DID YOU READ

“Moneyball,” reviewed

“Moneyball,” reviewed (photo)

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This review contains spoilers for historical events. If you don’t know how “Moneyball” ends already and don’t want to know, do not read further.

People who know baseball will have a very different experience watching “Moneyball” than the people who don’t. The film, an adaptation of a revolutionary non-fiction book by Michael Lewis, recreates the events of the Oakland Athletics’ 2002 season. Within the film, the A’s accomplishments in ’02, engineered by their iconoclastic general manager Billy Beane (Brad Pitt), are treated as a near-mythic triumph of baseball’s David over its collective Goliaths. Outside the film, as baseball fans know, the real story is a little bit different.

Consider this scene early in the film. Beane is in Cleveland during the off-season looking to acquire players. The A’s had a great year in 2001, but they lost three of their biggest stars — Jason Giambi, Jason Isringhausen, and Johnny Damon — because they couldn’t afford to pay their free agent contracts. Beane is scrambling. In Cleveland, Beane meets Peter Brand (Jonah Hill), a young assistant to Cleveland’s general manager with new ideas about evaluating talent based on statistics rather than instinct. He tells Beane he should be glad the Athletics lost Damon, explaining how he’s not worth the salary the Red Sox are going to pay him. They can find better deals on talent elsewhere, Brand promises.

The matter is dropped, and Brand joins the staff of the Athletics. His beliefs are implicitly validated. If you didn’t know baseball, you would have to assume he was right about Johnny Damon. But since leaving the Athletics, Damon’s won two World Series. The A’s have won zero. In Game 4 of the 2009 Fall Classic, Damon got on base with two outs in the top of the ninth, stole two bases on a single pitch, and ignited a game-winning rally. Was he really that overvalued?

“Moneyball,” directed by Bennett Miller, is a fun movie. That fact alone in and of itself is something of an achievement, since Lewis’ book was a fascinating but dry tome about the origins and history of statistical analysis in sports. The film ditches most of the history for a straight and effective underdog story. It makes sense: Beane, bucking 100 years of tradition and struggling with a microscopic budget, fielded a team that was in Brand’s words from the “island of misfit toys,” also-rans, has-beens, and never-wases undervalued by the rest of baseball and, thus, affordable. Pitt is in full movie star mode guiding us on this journey; he shines brightly and, given that the film is the story of a baseball team that succeeds without the benefit of star players, somewhat ironically. Hill is quietly hilarious as Brand, deliciously uncomfortable as the lone intellectual in the locker room. The film’s screenplay was co-written by Aaron Sorkin, and like Sorkin’s Oscar-winning work on “The Social Network,” it is about a bunch of nerds beating a bunch of jocks at their own game.

As a baseball lover and an admirer of Lewis’ book, I always knew where the story was going. I kept hoping for something about the film to surprise me. Very little did. Beane himself is a charismatic figure — how could he not be when he’s played by Brad PItt — but he’s little more than his drive to win. He has no friends and almost no social life. He shares one scene with an ex-wife (Robin Wright) and a few with an adorably shy daughter (Kerris Dorsey). Otherwise, he’s kind of a cagey dude. Beane considers himself a gambler; at one point, he compares himself to a card counter flipping the odds at a casino. Maybe it’s no surprise then that he never really lets the film behind his poker face.

The focus instead is really on the team and the statistical revolution in baseball that they inspired. It’s well-created but, at least for me, predictable. I haven’t even mentioned Phillip Seymour Hoffman as Athletics manager Art Howe, primarily because for maybe the first time in his career, Hoffman gives a performance that isn’t worth mentioning. Beane and Brand’s system doesn’t put a lot of value on managers, and neither does the movie.

The only moments that really impressed me about “Moneyball” came near the end. Things build, as they must, to a big game. Things end, as they must, in triumph. But then Beane and Brand share a moment that puts things in much needed perspective: Beane reminds his partner that their dramatic victory ultimately means nothing. They haven’t won the World Series yet, and they won’t either. That’s when the movie finally acknowledges the disconnect between history and the film’s rose-colored reenactment. A long epilogue follows, throwing more and more cold water on the Athletics’ parade. All the romance and magic of baseball (and baseball movies) collides head on with the harsh realities of Beane’s moneyball approach, and a slight film gains some much needed depth.

“Moneyball” opens this Friday. If you see it, let us know what you think. Leave us a comment below or write to us on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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