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Joss Whedon reveals “Much Ado About Nothing” details, will hit film festivals in 2012

Joss Whedon reveals “Much Ado About Nothing” details, will hit film festivals in 2012 (photo)

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When fans of Joss Whedon discovered that the beloved television director was going to be helming “The Avengers” for Marvel, speculation ran rampant as to which of his circle of actors from the Whedonverse he would call upon to be a part of the film. Would Nathan Fillion play Hawkeye or Eliza Dushku play The Scarlet Witch? In the end, Whedon didn’t chose any familiar faces from his previous projects, but he’s making up for that now.

In the month since “The Avengers” wrapped, Whedon cast and shot a modern adaptation of William Shakespeare’s “Much Ado About Nothing,” which was announced yesterday by “Firefly’s” Fillion. The movie pretty much only sports familiar faces from “Buffy the Vampire Slayer,” “Angel,” “Firefly,” “Dollhouse” and even “The Avengers.” Whedon and two of his stars — Amy Acker (“Angel,” “Dollhouse”) and Sean Maher (“Firefly,” “Serenity”) — caught up with Entertainment Weekly to spill the beans about the film.

“It’s very modern. The language, the jokes, and the attitudes translate really, really easily. [The actors] do say the words as they’re written [in the play], but they connect to a modern audience in a way that portions of the other comedies don’t necessarily,” Whedon said of his adaptation.

The movie is shot in black-and-white, and Whedon said that’s because he views it as a “noir comedy.” It’s an adaptation he’s been wanting to make for many years, and even did a reading of it with Acker and Alexis Denisof (“Buffy the Vampire Slayer,” “Angel,” “Dollhouse”) three years ago. That was when he knew he wanted them to star in the film.

But it wasn’t until he wrapped “The Avengers” and he and his wife Kai were about to go on a month-long vacation to Italy to celebrate their 20-year anniversary that Whedon was convinced to make the film. Kai, with whom he co-runs the production company Bellwether Pictures, suggested that he create this film in that month instead. And so he did.

Whedon made some calls to some of his regulars, like “The Avengers'” Clark Gregg and “Buffy,” “Angel” and “Cabin in the Wood’s” Tom Lenk, to join the ensemble cast, and they quickly came running. He financed and shot the entire project in his Santa Monica estate, and wrapped shooting in 12 days (it ended on Saturday). Since production only lasted a month — and he very nicely asked his cast not to tweet about it — Whedon managed to keep the film a secret until he was ready to announce it. He says he plans to start bringing the movie to film festivals in early 2012.

“I’ve just been enjoying the Internet response. We’re feeling our way on this one, just like ‘Dr. Horrible.’ I do mean it to be in theaters. But we haven’t gotten any real plan except [going to] film festivals because it sounded like it would be festive,” Whedon said.

Acker said she wasn’t quite sure what to expect when Whedon asked her to join the movie, but came on board immediately anyways.

“Alexis and I met with Joss maybe one or two times right after we decided that we were doing it, and then we rehearsed kind of the week before. But when we showed up the first day, I was like, ‘Oh, this is a real movie!'” she said. “We didn’t quite know what it was going to be, and seeing all of the trucks and the lights and everything, everyone was kind of like, ‘Oh, we really are doing a movie!'”

She and Maher described the movie as a 12-day-long party and reunion with some of their former Whedonverse cast members. Both expressed their undying loyalty to Whedon, and said they were ready to jump to do whatever he asked of them. Maher had a commitment to “The Playboy Club” at the time, though the show has since been canceled, but called up his manager to move around his filming dates so he’d be able to participate in “Much Ado” as Don John.

“I had an email from Joss, telling me that he was putting together a cast for Much Ado About Nothing, and he wanted me to come play Don John. He said, ‘I need a sexy villain, what sayeth you?'” Maher recalled. “I initially was terrified because I’ve never done Shakespeare, and Shakespeare with Joss — I always want to do right by him because I love him so much. So I told him, I’m absolutely on board, let me just make sure I can clear the dates.”

Whedon said he had some trouble figuring out the angle he was going to take on the project, but once he did it was all smooth sailing.

“I realized that everybody in it behaves like such a dolt — an articulate dolt, but a dolt,” he explained. “I fixated on this notion that our ideas of romantic love are created for us by the society around us, and then escape from that is grown-up love, is marriage, is mature love, to escape the ideals of love that we’re supposed to follow. So that clicked for me when I realized, oh, I get why it matters everybody goes through the weird machinations we go through.”

Are you looking forward to Whedon’s take on Shakespeare’s classic comedy? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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