DID YOU READ

Winging through “Airplane!” on Blu-ray with Robert Hays

Winging through “Airplane!” on Blu-ray with Robert Hays (photo)

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One of the greatest movies of all-time is coming out on Blu-ray. What is it? It’s a polycarbonate disc that contains the digital files of a movie, but that’s not important right now.

What is important is the classic comedy “Airplane!” available on Blu-ray for the first time. To celebrate the occasion, we spoke with “Airplane!” star Robert Hays — Ted Striker himself — about working with writer/directors David and Jerry Zucker and Jim Abrahams, battling the late Leslie Nielsen’s infamous fart machine, and trying not to freak people out when they recognize him on airplanes. Disengage your autopilot, put down your copy of “Famous Jewish Sports Legends,” and enjoy.

How did you get the part? Did you audition?

Yeah, I did. My agency had a new agent and she had just come into the office. She called [“Airplane!” producer] Howard Koch, who she used to work with. They’d been all over the country having auditions, looking for Ted Striker, and they couldn’t find him. She called them up and said, “Hey, I’ve got your Ted Striker for you!”

They sent over a script; I actually read it on an airplane. Every single page had something on it that made me laugh. I met with them the next week and really liked them, they liked me. Then I read for them, and they liked my reading, and then I screen tested with Julie [Hagerty]. They really liked us and that was it.

I don’t know if people realize “Airplane!” is actually a very faithful — albeit much sillier — remake of a ’50s disaster movie called “Zero Hour!” The lead character is even named Ted Stryker. Did you watch that movie or study its Ted, Dana Andrews, before you played the part?

I didn’t really see it until after we’d made the film, but [the directors] had it queued up in their little trailer or their little hut if we were shooting on a soundstage. They had a video feed from the cameras, and the monitor was taped off so they could see just what was going to be on the film. So they would set it up so they could get the same angle and the same lighting for certain scenes.

They were that focused on it looking authentic?

Well, just in certain things — the lighting and the camera angles. But they didn’t want me to see Dana Andrews, they didn’t want me mimicking him. Which is good; I wanted to have my own character. I just did it really seriously and really straight. That was one of the important ingredients of doing the film.

Did each of the three directors have their own responsibilities or did they all do everything?

They would all confer and then Jerry [Zucker] would speak to us. David [Zucker] and Jim [Abrahams] watched the monitor. Sometimes they would all talk, but usually it was just Jerry talking on the set with the crew and the actors.

Were they always in sync or were there occasionally disagreements over things?

If there were, I never saw them. It was like three bodies with one brain. They just were so in tune with what they were doing.

I’ve read that Leslie Nielsen liked to play pranks on his co-stars.

He wasn’t known for it at that point, but he had this little fart machine that he would have in his hand. So when I was in the cockpit with him and Laura Patterson and he said “Mr. Striker, can you land this plane?” when we shot my close-up, it was “Mr. Striker, [fart noise] can you [fart noise] land this [fart noise] plane?” Farting the whole time! That was the hardest day to keep a straight face. He was very funny.

I’m sure when people recognize you, they quote lines from the movie. I imagine you hear “Surely you can’t be serious!” a lot, but what’s your favorite line from the movie that you don’t often hear from fans?

Gosh, I don’t know. One time I was racing cars, and I flew to a track north of San Francisco, in Sonoma. I got to the airport, landed, and went to get my car. The girl behind the counter says “Are you Robert Hays? You were in ‘Airplane!”” And I said “Yup.” And she said “Oh my God, I love that film! My favorite scene was…” And I’m expecting the dance scene or “Surely…” or one of those. And she said “It’s when all the people come down the baggage claim chute and the luggage is sitting there waiting for them.” I said “Oh good!” but I’m thinking, “Gosh, what a strange choice.” So she went to the back to look for my paperwork and I turned around and leaned on the counter. I look over and I realize, that’s what she looks at all day long: the conveyor belt with all the luggage! So it all depends on who it is that you’re talking to.

Do people see you on airplanes and get nervous?

[laughs] Soon after the film came out I was in New York. And I was at the airport getting ready to get on a plane and they had this little waiting room that you went into, and then after it was filled they’d wheel the room over, and that’s how you got in the plane. And when I first got there, there was only one other guy in there, and he was all dressed in black, very dramatic, with a long cape. He had a big sombrero-like black hat. He looked very fashionable, like he was some designer or something. He leaned against the opposite wall and stared at me. He never said anything until the entire room was filled, and then he very dramatically pointed his finger at me and said “I’m not getting onto any plane with that man!”

I used to get invited up into the cockpit in all the foreign carriers. On U.S. carriers it’s illegal, but in foreign ones you can go in the cockpit. All over Europe and Australia, everywhere, they’d invite me up and it was a lot of fun. And in American planes, pilots would come back and kneel down and whisper something to me like “If I need some help will you come up and land the plane?”

Of course all the problems in “Airplane!” started when the pilots eat some tainted fish. Would you ever eat fish on an airplane?

My own private, personal little joke is that ever since the movie, I’ve never had fish on a plane. It’s 31 years now. And I love fish.

There’s one thing that’s always bugged me about the movie. In the flashback scene where Ted meets Elaine, there’s a scene that spoofs “Saturday Night Fever” where you dance to “Stayin’ Alive” by the Bee Gees. For some reason, the song is played at a faster speed than it should be. This has bothered me for years: why play the song at the wrong speed?

I don’t know. It might be just because it’s funnier.

“Airplane!” will be available on Blu-ray Sunday, September 25 as a Best Buy Exclusive. What’s your favorite line from the movie? Tell us in the comments below or on Facebook and Twitter.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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