DID YOU READ

“Like Crazy,” reviewed

“Like Crazy,” reviewed (photo)

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I don’t know anything about Drake Doremus, the co-writer and director of the new movie “Like Crazy,” but based on this film I have to assume he has some first-hand knowledge of long-distance relationships. That’s because I have some first-hand knowledge of long-distance relationships and I can tell you that for the most part this movie’s portrait of one is dead-on. This movie is so good and so true it’s almost too painful to watch. We fall in love with its characters as they fall in love with each other, and then we have to sit there helplessly as they suffer. This thing is like a romantic drama for torture porn fans.

Its victims are two charming and beautiful young people, an American named Jacob (Anton Yelchin) and a Brit named Anna (Felicity Jones). They meet in a class at a college somewhere in Los Angeles; he’s studying to be a furniture designer, she wants to be a journalist. In a flash, Jacob and Anna are inseparable, but school’s almost over, which means Anna’s visa is going to expire. The night before she’s supposed to leave, the couple exchange gifts: she gives him a handmade book about their relationship, he gives her a bracelet engraved with the word “patience.” Anna should have listened to her jewelry; instead, she impulsively violates her visa and spends the summer with Jacob. But when she has to return to England for a wedding, the Department of Homeland Security won’t let her back into the U.S. Now she’s stuck across the pond and these two sweet, innocent people who want nothing more than to be together are separated by thousands of miles and one effed-up bureaucracy.

This part of the film, where Jacob and Anna reluctantly adjust to life apart, particularly struck me with its attention to lived-in detail: the passion of first kisses after a long journey, the awkward silences after someone accidentally brings up the untenable nature of the relationship, and the way a visiting lover becomes the odd man or woman out in awkward social situations. Eventually, Jacob and Anna’s story diverges from my own (thank God), but even with less to relate to on a personal level, I never lost my personal investment in the characters. Credit Yelchin and Jones for their effortless chemistry, which shines through even when they’re acting with an ocean between them.

Credit too to Doremus, for making a love story that is somehow heart-warming and brutally unsentimental all at once. He conveys an awful lot of information in this movie with very little dialogue, and he gets that young love is all about nonverbal communication, something that’s translated directly to the style of the film. Notice the way the passage of time is marked not by title cards but by the evolution of the couple’s cell phones, from old school flip models to modern iPhones. Doremus’ visual and editorial choices are sometimes flashy but they’re always informative. Anna and Jacob’s post-college summer zooms by in a peppy montage of still photographs, the perfect way to convey how the best of times seem to slip away quicker than the rest.

“Like Crazy” won the Grand Jury Prize at this year’s Sundance Film Festival and it’s easy to see why. Good acting, good filmmaking, plus something elusive that most Sundance movies about romance lack: sincerity. Doremus doesn’t couch his love story in ironic detachment or hipster quirk, nor does he burden it with contrived villains or subplots. Anyone who’s been in a long-distance relationship can tell you that was the right decision; long-distance relationships are dramatic enough on their own without that stuff.

“Like Crazy” opens in limited release on Friday. If you see it, let us know what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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