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Thoughts on “Hugo”‘s work-in-progress screening

Thoughts on “Hugo”‘s work-in-progress screening (photo)

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The surprise work-in-progress screening at The New York Film Festival turned out to be Martin Scorsese‘s “Hugo,” and the director himself was on hand to present his almost completed 3D family film. As Scorsese explained before the movie, “Hugo” really is a work-in-progress: a few CGI shots were unfinished and a few green screens were visible. The color correction wasn’t done, and the score by Howard Shore wasn’t complete either. Shown in this state, a review of the film would be inappropriate. But I think it’s fair to present a few random thoughts on “Hugo” as it stands now, starting with this one:

-I liked the film a lot. I’m not sure how my appreciation will translate to a wider audience — and some of my colleagues sounded much more mixed than I was after the screening — but I was very satisfied.

The film’s schmaltzy trailer may have left some die-hard Marty fans scratching their heads why Mr. “Mean Streets” would make a heartwarming family film, but “Hugo” is actually the Scorsesiest Scorsese movie in years. Only it’s not the kind of Scorsese movie you’re thinking of.

-Speaking of that trailer: if the trailer for “Drive” was so misleading that it garnered a lawsuit, then the trailer for “Hugo” might get dragged before an international criminal tribunal. It paints a very incomplete portrait of the movie, of what it’s about and even who it’s about.

-Don’t bust out the pitchforks and storm Paramount’s marketing department just yet. Once you see the movie, it will be easy to see why the trailer was so cagey. “Hugo” is a tough movie to sell — or write about — without spoiling things. In this case, I really believe they had the viewers’ best interest at heart (or heart-shaped keyhole).

-The plot, sans spoilers: Hugo Cabret (Asa Butterfield) is an orphan living in a Paris train station during the 1920s. After his father dies (Jude Law, in a brief role), his uncle (Ray Winstone, even more briefly) adopts him and puts him to work minding, winding, and repairing the station’s enormous clocktower. While Hugo keeps the clocks running, he also searches for — and occasionally steals — tools and parts for the one thing his father left him: a broken automaton that could deliver an important message. But stealing the parts he needs puts him directly in the crosshairs of the station’s cruel inspector (Sacha Baron Cohen) and the bitter owner of its trinket and toy store (Ben Kinglsey).

-“Hugo” is one of those movies set in France where everyone speaks with a British accent.

-The trailer hints at the role magic plays in the film, but it goes much deeper than that. “Hugo” is movie as magic trick. Scorsese convinces us he’s made one film, then uses some crafty sleight-of-hand to transform “Hugo” before our eyes.

-Does Scorsese single-handedly save the medium of 3D? No. Does he prove reports of 3D’s death may have been greatly exaggerated? Absolutely. “Hugo”‘s 3D inarguably enhances the experience of watching the film, and Scorsese clearly put a lot of thought into its execution. He essentially upends the classical model of 3D cinematography, in which objects in the frame constantly move towards the lens. Scorsese does the opposite; he constantly moves the lens towards the objects in the frame, playing as much with our perception of movement as our perception of depth. He also uses steam, dust, and falling snow to deftly create a sense of true three dimensional space and he playfully tours through the Parisian train station during a couple of signature long takes (imagine the Copa shot from “Goodfellas” with a 3D CGI assist).

-Between “Hugo” and “Midnight in Paris,” 2011’s been a good year for New York filmmakers in the City of Light.

-I often watch movies and wonder: where is the director in this material? In “Hugo,” there’s no need to wonder. There is even a character that I believe stands in for Scorsese himself. He is played by Michael Stuhlbarg.

-“Hugo” is a fine title for the film, but the name of a previous Scorsese project might have made an even more appropriate one. I’m referring to this — but know that by clicking that link you’re approaching the door that opens up all the spoilers I’ve been trying to hold back. Walk through it at your own risk.

“Hugo” opens November 23. Are you looking forward to it? Tell us in the comments below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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