DID YOU READ

Harry Shearer discusses his comedy inspirations and why he doesn’t really go to movies anymore

Harry Shearer discusses his comedy inspirations and why he doesn’t really go to movies anymore (photo)

Posted by on

Harry Shearer shouldn’t need any introduction for a well-traveled fan of comedy. Between The Simpsons, Christopher Guest films, the Le Show radio series, his “Saturday Night Live” work and, really, a vast number of other, varied projects, he’s definitely an entertainer who’s been around and seen a lot.

Shearer recently took a sidestep away from comedy to bring together a series of projects looking at post-Katrina New Orleans, most recently with his feature-length documentary “The Big Uneasy.” You don’t ever just stop “being funny” though, and the funnyman continues to ply his craft with laughter often following his every step.

We sat down to chat with Shearer recently about his work and his influences, what he finds funny and what his take is on the current state of comedy. You can check out what he had to say right here.

Let’s start with a really easy question: what is funny to you?

Anything that makes me laugh.

That is a great answer. [we laugh] How did you get into the craft? What drew you to comedy in the first place?

I was a child actor, I worked for Jack Benny for eight years. My parents were comedy fans, we listened to radio and watched television, all sorts of stuff, but the comedy sort of stuck with me. I was a huge fan of this remarkable comedy team named Bob & Ray who were just sort of my companions through childhood.

Then when I was in college, I edited the humor magazine. It wasn’t something I thought I was going to go into professionally. I thought I was going to have some sort of serious career as a grown-up, but there was always all this comedy lurking in the background and when I found that my dabbling in other fields was proving that I really wasn’t that interested in them I came scuttling back to comedy, and particularly satire.

I got involved with this radio show in Los Angeles that was making fun of the news everyday, and that was what sucked me back in. That’s how it happened.

You’ve obviously done a pretty wide range of work over the years. I’m curious– when you’re approached on the street by fans, what are they referencing more?

You never know. What I like about my career most is that I can never predict what they’re going to come up with. I mean, I was at this screening of my film last night and a guy came up to me and said, ‘I’m a visual artist and I just have to say, I saw your show’ — I do these video art shows from time to time — and he says, ‘I saw your show at the Eldridge Museum and I just wanted to [tell you how much I enjoyed it].’

Other people will talk about The Simpsons or Spinal Tap or the other Christopher Guest movies or my radio show or the fact that I wrote this very long piece about the Jerry Lewis Telethon one time or it’s known that I’ve seen [the lost, unreleased Jerry Lewis movie] The Day the Clown Cried. I mean, people come up to me with the most amazing range of things to say to me.

I find that sort of validating, because I think if you have a varied career and don’t keep coming to the audience with the same thing, you’ll get a varied audience which doesn’t keep coming to you with the same thing. It’s reciprocal. If you just hammer them over and over again with your standard thing, I think you’ll get tired of them coming to you with the same thing back.

I was always mindful of wanting to have a relationship with the audience that didn’t make me tired of them.

That’s a great attitude for an entertainer to have!

Well yeah! You hear these people who get into show business because they want to be famous, and then, ‘Oh, get those people away from me! They’re bothering me with the same thing!’ Well yeah, because you’re bothering them with the same thing over and over.

In that same vein of keeping your career varied, you’ve obviously worked with a pretty wide range of different styles. I mean The Simpsons obviously, the voice acting, you’ve been a writer, you’re on the radio, you do a lot of satire, Guest is improv… is there a particular style that you take to the most? Do you have a favorite?

No, I don’t think so. In terms of comedy, no. There’s stuff that is sort of on my least-favorite list. It’s stuff that I don’t do. I try not to do stuff that’s sort of… proudly dumb comedy. And I try not to be in anything violent. But those are my only [hesitations].
There is so much that makes me laugh, my taste in comedy runs all the way from Laurel & Hardy to Peter Cooke and Dudley Moore to Jack Benny to Martin Short and Catherine O’Hara and French & Saunders. A very wide range of people make me laugh, so there’s a very wide range of comedy that I sit and look at and say, ‘Gee, I’d like to do that.’

I notice that most of the names you listed aren’t really in the mix anymore today. I’ve got to ask the next obvious question here: what’s your take on comedy as it stands today? I would even get more specific than that and say ‘pop comedy,’ so your Apatow stuff–

I’ve never seen a Judd Apatow movie, so it’s not popular with me. I’m not saying that for any reason except, I see very few movies and the movies I do tend to see– I mean, I got tired of walking out. Not of Judd’s movies, of movies in general. And so I thought, why not skip the middleman and just stay home?

My wife is in the British Film Academy, so we get their equivalent of the Oscar DVD [screeners]. So there’s a buffet of movies we watch every holiday season which is basically those movies. So whatever that run of movies is [account for] about 90 percent of the movies that I see.

Every once in a great while I’ll go to a movie theater and usually regret that I did. But it’s no surprise that very few comedies make the awards list in Britain, just as it’s true in the United States. So it turns out that, as a result, that that list of movies we have every Christmas time, there are very few comedies on that list.

You mentioned before that you tend not to be a fan of movies that are ‘proudly dumb.’ Can you give me some examples? I know you don’t want to denigrate anyone’s work, but–

I really don’t. But everybody knows what I mean. Basically, all I can say is I would certainly not want to denigrate them because what I know about them is what I read and hear about them, which makes me not want to see them in the first place.
So I can’t speak from the authority of having sat through them. It just doesn’t sound like anything that I’d particularly like.

Well let’s flip that then. Are there any comedies, any stand-up comedians, young ones that you’ve seen and really enjoyed?

Well stand-up has never been my favorite form of comedy, which is why I don’t do it. Basically, as I said before, I’d see something and thing, ‘Boy, I’d like to do that.’ And that’s what would make me end up doing that.

The stand-up that’s working today — but he’s been working for 20 or more years now — that every time I see him I think, ‘God, he’s still a funny motherfucker,’ is a guy who mainly works in Vegas these days, he used to be on TV a lot, named George Wallace. He’s done something very interesting.

I don’t know if it’s still a trend in Vegas, but five years ago I heard it was a trend in Vegas, which was that the hotels… would book big shows, but if they were individual performers [the hotels] wouldn’t book them, they’d rent out the room to them. Something called ‘four-walling.’ So the performer would rent the room, do all the advertising, keep all the money.
George Wallace has been doing that at a hotel in Vegas for years, I guess it’s the last five years or so, and he’s doing very well at it, which is why we never see him anywhere outside of Vegas anymore. But I hear that his act in Vegas is even edgier than it was when it was on TV. Which doesn’t surprise me, since TV is sort of careful. Especially with that kind of comedy.

I tend to be more attentive to people who are playing characters, the people that I named [mostly] play characters, that’s who make me laugh. I won’t sit down and watch an evening of stand-up. That would be disturbing to me.

What is your favorite Harry Shearer project? Let us know in the comments section below or on Facebook and Twitter.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet