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Fantastic Fest 2011: “Sleepless Night,” reviewed

Fantastic Fest 2011: “Sleepless Night,” reviewed (photo)

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There’s been a lot of good criticism about action movies lately. Matthias Stork and Jim Emerson’s “Chaos Cinema” and “In the Cut” video essays have got people asking the question: what makes a good action movie? I’ve just seen the answer; it’s a French thriller called “Sleepless Night.” Without being didactic in any way, it is action movie as criticism of action movies, leading by example in an era of incoherent films with stale aesthetics. After a long day at Fantastic Fest, a midnight screening of “Sleepless Night” woke me up more effectively than any cup of coffee I’ve ever had in my life. Hours later, I was still riding the high. So the movie’s not only great, the title’s accurate too.

Exposition is kept to a minimum; action defines character. Impressions are made, then upended by new revelations, onion-peeling style. We open on a daring daytime heist. Two men, Vincent (Tomer Sisley) and Manu (Laurent Stocker), steal a bag of drugs from two mules who work for a local kingpin named Marciano (Serge Riaboukine). After the heist, we follow Vincent back to work. At a police station. Only then do we realize: these guys are actually dirty cops.

Marciano figures out who took his drugs. To get them back, he kidnaps Vincent’s son and holds him hostage at a dance club. Despite Manu’s objections, Vincent brings the dope to the club, stashing the bag in the men’s room ceiling before meeting Marciano. He never notices a female cop on his tail; she swipes the dope and hides it elsewhere in the club. Now all the pieces are in place: Vincent needs to give Marciano the heroin he doesn’t have and can’t find or his son is dead. And while he scrambles for a solution, he’s also got to contend with cops and gangsters closing in.

The last character in this story is the club itself, the setting for the entire movie after the introductory scenes. That’s where Frédéric Jardin really distinguishes himself as an gifted action director. The club is a sprawl of dance floors and bars and stairwells and private offices; Jardin connects them all with crystal clarity. The film exhibits a use-the-whole-buffalo mentality: every dangling plot point, every seemingly minor supporting character, every thrown away line of dialogue has a purpose. Vincent might be running like a madman, but Jardin is in total control. He directs every beat with surgical precision.

So what are the qualities that define a great action movie? If we follow the example set by “Sleepless Night,” you need a great protagonist on a quest with some real stakes, fighting a villain you love to hate. From 90-odd minutes Vincent wriggles like a fly in a spider’s web. Each move for freedom gets him stuck in ever deeper trouble. Everywhere he turns there are multiple villains we love to hate, including a few surprise ones. Sisley’s performance as Vincent is as relentlessly intense as the film around him. His situation is so dire and his love for his son runs so deep, you can’t help but root for him despite his flaws. So the action isn’t just cool, it means something.

A great action movie also needs to pay close attention to geography, and it definitely wouldn’t hurt to take enough care when crafting your screenplay to make sure every little detail of plot and continuity fit together. As Vincent dashes around the club, he keeps bumping into the same characters over and over again, from an illegal alien in the kitchen to a battered woman in the bathroom. Each ally he makes becomes a crucial element of his fight to rescue his son. Vincent’s improvisatory escapes are so clever, they make us like him even more.

Lastly, a great action movie definitely need at least one balls-out, tooth-and-nail fight scene like the one that takes place between Vincent and another character in the kitchen of Marciano’s club. In every moment of that fight you can tell who is who, where they are, and what they’re doing. The choreography is clear and the integration of the environment is inventive; if the Oscars added a category for Best Use of Kitchen Drawers, “Sleepless Night” would be a shoo-in. Come to think of it, if they added a Best Action Movie category it would be a shoo-in for that one too.

“Sleepless Night” does not have US distribution; Warner Brothers recently acquired the film’s remake rights. If you see it at Fantastic Fest — AND BY GOD YOU SHOULD — tell us what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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