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DID YOU READ

Winging through “Airplane!” on Blu-ray with Robert Hays

Winging through “Airplane!” on Blu-ray with Robert Hays (photo)

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One of the greatest movies of all-time is coming out on Blu-ray. What is it? It’s a polycarbonate disc that contains the digital files of a movie, but that’s not important right now.

What is important is the classic comedy “Airplane!” available on Blu-ray for the first time. To celebrate the occasion, we spoke with “Airplane!” star Robert Hays — Ted Striker himself — about working with writer/directors David and Jerry Zucker and Jim Abrahams, battling the late Leslie Nielsen’s infamous fart machine, and trying not to freak people out when they recognize him on airplanes. Disengage your autopilot, put down your copy of “Famous Jewish Sports Legends,” and enjoy.

How did you get the part? Did you audition?

Yeah, I did. My agency had a new agent and she had just come into the office. She called [“Airplane!” producer] Howard Koch, who she used to work with. They’d been all over the country having auditions, looking for Ted Striker, and they couldn’t find him. She called them up and said, “Hey, I’ve got your Ted Striker for you!”

They sent over a script; I actually read it on an airplane. Every single page had something on it that made me laugh. I met with them the next week and really liked them, they liked me. Then I read for them, and they liked my reading, and then I screen tested with Julie [Hagerty]. They really liked us and that was it.

I don’t know if people realize “Airplane!” is actually a very faithful — albeit much sillier — remake of a ’50s disaster movie called “Zero Hour!” The lead character is even named Ted Stryker. Did you watch that movie or study its Ted, Dana Andrews, before you played the part?

I didn’t really see it until after we’d made the film, but [the directors] had it queued up in their little trailer or their little hut if we were shooting on a soundstage. They had a video feed from the cameras, and the monitor was taped off so they could see just what was going to be on the film. So they would set it up so they could get the same angle and the same lighting for certain scenes.

They were that focused on it looking authentic?

Well, just in certain things — the lighting and the camera angles. But they didn’t want me to see Dana Andrews, they didn’t want me mimicking him. Which is good; I wanted to have my own character. I just did it really seriously and really straight. That was one of the important ingredients of doing the film.

Did each of the three directors have their own responsibilities or did they all do everything?

They would all confer and then Jerry [Zucker] would speak to us. David [Zucker] and Jim [Abrahams] watched the monitor. Sometimes they would all talk, but usually it was just Jerry talking on the set with the crew and the actors.

Were they always in sync or were there occasionally disagreements over things?

If there were, I never saw them. It was like three bodies with one brain. They just were so in tune with what they were doing.

I’ve read that Leslie Nielsen liked to play pranks on his co-stars.

He wasn’t known for it at that point, but he had this little fart machine that he would have in his hand. So when I was in the cockpit with him and Laura Patterson and he said “Mr. Striker, can you land this plane?” when we shot my close-up, it was “Mr. Striker, [fart noise] can you [fart noise] land this [fart noise] plane?” Farting the whole time! That was the hardest day to keep a straight face. He was very funny.

I’m sure when people recognize you, they quote lines from the movie. I imagine you hear “Surely you can’t be serious!” a lot, but what’s your favorite line from the movie that you don’t often hear from fans?

Gosh, I don’t know. One time I was racing cars, and I flew to a track north of San Francisco, in Sonoma. I got to the airport, landed, and went to get my car. The girl behind the counter says “Are you Robert Hays? You were in ‘Airplane!”” And I said “Yup.” And she said “Oh my God, I love that film! My favorite scene was…” And I’m expecting the dance scene or “Surely…” or one of those. And she said “It’s when all the people come down the baggage claim chute and the luggage is sitting there waiting for them.” I said “Oh good!” but I’m thinking, “Gosh, what a strange choice.” So she went to the back to look for my paperwork and I turned around and leaned on the counter. I look over and I realize, that’s what she looks at all day long: the conveyor belt with all the luggage! So it all depends on who it is that you’re talking to.

Do people see you on airplanes and get nervous?

[laughs] Soon after the film came out I was in New York. And I was at the airport getting ready to get on a plane and they had this little waiting room that you went into, and then after it was filled they’d wheel the room over, and that’s how you got in the plane. And when I first got there, there was only one other guy in there, and he was all dressed in black, very dramatic, with a long cape. He had a big sombrero-like black hat. He looked very fashionable, like he was some designer or something. He leaned against the opposite wall and stared at me. He never said anything until the entire room was filled, and then he very dramatically pointed his finger at me and said “I’m not getting onto any plane with that man!”

I used to get invited up into the cockpit in all the foreign carriers. On U.S. carriers it’s illegal, but in foreign ones you can go in the cockpit. All over Europe and Australia, everywhere, they’d invite me up and it was a lot of fun. And in American planes, pilots would come back and kneel down and whisper something to me like “If I need some help will you come up and land the plane?”

Of course all the problems in “Airplane!” started when the pilots eat some tainted fish. Would you ever eat fish on an airplane?

My own private, personal little joke is that ever since the movie, I’ve never had fish on a plane. It’s 31 years now. And I love fish.

There’s one thing that’s always bugged me about the movie. In the flashback scene where Ted meets Elaine, there’s a scene that spoofs “Saturday Night Fever” where you dance to “Stayin’ Alive” by the Bee Gees. For some reason, the song is played at a faster speed than it should be. This has bothered me for years: why play the song at the wrong speed?

I don’t know. It might be just because it’s funnier.

“Airplane!” will be available on Blu-ray Sunday, September 25 as a Best Buy Exclusive. What’s your favorite line from the movie? Tell us in the comments below or on Facebook and Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.