DID YOU READ

Christopher Lloyd discusses getting morbid for “Snowmen” and what it’s like playing a sage

Christopher Lloyd discusses getting morbid for “Snowmen” and what it’s like playing a sage (photo)

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The new movie “Snowmen” — out today — might need an introduction, but one of its stars, Christopher Lloyd, certainly does not. He’s been working for decades on TV and in films, including “Taxi,” “Back to the Future,” “Who Framed Roger Rabbit?,” and countless others, contributing a singular sort of eccentricity that’s as undefinable as it is irresistible. And yet, in “Snowmen,” he plays a relatively straightforward role as a caretaker at a cemetery who offers some much-needed advice to a group of kids in the midst of dealing with such weighty issues as life, death, and doing something worth remembering.

IFC caught up with Lloyd for a discussion about his work in “Snowmen”; additionally, he talked about his legacy as an actor known for being a bit odd, and examined the challenges of living up to others’ expectations while still satisfying his own.

The story of “Snowmen” is weirdly morbid – it almost feels like an “American Beauty” for kids. What initially appealed to you about the script?

Well, I kind of liked that there is it’s almost turned into a tragedy. I like the fact that something kind of scary occurred in it; it made it go deeper in its feeling and somehow realistic. You know, things do happen sometimes among young people. And I liked a film for young people that kind of dealt with that, as opposed to something that’s maybe very sugary and safe. I like going there; I’m glad everything turns out in the story, but in the process of the story, the kids mature – something happens that makes them think more seriously about life and who they are and what kind of people they want to be. They’re not just sort of set pieces, you know? And I also felt that the places they head into also involve the parents and the family in a much deeper way than might otherwise be the case, which I felt was good to see this. It was a balance – it wasn’t just what the kids were doing and the parents are sort of putting up with it or coping with it in kind of a superficial way. It pulled everybody into it and I felt it was much more emotionally fulfilling in the long run.

Was there a sense of freedom or responsibility when playing a part where you have an important role but a limited amount of screen time?

I wanted to help these kids work things out for themselves, to find themselves, and it was a limited time, but I felt that the scene was very well written and it gave me a lot of opportunity to do that. The scene in the chapel, there’s a lot of little nuances between them and myself, and among themselves, and again, the writing really afforded this to make good choices, and real choices.

Was there more to him that was either in the script or your development of the character that we don’t see?

He’s a loner essentially. He’s taking care of things around there, but he operates alone, and I didn’t imagine him as being married and having much of a family life. I figured he lived pretty much alone and whatever kind of circumstances he’s made livable for himself, and that he’s kind of whimsical at the same time, and he’s taken in a lot of life and learned a lot. And I would like to think he has a kind of profound understanding of what life is about, and he has these young people, and he sees them struggling with their own problems at their level, and he wants to give them some sort of direction without being too explicit or authoritarian, but just by way of suggestion, kind of lead them in a direction that could help them in life.

This character is otherwise pretty normal but you’ve obviously had great success playing eccentric characters. At this point is one easier than the other, or more fun?

I don’t know. I get into a character that comes my way, and you’ve probably heard this before, but whatever character I’m playing at the moment, I get pretty obsessed with it and try to bring it to life in as many ways as I can within the confines of the material. I mean, every time I wrap on the film, whatever the size of the role, or however it was written, if I feel like I’ve given it something I fell really good about it.

How comfortable are you with that association with those sorts of roles, and how much do you feel like you’ve been able to explore enough other opportunities so that you don’t feel typecast?

Well, I’ve loved to do the things that I’ve done, and I know that’s work that I’ve done sort of brings scripts to me that are sort of similar, maybe characters that are similar. I’ve had those characters come to me that are sort of a reflection of Doc Brown or Reverend Jim, and I’m very happy to play them as long as each time, the character is something different or unique in the first place. I just don’t want to repeat what I’ve already done; on the other hand, I always yearn for, like comics want a dramatic role and dramatic actors want to be comedians.

There’s always wanting to do something that you’re not normally known for doing. Last summer I had an opportunity to do a play, “Death of a Saleman,” playing Willy Loman, and I just relished it because it’s just the antithesis of so much else that I’ve done, goofy characters or way-out characters, and here was somebody who was so real and so demanding in a very dramatic way in a brilliant play. So one way or another, I get the opportunities to do different things.

Will you catch Christopher Lloyd in anything he’s in? Speak out below or on Facebook or Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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