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Judd Apatow 30-year career timeline: from stand-up comedy to his “Knocked Up” spin-off

Judd Apatow 30-year career timeline: from stand-up comedy to his “Knocked Up” spin-off (photo)

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Judd Apatow was defined by the comedy of his generation and he’s turned around and used that to define the comedy of the next generation. This is not just a list of things Judd has done in the past, but it’s also a chronicling of his rise to power. Here is the life of a comedy nerd made good – made very, very good.


1967:
Born in Flushing, New York, to real estate developer Maury Apatow and Tami Shad, who divorced when he was 12. He also has an older brother Robert and a younger sister Mia. He lived with his dad most of the time and grew up watching shows like Dinah Shore, Merv Griffin, The Tonight Show, Late Night with David Letterman, etc. “I was watching TV until about 3-3:30 to 1:30 in the morning for years.” He spent a lot of time alone in his room, but lest you think that’s sad, he says he was “laughing his ass off watching Jay Leno in 1979 on The Mike Douglas Show.” His favorites also included Steve Martin, David Brenner, Jeff Altman and even Michael Keaton’s early stand-up work. He was even transcribing episodes of “Saturday Night Live” at age 10. This is a comedy nerd writ large.

1982-3:
In 9th grade, his mother gets a job seating people at a comedy club, and he would go there all the time to watch comics – Paul Provenza was the first young comedian he ever saw. He later realized his mom’s job was likely the worst ever, but says “I like to think she did it because she knew I would like it. Like a gift to me.” He later got a job as a busboy at Rick Messina’s East Side Comedy Club so he could watch sets from people like Eddie Murphy and a rookie Rosie O’Donnell

1984:
Worked at the Syosset High School 10-watt radio station WKWZ and hosted the “Club Comedy” program, which allowed a 16-year-old kid to wrangle interviews with guys like Jerry Seinfeld, Jay Leno, Garry Shandling, John Candy, Harold Ramis, Howard Stern and even Steve Allen. Some of these interviews can be heard on Apatow’s 2-part episode of Marc Maron’s WTF podcast (where the quotes for this piece are coming from), and they really helped him learn exactly how the comedy business works.

1985:
Started stand-up comedy during his senior year of high school. Moved to Los Angeles to join the screenwriting program at USC, where he started organizing comedy nights on campus, volunteering at Comedy Relief and working at the Improv introducing other comics. Soon figures out he’s a better writer than a comic, thinking he didn’t have a strong enough point of view, so he starts writing for other comedians, too, leading to him becoming co-producers on some of their specials – such as Roseanne Barr.

1990:
Meets Ben Stiller outside of an Elvis Costello show, a man he’ll eventually name as the beginning of modern comedy. Also during this time, Apatow is sharing an apartment with Adam Sandler.

1992:
Appears on HBO’s 15th Annual Young Comedians Special, also becomes producer of the critically acclaimed “The Ben Stiller Show” on Fox, which nonetheless gets cancelled the next year. “I didn’t know what the hell I was doing,” he said. “I just was the guy trying to hopefully figure out how to not have Ben realize I didn’t know how to do anything but write stand-up jokes. I was just keeping my mouth shut and listening to Ben. I was just faking it.”

1993:
Hired as a writer and producer for “The Larry Sanders Show,” starring Shandling, who he credits as his mentor for steering him towards character-driven comedy.

1994:
Becomes a staff writer and consulting producer on the Jon Lovitz animated series “The Critic.”

1995:
Wrote and produced the comedy “Heavyweights” where Ben Stiller plays a fitness guru who takes over a fat camp for kids. Well-received but barely heard of.

1996:
Jim Carrey’s “The Cable Guy” is released, a movie he was hired to re-write, on the set of which he met Leslie Mann, his future wife (one year later, even) and star of several of his movies. He also guest-starred on Adam Sandler’s album “What The Hell Happened To Me?” and wrote and produced “Celtic Pride,” a basketball comedy with Damon Wayans and Dan Aykroyd.

1999:
“Freaks and Geeks” premieres on NBC, the most personal project he’d done to that point as a director, writer and producer, co-creating with Paul Feig. Set in the early 1980s and starring Seth Rogen, Jason Segel, James Franco, Linda Cardellini, Martin Starr, Samm Levine, Busy Philips and John Francis Daley, it followed the lives of a trio of nerds, a group of outcasts and a girl transitioning between them, and also featured a geek using “The Jerk” as a barometer of whether or not he should continue dating the cheerleader he’d miraculously landed. It’s also notable for the most noble depiction of a Dungeons and Dragons game ever. It had a devoted fan following, but not enough to keep it from being cancelled after only 12 of its 18 episodes had aired.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.