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Fantastic Fest 2011: “Sleepless Night,” reviewed

Fantastic Fest 2011: “Sleepless Night,” reviewed (photo)

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There’s been a lot of good criticism about action movies lately. Matthias Stork and Jim Emerson’s “Chaos Cinema” and “In the Cut” video essays have got people asking the question: what makes a good action movie? I’ve just seen the answer; it’s a French thriller called “Sleepless Night.” Without being didactic in any way, it is action movie as criticism of action movies, leading by example in an era of incoherent films with stale aesthetics. After a long day at Fantastic Fest, a midnight screening of “Sleepless Night” woke me up more effectively than any cup of coffee I’ve ever had in my life. Hours later, I was still riding the high. So the movie’s not only great, the title’s accurate too.

Exposition is kept to a minimum; action defines character. Impressions are made, then upended by new revelations, onion-peeling style. We open on a daring daytime heist. Two men, Vincent (Tomer Sisley) and Manu (Laurent Stocker), steal a bag of drugs from two mules who work for a local kingpin named Marciano (Serge Riaboukine). After the heist, we follow Vincent back to work. At a police station. Only then do we realize: these guys are actually dirty cops.

Marciano figures out who took his drugs. To get them back, he kidnaps Vincent’s son and holds him hostage at a dance club. Despite Manu’s objections, Vincent brings the dope to the club, stashing the bag in the men’s room ceiling before meeting Marciano. He never notices a female cop on his tail; she swipes the dope and hides it elsewhere in the club. Now all the pieces are in place: Vincent needs to give Marciano the heroin he doesn’t have and can’t find or his son is dead. And while he scrambles for a solution, he’s also got to contend with cops and gangsters closing in.

The last character in this story is the club itself, the setting for the entire movie after the introductory scenes. That’s where Frédéric Jardin really distinguishes himself as an gifted action director. The club is a sprawl of dance floors and bars and stairwells and private offices; Jardin connects them all with crystal clarity. The film exhibits a use-the-whole-buffalo mentality: every dangling plot point, every seemingly minor supporting character, every thrown away line of dialogue has a purpose. Vincent might be running like a madman, but Jardin is in total control. He directs every beat with surgical precision.

So what are the qualities that define a great action movie? If we follow the example set by “Sleepless Night,” you need a great protagonist on a quest with some real stakes, fighting a villain you love to hate. From 90-odd minutes Vincent wriggles like a fly in a spider’s web. Each move for freedom gets him stuck in ever deeper trouble. Everywhere he turns there are multiple villains we love to hate, including a few surprise ones. Sisley’s performance as Vincent is as relentlessly intense as the film around him. His situation is so dire and his love for his son runs so deep, you can’t help but root for him despite his flaws. So the action isn’t just cool, it means something.

A great action movie also needs to pay close attention to geography, and it definitely wouldn’t hurt to take enough care when crafting your screenplay to make sure every little detail of plot and continuity fit together. As Vincent dashes around the club, he keeps bumping into the same characters over and over again, from an illegal alien in the kitchen to a battered woman in the bathroom. Each ally he makes becomes a crucial element of his fight to rescue his son. Vincent’s improvisatory escapes are so clever, they make us like him even more.

Lastly, a great action movie definitely need at least one balls-out, tooth-and-nail fight scene like the one that takes place between Vincent and another character in the kitchen of Marciano’s club. In every moment of that fight you can tell who is who, where they are, and what they’re doing. The choreography is clear and the integration of the environment is inventive; if the Oscars added a category for Best Use of Kitchen Drawers, “Sleepless Night” would be a shoo-in. Come to think of it, if they added a Best Action Movie category it would be a shoo-in for that one too.

“Sleepless Night” does not have US distribution; Warner Brothers recently acquired the film’s remake rights. If you see it at Fantastic Fest — AND BY GOD YOU SHOULD — tell us what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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