DID YOU READ

Countdown to Top Ten 2K11: “Hanna”

Countdown to Top Ten 2K11: “Hanna” (photo)

Posted by on

We’re just two months away from the end of the year and the start of top ten list season. If you’re a hardcore movie nerd like me, you look forward to December with a mixture of anticipation and dread. Making a top ten list is super fun but it’s also super daunting. There are so many movies to see, and only so many hours in a day.

Seeing every single movie released this calendar year is impossible, so you’ve got to pick your battles. That’s where Countdown to Top Ten 2K11 comes in. The goal of this column is simple: as I catch up with the 2011 movies I missed in order to fill out my own top ten list, I’ll tell you whether or not you need to catch up with them as well before making your top ten list. Each installment will feature my thoughts on the movie, a sampling of other critics’ reactions, the odds of the film making my own list, and the reasons why it might make yours.

Let’s kick things off by travelling to the Arctic, the site of one of the most critically acclaimed action movies of the year.

Movie: “Hanna”
Director: Joe Wright
Rotten Tomatoes Score: 71%
Plot Synopsis: A teenage girl named Hanna (Saoirse Ronan) trained in the wilderness by her father (Eric Bana) to be the perfect killing machine is sent to civilization to assassinate an evil CIA agent (Cate Blanchett).
What the Critics Said: “An entertainingly nutty action thriller,” David Denby, The New Yorker
“The bad-ass girl-power movie ‘Sucker Punch’ wanted to be,” Christy Lemire, Associated Press
“Almost a terrific movie, or a partly terrific one,” Andrew O’Hehir, Salon
Were They Right? O’Hehir was the closest, though I liked the movie a bit more than he did, I think. I was actually surprised to see the film had just a 71% rating on Rotten Tomatoes, because I’ve read and heard some really strong endorsements on the film; “Hanna”‘s apparently more divisive than I first realized.

My own opinion of the film is somewhat divided as well. The premise is intriguing and some of the action is fantastic (what’s better than Eric Bana taking on four dudes at once? Eric Bana taking on four dudes at once in a insanely long unbroken shot). Less fantastic is the film’s obsession with its own artfulness. With her years of training, Hanna makes everything she does look so easy; why, then, does the movie look like it’s trying so hard? It doesn’t take long for “Hanna” to establish itself as a contemporary take on an old fairy tale. Wright’s allusions to Grimms’ old stories are quite subtle at first — a hero who looks like Goldilocks, a villain who whistles like the Pied Piper — but he keeps piling on more, one after another after another. One character actually says “So off to Grandmother’s house we go!” Another screams “Run little piggy!” The final showdown between two characters takes place on a Big Bad Wolf themed roller coaster in an enormous Grimm-inspired amusement park. It’s like Wright can’t stop himself. Eventually, the subtext overwhelms the text.

Still, there’s a lot to enjoy here. Ronan gives an impressive performance; a bit mannered, but appropriately so, since her character has spent her entire life cut off from the rest of society. She’s equally credible playing confused and cunning. Bana is great too in limited screentime (Blanchett, on the other hand, seems oddly stiff as the Wicked Stepmother character). Alwin H. Kuchler’s cinematography shines in obviously showy moments like Bana’s one-take fight scene and Hanna’s lengthy escape from a CIA safehouse, but he also does a nice job of filling the frame with subtler visual cues for each of the movies numerous locals, from the Artic to Morocco to Germany, so that we always know exactly where we are in any given scene. The Chemical Brothers techno score is used sparingly but very effectively. And Wright puts in all these strange little details that give “Hanna” marvelous texture: a close-up of a young girl’s face so tight we can see the peeling skin on her sunburnt nose; a woman cleaning up the crumbs from her kitchen table in the moments before her murder; an obsessive mercilessly scrubbing her gums until they bleed. I just wish he didn’t go so far overboard with the fairy tale imagery. Hanna, who’s lived her whole life in a complete cultural vacuum and doesn’t know Romeo and Juliet from Sawyer and Juliet, could have picked up on these references.

Worthy of Oscar Nominations For: Original Score, Cinematography
Chances of Making My Top Ten: Very slim.
It Might Make Your Top Ten List If: If you liked “Atonement,” but wished there were more scenes where Saoirse Ronan kicked people in the neck; you reeeeeeally get off on fairly tale imagery.

“Hanna” is now available on DVD and Blu-ray. Tell us what you think about the film in the comments below or on Facebook and Twitter.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet