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“Captain America” writers reveal the movie’s deleted characters and the real story behind Arnim Zola

“Captain America” writers reveal the movie’s deleted characters and the real story behind Arnim Zola (photo)

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“Captain America: The First Avenger” arrives on shelves this week, offering fans the opportunity to add Chris Evans’ debut as solder-turned-superhero Steve Rogers to their DVD and Blu-ray libraries.

IFC spoke with “The First Avenger” writers Christopher Markus and Stephen McFeely last week to get an update on the status of their “Captain America” sequel and their thoughts on seeing Evans join the rest of Marvel’s movie-verse heroes in the first trailer for “The Avengers.” Of course, we also spent some time talking “Captain America” with the duo, who had quite a bit to say about their experience scripting Steve Rogers’ big-screen origin story, and told us about some of the elements that didn’t make the film’s final cut.

“I think by virtue of it being a period piece, it was going to stand out – for better or worse – in the Marvel movie canon,” said Markus of the film’s unique place in the lineup of Marvel movies leading up to “The Avengers.” “It was not going to be a jazzy, high-tech ‘Iron Man.’ It was going to have its own tone.”

“In a weird way, I think it’s a triumph of sincerity,” he laughed. “I think the movie is genuine to itself and to the character. This is not a guy who is rabidly wisecracking his way through this adventure. He actually cares, and I think that translates to the movie as a whole. It doesn’t undercut itself.”

For McFeely, what set “Captain America” apart from its peers also included the unique architecture of the story, given the character’s history as a World War II hero who eventually finds himself in the modern-day world.

“We knew he had to go down in the Arctic at the end of the movie, so if you start with a premise that your main character is essentially going to die at the end, there’s a certain noble sacrifice you’re leading to the whole time,” he explained. “Not all movies get to do that.”

“Usually if you spend all this money, you’re going to have to have a sequel and you can’t really kill him at the end,” he continued. “So we had a structure, even though we don’t technically kill him, and we knew that was going to happen. You’re creating this noble sacrifice in the third act that I think tugs at people. I hope it does.”

Asked which scenes from the film best encapsulated their vision for the character brought to life on the screen, the pair called out two very different moments from “The First Avenger.”

“I like the whole U.S.O. sequence, in that it’s the kind of thing that could’ve easily been cut – not on a storytelling level, but more like ‘Do we really want to have this deliberately cheesy song and dance number in the middle of the superhero movie?'” said Markus. “But I think it kind of gets to the heart of where the character comes from and the time he exists in… and explains the costume in a nice, easy way.”

“I would say the end of the World War II story – the whole plane scene,” said McFeely. “The radio conversation is basically word-for-word form the first outline, let alone the first draft. Even if the outline took a few changes early on, it always got back to there, and everyone felt like that scene was going to kill if we got it right.”

Still, not everything that was in the early drafts of the film ended up in the final cut. While almost everything that was shot found its way to theaters, Markus hinted that some of the elements that were eventually excised from the film could become fodder for the sequel.

“There wasn’t a sequence with Master Man (one of Captain America’s classic villains) that ended up on the cutting room floor or anything,” laughed Markus. “But there was an endless array of scenes we could’ve drawn from, and may draw from in the future. I’m not being cryptic when I say that, either – I’m just being a comic book geek. For example, some day, whether it be in an ‘Iron Man’ movie or a ‘Captain America’ movie or any other Marvel movie, I want to see M.O.D.O.K. float down the hall.”

For those who aren’t familiar with Captain America’s rogues gallery, M.O.D.O.K. (Mental Organism Designed Only for Killing) is a recurring villain whose appearance is that of a gigantic head encased in a cybernetic suit with miniature arms and legs and rockets that propel it around. The character is a fan-favorite nemesis for Steve Rogers that debuted in a 1967 issue of Tales of Suspense and was created by Jack Kirby and Stan Lee.

Asked whether M.O.D.O.K. really is the character they’re most looking forward to seeing on the big screen, the pair couldn’t be more enthusiastic about the giant, floating head facing off against the iconic supersoldier.

“Yeah, I’m voting M.O.D.O.K.,” laughed Markus.

“You know what? ‘Vote M.O.D.O.K.’ is a t-shirt I would wear,” agreed McFeely.

However, while M.O.D.O.K. was never actually included in their original “Captain America” script, there were a few classic villains that were planned for the first film, only to be removed in subsequent drafts. The pair previously revealed that evil despot Baron Zemo was in an early draft, but he wasn’t the only sinister side character in those versions of the script.

“Baron Strucker was in there for a while, but he wasn’t doing enough to justify wasting him in the film,” said McFeely. “We certainly tried things, and ended up settling on the more useful Red Skull and Arnim Zola.”

“But they’re all still on the table,” he teased.

Finally, the pair offered up some insight regarding one particular character who did make the cut, and was introduced in a nice tip of the hat to his incarnation in the comics world.

In the comics world, Captain America villain Arnim Zola often appears as a large, humanoid robot with a large monitor in his chest that depicts Zola’s face. In the film, actor Toby Jones plays Arnim Zola, who is first seen in the film staring through a large lens – a nice nod to his comics counterpart.

“That was in the first draft, too,” said McFeely of the comics-friendly angle to Zola’s introduction. “As soon as we knew it was going to be Zola, we wanted to make sure his intro was on a screen like that.”

“We wanted to tip our hat to his later incarnation without including it in the film, because when you have a guy with a red skull for a head who’s supposed to be the most horrifying thing in the story, you can’t have a robot man walking around,” laughed Markus. “So yeah, Zola had to be a person in this movie.”

“Captain America: The First Avenger” arrives on DVD and Blu-Ray this Tuesday, October 25.

What do you think of the “Captain America” writers’ comments regarding the characters that did or didn’t make the cut? Chime in below or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.