthem

He killed it! As in murdered. It’s dead.

To see more moments just like these, we recommend spending a day in your pajamas combing through the muckiness of the internet. But to see something that’s Brockmire-level funny without having to clear your browser history, check out the sneak peeks and extras here.

Don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Mirror, Mirror

Portlandia Season 7 In Hindsight

Portlandia Season 7 Now Available Online and on the IFC App.

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Another season of Portlandia is behind us, and oh what a season it was. We laughed. We cried. And we chuckled uncomfortably while glancing nervously around the room. Like every season before it, the latest Portlandia has held a mirror up to ridiculousness of modern American life, but more than ever that same mirror has reflected our social reality in ways that are at once hysterical and sneakily thought-provoking. Here are just a few of the issues they tackled:

Nationalism

So long, America, Portland is out! And yes, the idea of Portland seceding is still less ludicrous than building a wall.

Men’s Rights

We all saw this coming. Exit gracefully, dudes.

Protests

Whatever you stand for, stand for it together. Or with at least one other person.

Free Love

No matter who we are or how we love, deep down we all have the ability to get stalky.

Social Status

Modern self-esteem basically hinges on likes, so this isn’t really a stretch at all.

These moments are just the tip of the iceberg, and much more can be found in the full seventh season of #Portlandia, available right now #online and on the #IFC app.

via GIPHY

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