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Sex in “Straw Dogs”: The remake of a rape

Sex in “Straw Dogs”: The remake of a rape (photo)

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In some ways, Straw Dogs is an odd choice for a remake – for a movie about “asking for it,” it certainly wasn’t. Nor, as Monday’s box office results reflect, was much of an audience asking for it, either. (It came in fifth place).

Sam Peckinpah’s 1971 original was reviled, most notably by Peckinpah champion Pauline Kael, as “sexual fascism.” A key scene – a double rape – provoked arguments about the director’s motivation, since the picture seemed to argue that the woman was “asking for it,” which Peckinpah himself confirmed in an infamous Playboy interview. (In that same interview, he also claimed that most women were whores, and if they weren’t, they weren’t being honest.)

So why remake a film noted for its misogyny? “That’s the very reason to make this film in the first place,” director Rod Lurie explained on the red carpet at a Cinema Society screening last week. He calls it an “intellectual exercise”: “How do you tell the same story, eliminate his philosophy, and put mine into it? Is it possible?”

Let’s see. For starters, both “Straw Dogs” are based on a book – The Siege of Trencher’s Farm, in which there is no rape, and the main violence is a home invasion. The rape comes about, in the original, partly because the female character, Amy Sumner (played by Susan George), has been walking around without a bra on and has accidentally revealed her breasts to some construction workers; but then upon realizing that they’re staring at her through the window, she lingers to let them look.

Her new husband, David (played by Dustin Hoffman), is presented as a pacifist intellectual, who isn’t around to defend her at the crucial moment – because he allowed himself to be tricked earlier, and failed to take a stand when the workers committed their first act of violence: hanging the family cat in the closet. When the first rape happens, Amy barely struggles, and even expresses pleasure. “People often asked, ‘Why is she smiling? Why is she cuddling with her rapist?'” Lurie noted. And the danger with that presentation, he said, is “there were young boys watching this film who went, ‘She said no, but he f—ed her, and she’s OK with it.'”

The rape scene was part of a larger issue, however – a philosophy Peckinpah believed in called the “territorial imperative.” “It said that all men are genetically coded to violence.” Lurie said. “And so the most violent among us are going to be in charge. The woman will not gravitate to the best man for them, they’re going to gravitate to the alpha male — to the biggest bull in the herd.” This is why, after the rape, Amy’s loyalty seems divided – the rapist seems to understand her more than her husband does, and she only seems to respect her husband after he kills several men defending their home.

“I’m not buying into that whatsoever,” Lurie said. “So what you’ll find in my version of the film, it doesn’t go that way at all.”

Lurie changed the setting from Cornwall, England, to the South, to place the action in a small town where football, hunting, and churchgoing are the major pastimes. “They have preachers talking about a vengeful God who will spite you from the earth; and the flood, and Armageddon,” he said. So while Lurie does not agree with Peckinpah that human beings are normally conditioned to violence, in this town, they are, “like it’s no big deal to them.” And his David (played by James Marsden) hasn’t been raised with violence in his life, “except what he reads in history.” (In the movie, David is scripting a film about the WWII battle of Stalingrad, a battle which was partly fought by women with brooms and kids with bricks, “a metaphor for everything that happens in the film,” Lurie said).

“We’re capable of violence if we’re protecting ourselves,” Lurie said. “So when David becomes violent at the end, it’s because he has to, not because, like in the Peckinpah film, there’s a rage being released that was there anyway.”

And when that violence at the end happens in the remake, David is not alone in defending his home. “By the end of the original, everyone jumps ship. Even his wife deserts him,” Marsden said. “In this film, they sort of stay together as a couple, and fight together. And throughout, they’ve had more discussion as a couple, like about the doors being locked.”

The couple also have more discussion about whether it’s appropriate for Amy (played by Kate Bosworth) to go braless, after she complains about men ogling her – which is what prompts her to reveal her breasts in the first place, because this time, it’s no accident. It’s a strange scene – if construction workers were ogling you, and it made you angry, would you take your top off for them in response? And then, the crucial point, even if you did, does that mean you’re “asking for it”? “I don’t know any woman that enjoys that notion,” Lurie said.

“To be honest with you, what intrigued me about the film is how gray it is,” Bosworth said. “I have so many questions about the original. And I have questions about our movie! I have questions about my character, still. It really is one of those films you never quite have the answers to.”

When the rape finally happens in this film, it’s more clear than in the first that Amy and Charlie (played by Alexander Skarsgård) have had a past relationship. “With Charlie, it’s not really rape,” Skarsgård said. “He thinks, there’s this woman, she wants him, and they’re going to be together forever. And when she rejects him, he’s like, ‘I offered you my protection for life. You said no. This is what happens.’ So it’s very primal, on an animalistic level. ‘You didn’t want that? This is what happens.'”

While Amy doesn’t fight back as much during the rape this time, her rapist is also much bigger. (Plus, he’s Eric Northman!) But she doesn’t treat it like ex-sex, either. “I think it’s a little more clear that she’s not enjoying this thing done to her,” Bosworth added. “That was more murky in the original.”

“Our leading lady is certainly much more fierce and more modern than Susan George’s character,” Marsden said, “and a little less ambivalent in that defining scene.”

While it’s commendable to not eroticize rape, as the original does, it leaves the remake without much of a point. Peckinpah’s “Straw Dogs” had an argument to make – an argument many disagreed with, but an argument nonetheless, about what makes a man a man, and what women supposedly really want. Does excising that leave much of a picture left? Lurie said it does.

“Our Amy is a fierce Amy,” Lurie said. “She’s a feminist Amy. She’s an Amy of 2011.”

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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