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R.E.M.’s top 5 albums will live on long past their break-up

R.E.M.’s top 5 albums will live on long past their break-up (photo)

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R.E.M.’s Wednesday break-up announcement placed a bookend after 2011’s “Collapse Into Now,” officially making it the group’s final studio album (barring any unforeseen reunions). Their sound has floated and meandered since original drummer Bill Berry left the band in 1997. Left to their own devices, Michael Stipe, Peter Buck and Mike Mills stayed productive, but never managed to hoist a true new classic up into their discography.

“Up” and “Around the Sun” delivered a few memorable tracks and collaborations, but none of R.E.M.’s post-1997 albums matched the levels of indie rock invention and lyrical inspiration that they achieved in the following five classics.

In fact, if you ever need to get acquainted with R.E.M. at its best, put these albums on your playlist, and prepare to understand what made them great.

murmur.jpg“Murmur” (1983)
R.E.M.’s first studio album features a band in the process of honing its sound, and you can almost hear them rising out of the mist as they announce themselves in “Radio Free Europe” and grow out of the second track, “Pilgrimage.” The album sets Stipe loose with his young-adult angst and attitude on songs such as “Moral Kiosk” and “Catapult.” The band still sounds soft-boiled, but that’s part of the charm on “Murmur.”

newadventures.jpg“New Adventures in Hi-Fi” (1996)
Often overlooked because of its different sound and place during the twilight of the Berry era, “New Adventures” boasts some of Stipe’s most feeling vocals and a rare successful journey into harder rock with “The Wake-Up Bomb.” R.E.M. rarely packaged the variety, balance and fully energized, attacking performances that made it onto this album, and it has aged well over 15 years.

pageant.jpg“Life’s Rich Pageant” (1986)
Stipe, Berry, Buck and Stipe kicked their careers into a new gear with “Life’s Rich Pageant.” The acidic lyrics and spontaneously erupting melodies that highlighted their 1980s work are in full bloom on “Begin the Begin” and “Hyena.” The whole album rolls forward with a fierce, fragile momentum and a fresh sense of discovery that couldn’t be imitated by any other band.

automatic.jpg“Automatic for the People” (1992)
Outside of R.E.M.’s core fandom and in the popular consciousness of the ’90s, “Automatic for the People” will forever be the album that defines what R.E.M. sounded like. Filled with pop gems such as “Man on the Moon” and “Everybody Hurts,” it summons an orchestral backdrop for a litany of powerful folk-infused ballads while letting Stipe crack his voice during determined leaps toward higher notes in “The Sidewinder Sleeps Tonite” and “Ignoreland.”

document.jpg“Document” (1987)
R.E.M. made their quintessential ’80s album with “Document.” By this point, they knew how to command an audience and pass their songs around the stage with sobering effectiveness. Almost every track from “Disturbance at the Heron House” to “Oddfellows Local 151” oozes with ominous elegance, and atop all of them sits “It’s The End of the World as We Know It (And I Feel Fine).” Both celebratory and aching with cynicism, this is R.E.M. at its most glorious.

Which R.E.M. albums would you add to your own list of favorites? Let us know below or on Facebook or Twitter.


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.