DID YOU READ

Woman sues “Drive” for not being “Fast and Furious”

Woman sues “Drive” for not being “Fast and Furious” (photo)

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We’ve all gone to see movies based on trailers that turned out to be not entirely true. If you went to see “The Road” after checking out its trailer, for example, you were probably wondering where the hell Charlize Theron went. In the trailer, she looks like one of the main characters. In the movie — SPOILER ALERT! — she’s dead before the opening credits and appears only in flashbacks.

What we all haven’t done is walked out a movie and decided to sue its distributor for misleading us. But that’s exactly what one woman did last week to Filmdistrict, the distributor of the new movie “Drive.” According to The Hollywood Reporter, Sarah Deming of Michigan has filed suit against Filmdistrict for promoting “Drive” “as very similar to the ‘Fast and Furious,’ or similar, series of movies” when in fact, the suit alleges:

“…”‘Drive’ bore very little similarity to a chase, or race action film… having very little driving in the motion picture… ‘Drive’ was a motion picture that substantially contained extreme gratuitous defamatory dehumanizing racism directed against members of the Jewish faith, and thereby promoted criminal violence against members of the Jewish faith.”

It did? I thought the movie was equally violent against members of all faiths — and if you want to be really technical about it, most of the onscreen violence was committed by Jews against characters whose religious affiliations are unclear. But whatever, that’s really not the main issue.

The main issue is the trailer, which Deming argues misled her into believing “Drive” would deliver a similar experience to “The Fast and the Furious” (essentially she’s complaining about the very thing that critics love about the film — namely its romantic, poetic take on the heist genre). Let’s take a look at the trailer in question and see whether it’s misleading. Here it is:

For point of comparison, here’s the trailer to the original “The Fast and the Furious”:

Hard to say that “Drive” sells itself like a “Fast and Furious” movie when you see how a “Fast and Furious” movie sells itself. “TF&TF”‘s trailer has lot more quick cuts, a lot more CGI shots inside engines, and a lot of dudes wearing shirts with no sleeves acting macho. Which brings me to the part of Deming’s lawsuit I really don’t understand, and what I don’t understand about other people complaining that they didn’t like “Drive” because the trailer misled them: the “Drive” trailer is actually too accurate. It may not depict the full scope of the onscreen violence, it may not fully imply how slow certain portions of the film are, but it reveals almost every major details of the plot, including the twist about Carey Mulligan’s character’s husband returning from prison and the major double-cross during the big heist scene. To my eyes, it doesn’t contain any footage that doesn’t appear in the film itself, something you occasionally see in trailers for stuff that undergo significant revision in the editing room. Deming would have a much stronger case if she was suing because she felt like she saw the entire movie in the trailer, because basically she did.

Deming wants her ticket price refunded and the practice of “misleading” Hollywood trailers ended. Here’s the problem: Misleading trailers like the one for “The Road” might be frustrating, and maybe they do sometimes cross the line from fudging the truth to false advertising (“Four out of five doctors agree: ‘Drive’ is a smash-hit!”). But what’s the alternative? Trailers going even further than “Drive” to explain every last detail of what you’re going to see in a movie? Sports movie trailers that show you the last play? Horror movie trailers that reveal the identity of the killer? If the trailer tells you exactly what the movie is and what happens, why even bother going to the movies in the first place?

One of the fundamental pleasures of film is surprise. The day the movies lose that, is the day the movies lose my interest. If I can predict a movie’s ending from its trailer, that’s a bad thing. Maybe not according to Deming, but definitely according to me.

What’s the most misleading film trailer of all time? Tell us in the comments below or on Facebook and Twitter.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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