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Thoughts on “Hugo”‘s work-in-progress screening

Thoughts on “Hugo”‘s work-in-progress screening (photo)

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The surprise work-in-progress screening at The New York Film Festival turned out to be Martin Scorsese‘s “Hugo,” and the director himself was on hand to present his almost completed 3D family film. As Scorsese explained before the movie, “Hugo” really is a work-in-progress: a few CGI shots were unfinished and a few green screens were visible. The color correction wasn’t done, and the score by Howard Shore wasn’t complete either. Shown in this state, a review of the film would be inappropriate. But I think it’s fair to present a few random thoughts on “Hugo” as it stands now, starting with this one:

-I liked the film a lot. I’m not sure how my appreciation will translate to a wider audience — and some of my colleagues sounded much more mixed than I was after the screening — but I was very satisfied.

The film’s schmaltzy trailer may have left some die-hard Marty fans scratching their heads why Mr. “Mean Streets” would make a heartwarming family film, but “Hugo” is actually the Scorsesiest Scorsese movie in years. Only it’s not the kind of Scorsese movie you’re thinking of.

-Speaking of that trailer: if the trailer for “Drive” was so misleading that it garnered a lawsuit, then the trailer for “Hugo” might get dragged before an international criminal tribunal. It paints a very incomplete portrait of the movie, of what it’s about and even who it’s about.

-Don’t bust out the pitchforks and storm Paramount’s marketing department just yet. Once you see the movie, it will be easy to see why the trailer was so cagey. “Hugo” is a tough movie to sell — or write about — without spoiling things. In this case, I really believe they had the viewers’ best interest at heart (or heart-shaped keyhole).

-The plot, sans spoilers: Hugo Cabret (Asa Butterfield) is an orphan living in a Paris train station during the 1920s. After his father dies (Jude Law, in a brief role), his uncle (Ray Winstone, even more briefly) adopts him and puts him to work minding, winding, and repairing the station’s enormous clocktower. While Hugo keeps the clocks running, he also searches for — and occasionally steals — tools and parts for the one thing his father left him: a broken automaton that could deliver an important message. But stealing the parts he needs puts him directly in the crosshairs of the station’s cruel inspector (Sacha Baron Cohen) and the bitter owner of its trinket and toy store (Ben Kinglsey).

-“Hugo” is one of those movies set in France where everyone speaks with a British accent.

-The trailer hints at the role magic plays in the film, but it goes much deeper than that. “Hugo” is movie as magic trick. Scorsese convinces us he’s made one film, then uses some crafty sleight-of-hand to transform “Hugo” before our eyes.

-Does Scorsese single-handedly save the medium of 3D? No. Does he prove reports of 3D’s death may have been greatly exaggerated? Absolutely. “Hugo”‘s 3D inarguably enhances the experience of watching the film, and Scorsese clearly put a lot of thought into its execution. He essentially upends the classical model of 3D cinematography, in which objects in the frame constantly move towards the lens. Scorsese does the opposite; he constantly moves the lens towards the objects in the frame, playing as much with our perception of movement as our perception of depth. He also uses steam, dust, and falling snow to deftly create a sense of true three dimensional space and he playfully tours through the Parisian train station during a couple of signature long takes (imagine the Copa shot from “Goodfellas” with a 3D CGI assist).

-Between “Hugo” and “Midnight in Paris,” 2011’s been a good year for New York filmmakers in the City of Light.

-I often watch movies and wonder: where is the director in this material? In “Hugo,” there’s no need to wonder. There is even a character that I believe stands in for Scorsese himself. He is played by Michael Stuhlbarg.

-“Hugo” is a fine title for the film, but the name of a previous Scorsese project might have made an even more appropriate one. I’m referring to this — but know that by clicking that link you’re approaching the door that opens up all the spoilers I’ve been trying to hold back. Walk through it at your own risk.

“Hugo” opens November 23. Are you looking forward to it? Tell us in the comments below or on Facebook and Twitter.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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