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Judd Apatow 30-year career timeline: from stand-up comedy to his “Knocked Up” spin-off

Judd Apatow 30-year career timeline: from stand-up comedy to his “Knocked Up” spin-off (photo)

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Judd Apatow was defined by the comedy of his generation and he’s turned around and used that to define the comedy of the next generation. This is not just a list of things Judd has done in the past, but it’s also a chronicling of his rise to power. Here is the life of a comedy nerd made good – made very, very good.


1967:
Born in Flushing, New York, to real estate developer Maury Apatow and Tami Shad, who divorced when he was 12. He also has an older brother Robert and a younger sister Mia. He lived with his dad most of the time and grew up watching shows like Dinah Shore, Merv Griffin, The Tonight Show, Late Night with David Letterman, etc. “I was watching TV until about 3-3:30 to 1:30 in the morning for years.” He spent a lot of time alone in his room, but lest you think that’s sad, he says he was “laughing his ass off watching Jay Leno in 1979 on The Mike Douglas Show.” His favorites also included Steve Martin, David Brenner, Jeff Altman and even Michael Keaton’s early stand-up work. He was even transcribing episodes of “Saturday Night Live” at age 10. This is a comedy nerd writ large.

1982-3:
In 9th grade, his mother gets a job seating people at a comedy club, and he would go there all the time to watch comics – Paul Provenza was the first young comedian he ever saw. He later realized his mom’s job was likely the worst ever, but says “I like to think she did it because she knew I would like it. Like a gift to me.” He later got a job as a busboy at Rick Messina’s East Side Comedy Club so he could watch sets from people like Eddie Murphy and a rookie Rosie O’Donnell

1984:
Worked at the Syosset High School 10-watt radio station WKWZ and hosted the “Club Comedy” program, which allowed a 16-year-old kid to wrangle interviews with guys like Jerry Seinfeld, Jay Leno, Garry Shandling, John Candy, Harold Ramis, Howard Stern and even Steve Allen. Some of these interviews can be heard on Apatow’s 2-part episode of Marc Maron’s WTF podcast (where the quotes for this piece are coming from), and they really helped him learn exactly how the comedy business works.

1985:
Started stand-up comedy during his senior year of high school. Moved to Los Angeles to join the screenwriting program at USC, where he started organizing comedy nights on campus, volunteering at Comedy Relief and working at the Improv introducing other comics. Soon figures out he’s a better writer than a comic, thinking he didn’t have a strong enough point of view, so he starts writing for other comedians, too, leading to him becoming co-producers on some of their specials – such as Roseanne Barr.

1990:
Meets Ben Stiller outside of an Elvis Costello show, a man he’ll eventually name as the beginning of modern comedy. Also during this time, Apatow is sharing an apartment with Adam Sandler.

1992:
Appears on HBO’s 15th Annual Young Comedians Special, also becomes producer of the critically acclaimed “The Ben Stiller Show” on Fox, which nonetheless gets cancelled the next year. “I didn’t know what the hell I was doing,” he said. “I just was the guy trying to hopefully figure out how to not have Ben realize I didn’t know how to do anything but write stand-up jokes. I was just keeping my mouth shut and listening to Ben. I was just faking it.”

1993:
Hired as a writer and producer for “The Larry Sanders Show,” starring Shandling, who he credits as his mentor for steering him towards character-driven comedy.

1994:
Becomes a staff writer and consulting producer on the Jon Lovitz animated series “The Critic.”

1995:
Wrote and produced the comedy “Heavyweights” where Ben Stiller plays a fitness guru who takes over a fat camp for kids. Well-received but barely heard of.

1996:
Jim Carrey’s “The Cable Guy” is released, a movie he was hired to re-write, on the set of which he met Leslie Mann, his future wife (one year later, even) and star of several of his movies. He also guest-starred on Adam Sandler’s album “What The Hell Happened To Me?” and wrote and produced “Celtic Pride,” a basketball comedy with Damon Wayans and Dan Aykroyd.

1999:
“Freaks and Geeks” premieres on NBC, the most personal project he’d done to that point as a director, writer and producer, co-creating with Paul Feig. Set in the early 1980s and starring Seth Rogen, Jason Segel, James Franco, Linda Cardellini, Martin Starr, Samm Levine, Busy Philips and John Francis Daley, it followed the lives of a trio of nerds, a group of outcasts and a girl transitioning between them, and also featured a geek using “The Jerk” as a barometer of whether or not he should continue dating the cheerleader he’d miraculously landed. It’s also notable for the most noble depiction of a Dungeons and Dragons game ever. It had a devoted fan following, but not enough to keep it from being cancelled after only 12 of its 18 episodes had aired.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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