Everyone thinks we’re crazy for taking RealD glasses home with us after seeing movies. “They give them away for free!” they say, “What are you going to do with a drawer full of those things?” they ask. We’ll see who’s laughing come May 2012, however, when Sony stops paying for 3D glasses and our kitchen junk drawer is full of polarized plastic gold.
The Hollywood Reporter broke the news that the studio will cease covering the costs for the glasses needed to watch its 3D movies, bills that can run “$5 million to $10 million per blockbuster release.” The first big movies to be affected by this change will be next summer’s “Men in Black III” and “The Amazing Spider-Man.”
As of now, it’s unclear who will be covering the cost of the delightfully dark glasses, the movie theaters or customers themselves. The Hollywood Reporter points out that many theater chains might balk at yet another expense required to show 3D movies, as many have just recently finished shelling out money to upgrade their screens to show that additional dimension.
Of course, moviegoers probably won’t be thrilled about an additional cost involved with seeing 3D movies either, since they typically pay a $3 or $4 surcharge for what’s becoming less of an option and more of a necessity if you want to see the biggest, newest releases at certain times. Currently, Sony is the only studio with plans to cease paying for 3D glasses, but if it goes over reasonably well, it should be fair to expect other studios to follow suit shortly afterward.
Do you think it’s right for studios like Sony to pass the buck on the cost of 3D glasses? Would you still go see movies in 3D if you had to start paying for your own glasses? Tell us in the comments below or on Facebook or Twitter.
“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”
That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:
IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator? Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.
IFC: And to a friend of a friend you met in a bar? Carl: The same way, slightly less coherent.
Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.
Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.
IFC: In what way is Frank and Lamar a poignant series for this moment in time? Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.
Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!
IFC: How would you describe Sport Court to a fancy network executive you met in an elevator? Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.
IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar? Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.
IFC: Is there a method to your madness when coming up with sports fan faux pas? Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.
IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing? Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!
Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.
He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.
Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.
Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.
Here are a few pearls.
On Baseball’s Lasting Cultural Relevance
“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”
On The Dramatic Value Of Double-Headers
“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”
On Sartorial Tradition
“Is dressing badly just a thing for baseball, because that would explain his jacket.”
On Baseball, In A Nutshell
“Baseball is a f-cked up sport, and I want you to know it.”
Learn more about Charles in the behind-the-scenes video below.
And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.
On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.
“We’re the same level of functional alcoholic.”
But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.
“You’re a Goddamn Disaster and you’re starting To look good to me.”
This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…
Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.
And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.