DID YOU READ

Bryan Cranston Talks ‘Malcolm in the Middle,’ ‘Breaking Bad’ and the Meaning of Underwear

Bryan Cranston Talks ‘Malcolm in the Middle,’ ‘Breaking Bad’ and the Meaning of Underwear (photo)

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While Bryan Cranston has risen to the ranks of super stardom for his three time Emmy Award-winning portrayal of chemistry teacher-turned-meth-maker Walter White on AMC’s hit series “Breaking Bad,” here at IFC we know him better as affable dad Hal on “Malcolm in the Middle.” We chatted with Bryan about what parenting tips he gleaned from his time on “Malcolm,” roller skating, and, of course, the true meaning of tighty whitey underwear.

Why should people tune in for Malcolm in the Middle?

It’s just good story telling. It’s funny, but it’s also poignant. It has heart, but then it goes absolutely insane. I truly believe that Malcolm is one of those rare shows that make people laugh and feel good. It’s honest. I have such pride connected to Malcolm I just feel so pleased and fortunate to have been on that show and I hope people really enjoy it.

When you first read the script for Malcolm, what did you find appealing about Hal?

I actually didn’t. When I read the pilot episode it was really all about Lois, the mom, and Malcolm, the son. So the show was really from Malcolm’s perspective and about the dynamo that Lois was. My character had four, maybe five, lines and I didn’t get a sense of him at all or where he was and I didn’t know what to do with it. But, I did know that the script was really well written and was a terrific story and I was curious to see what can I do. I sat with it for a while and it was really like five lines.

I talked to my wife about it and I finally said the only thing I can think of is to fulfill the place in the story that is not being told. That is, what would make a good mate to Lois? What is she lacking? What did she need because she is the Sergeant-at-Arms? She’s tough so why don’t I start doing the opposite. She’s not afraid of anything so Hal should be completely fearful. She’s insightful. So Hal is obtuse. I started drawing those opposites and the character started to come together.

One thing that was not working in the guy was that his children were coming in and he’s sitting there reading the paper and not listening to his wife or his children. But it won’t work if he doesn’t love his children and his wife. So how do you justify him not paying attention to them? The distinction with Hal is that he’s distracted, not disinterested. He is so harried at work that he would take these little mind vacations, but then he would snap out of his fog and be startled by what was going on. He didn’t purposefully ignore his family, but he can’t help but take his little brain vacations and then would snap out of it.

So Hal came a long way from what you read in the script.

He did. It wasn’t very clear and I had many ideas about what would be a good complement to Lois. I talked to [show creator] Linwood Boomer and I pitched him on the idea of a guy who absolutely adored his wife and loved her more than anything, because it just wouldn’t have worked otherwise. It was important to the characters and then later Lois was able to show that side and the wonderful loving marriage that they had. It was important for America to see that it wasn’t this kind of crass bitching-at-each-other relationship. They truly loved each other.

As a parent in real life, what parenting tips did you learn from Malcolm, if any?

I did. Malcolm in the Middle was a beacon of light to all parents across the world. You just had to do better than Hal and Lois and you were a good parent. You could just watch Malcolm and do the opposite of what they did and then you should be okay. But despite that — the underlying theme that wasn’t apparent, but was couched — was that no matter what, we had dinner together every night. We were around that table. As crazy as the family was, love was at the core of that family. They loved each other. That’s something that subliminally made an impact with our viewers. No matter what was going on, they were always tethered by love.

After spending hours a day on set with kids, did you start feeling parental towards them?

Very much so. They grew up with me as their “dad.” Christopher Masterson was the adult and he was only 18. Little Erik Per Sullivan was only 7 when we started. Spending that much time on the set we really started to feel like a family. We would goof around but we also had to get work done, so we would be goofing around and then I would crack the whip and would be, “Hey hey knock it off.” It was very much a parental-son relationship. I love them dearly.

After raising kids on a show, do you feel invested in their future endeavors?

I hope I get a percentage of their future endeavors. Because without me they wouldn’t be in a position to make any money. I’m joking, of course. It would be fun to see them all succeed. I really hope they do.

