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Fantastic Fest 2011: “The Yellow Sea,” reviewed

Fantastic Fest 2011: “The Yellow Sea,” reviewed (photo)

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Korean director Na Hong-jin‘s “The Yellow Sea,” his follow-up to his blockbuster debut “The Chaser,” starts as a spartan character study then sprawls into a massive crime conspiracy. By the end, things get a little too densely plotted; everyone I spoke with at Fantastic Fest was still trying to sort through the exact details of who did what to whom and why hours after the screening. Not surprisingly, I liked the first part of “The Yellow Sea” a lot more than the second part, though both halves have their moments.

Na wrings an enormous amount of drama out of an insanely simple premise. A cab driver named Gu-nam (Ha Jung-woo) is deep in debt, and the men he owes are getting antsy. They gave him 60,000 yuan for his wife’s visa so she could move to Korea from their pitiful home on the Chinese border, but it’s been months since she’s called or written. With nowhere else to turn, Gu-nam accepts a proposition from a mobster named Myung-ga (Kim Yun-seok) who promises to settle Gu-nam’s debt if he sneaks into Korea and murders someone for him. He has ten days to complete the hit and, perhaps, find his missing wife.

These opening scenes are spare and quiet, rich with detail and unspoken tension. The sequence that follows Gu-nam as he sneaks into Korea aboard a series of ships could be from a documentary on human trafficking. The detailed work continues once Gu-nam arrives in Seoul and starts shadowing his target; meticulously learning his routines and determining the best time and method to kill his prey. His actions are small but the stakes are huge. To paraphrase Willy Wonka, the suspense is terrible and you’re just hoping it lasts.

The fateful moment arrives earlier and with a lot more complications than anticipated. The assassination doesn’t go wrong, but it doesn’t exactly go right either, and that puts Gu-nam in the sights of a lot of different groups: the cops who want to solve a murder, his victim’s underworld associates who want revenge for their friend’s death, and Myung-ga’s own gang who get drawn into an international mob war with a Korean kingpin.

When Gu-nam starts running for his life like a wild animal, the film grows equally frenzied. Bye bye quiet precision, hello orgy of violence. Bye bye carefully observed minimalist drama, hello knife fights, hatchet fights, crazy foot chases, knife fights, crazier car chases, and knife fights. Did I mention this movie has knife fights? Because it does. Apparently, no one in the Korean underworld can find a gun, but they’re all big fans of the Ginsu knife. Now I finally understand why it was important that that thing could cut through a shoe.

From there, the film become an extravagantly bloody mess in the style of other over-the-top Korean revenge thrillers like “I Saw the Devil.” “The Yellow Sea,” it must be said, does have a certain joie de vivre all its own. At one point, two characters are chasing one another on a boat. One leaps overboard to escape, and the other dutifully follows; the chase continues in the water below. A swimming chase! That’s a new one for me.

The frenzy is fine, but a little bit more clarity, at least narratively speaking, would have been nice. The film seems to provide an unambiguous answer to the core mystery that drives its second half, then immediately reverses itself with a couple epilogue scenes that confuse the issue. Of course I would never spoil anything here, but after you see the movie, leave me some feedback below and answer me these questions: just who was that banker? And why did he do what he did? And how was that woman connected to him?

Nobody here at the festival was quite sure. One wise colleague I spoke to who hadn’t seen the movie suggested that the perplexing finale could have been disorienting by design. And it’s definitely true that Na modulates his direction to match his protagonist’s mental state. When the crap hits the fan for Gu-nam he doesn’t know how or why either. On the other hand, characters in these final scenes exchange knowing glances that imply they understand who they are and what they’ve done, even if we do not. That’s the problem. The audience shares Gu-nam’s confusion, but not his final fleeting moments of comprehension.

“The Yellow Sea” has a TBD release date from Fox International Pictures. If you see it at Fantastic Fest, we want to know what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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