The cast of Malcolm comes across as a big group of pranksters, did you play jokes on set?

All the time. It was that kind of show and that kind of temperament. The show was about jokes and pranks and gags and the trouble that kids would get into. So on set, we were always getting into trouble and it was either on purpose or accidental. We would have things like food fights that were written into the show and you would get carried away with it. I feel so lucky to have been a part of that.

Did you do all the skating in Malcolm or did you have a stunt double?

I did most of it. There were just two parts that I didn’t do, which is when I left my feet. There was a cartwheel and a handstand, which I did not do, but everything else I did. It was fun we had a week and a half to learn the routine and start skating. It’s fantastic what you can do with practice.

After Malcolm in the Middle ended, did you find you were being typecast as a silly dad? How long did it take to break free from that mold?

I could have been, but it’s up to the actor not to let that happen. It’s human nature to see someone do something and say oh he was fun and great as a silly dad so let’s offer him this role as a silly dad. So I had a couple offers to do silly dad comedies, but I turned them down. I just had to have faith that something would come along. I just didn’t want to be redundant

Do you see similarities between Walt and Hal other than both wear tighty whitey underwear?

Well the tighty whitey reigns supreme. It still lives on. When I saw that in the script in Breaking Bad, I brought it to Vince Gilligan and pointed out that I wore it for seven years on Malcolm and he said, “Oh forget it go find something else.” So I started going through wardrobe and while I was doing that, I realized that when he had Walt in tighty whitey, he did it for a reason. It meant something and I wanted to get to that root of that. I chose tighty whitey’s on Malcolm because Hal …

…You chose to wear it?

I did, because it’s funny. A grown man in tighty whiteys, wearing them is funny. You put him in boxers and it’s just not funny. So that was an easy choice. But for Breaking Bad it was harder. I had to ask, why would a grown man wear a boy’s underwear? Hal wore them because he always wore them and it never occurred to him to wear anything else. Hes still a boy. Walter White wore them because he stopped growing. The underwear became indicative of Walter White’s stunted growth. He just stopped caring. Hal wouldn’t think of wearing any thing else. With Walt it’s an I-don’t-care thing. An I’m-too-depressed-to-think-beyond-that thing. Too depressed to think about what I’m more comfortable wearing. He’s given up.

Does season 4 Walt still wear tighty whiteys?

Now it’s such an iconic thing, but he might change. We might see him go a different route …but then again we may not. You know, if we drew a Venn Diagram, the tighty whiteys might be the thing in the middle that connects the two shows.

Who would you rather have as a dad, Walt or Hal?

Hal, definitely Hal. I wouldn’t want to be put in danger, which is what Walt has done. If that happened in Malcolm it would have been by accident. That did happen occasionally, but Hal had a sweet nature and he was a sensitive loving caring man and I had sympathy for him.

Do you think moving on from Walter White will be as challenging as it was moving on from Malcolm?

I haven’t really thought about that yet, but like the decision-making after Malcolm, I too have to keep that in mind when leaving Breaking Bad. It’s up to the actor to make sure they don’t get typecast.

Would you consider returning to comedy after such a successful turn in drama?

I hope so. Every actor wants opportunities. I want to look at what’s available be it comedy on stage or in comedic films, I definitely have my eye out for it.

I understand you’re going to be the voice of Commissioner Gordon, on the upcoming animated film “Batman: Year One.” Are you prepared for legions of comic fans to critique your performance?

That’s the nature of what we do. If you don’t have the stomach for that then you need to consider changing careers. That being said, I don’t really listen to criticisms. I do these things to please myself and if it passes muster for me then that’s enough. I’m only disappointed if I fail myself. I like to hear that its affected people and I’m not adverse to reading criticism, but I don’t pay to much to it, because I’m not doing it for them.

Finally, Portlandia star Fred Armisen had one question for you: Did you get the bottle of sparkling apple juice?

No! I’m still waiting. Did you get it?

Back-to-back episodes of “Malcolm in the Middle” air on IFC weeknights at 6 p.m. ET

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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