Despite having had a wildly successful Hollywood career, Mel Gibson has a somewhat prickly relationship with the Jewish people. Whether on account of the perceived anti-Semitism of “The Passion of the Christ,” or the quite obvious anti-Semitism of Gibson’s drunken rants, an outsider might assume that Gibson has something against God’s chosen people. He’ll be looking to dispel that rumor soon, however, as the fundamentalist Catholic begins work on a script about one of Judaism’s most revered heroes.
Gibson, who once drunkenly claimed, “the Jews are responsible for all the wars in the world,” will soon be telling the story of a Jew who actually did start a war: Judah Maccabee. During the second century B.C., Macabee led a Jewish revolt against the Seleucid Empire, and is recognized as one of Jewish history’s greatest warriors, alongside names such as Joshua, Gideon, David and Bill Goldberg. To put this into better perspective for us gentiles, events that took place during the Maccabean Revolt are still honored today during the choliday of Chanukah.
Somewhat shockingly, given his history with the Jewish people, Deadline is now reporting that Gibson will collaborate on the script with Joe Eszterhas, who will likely offer the same respectful, somber approach he brought to the scripts for “Basic Instinct” and “Showgirls.” It’s currently unknown whether Gibson will direct the movie, but he is definitely signed on as a producer.
His abhorrent behavior aside, Gibson is clearly an outrageously talented filmmaker, who could do wonders with a story that’s basically the Jewish “Braveheart.” Would you be interested in seeing his take on the material, or has Gibson’s history of anti-Semitism soured you on the project? Tell us in the comments below or on Facebook and Twitter.
Catch the classic sitcom Soap Saturday mornings on IFC.
Posted by Luke McKinney on Photo Credit: Columbia Pictures Television
The soap opera is the indestructible core of television fandom. We celebrate modern series like The Wire and Breaking Bad with their ongoing storylines, but soap operas have been tangling more plot threads than a quilt for decades. Which is why pop culture enjoys parodying them so much.
Check out some of the funniest soap opera parodies below, and be sure to catch Soap Saturday mornings on IFC.
1. Mary Hartman, Mary Hartman
Mary Hartman, Mary Hartman was a cult hit soap parody from the mind of Norman Lear that poked daily fun at the genre with epic twists and WTF moments. The first season culminated in a perfect satire of ratings stunts, with Mary being both confined to a psychiatric facility and chosen to be part of a Nielsen ratings family.
2. IKEA Heights
IKEA Heights proves that the soap opera is alive and well, even if it has to be filmed undercover at a ready-to-assemble furniture store totally unaware of what’s happening. This unique webseries brought the classic formula to a new medium. Even IKEA saw the funny side — but has asked that future filmmakers apply through proper channels.
When you’re parodying ’80s nighttime soaps like Dallas and Dynasty , everything about your show has to equally sumptuous. The 1986 CBS miniseries Fresno delivered with a high-powered cast (Carol Burnett, Teri Garr and more in haute couture clothes!) locked in the struggle for the survival of a raisin cartel.
Soap was the nighttime response to daytime soap operas: a primetime skewering of everything both silly and satisfying about the source material. Plots including demonic possession and alien abduction made it a cult favorite, and necessitated the first televised “viewer discretion” disclaimer. It also broke ground for featuring one of the first gay characters on television in the form of Billy Crystal’s Jodie Dallas. Revisit (or discover for the first time) this classic sitcom every Saturday morning on IFC.
5. Too Many Cooks
Possibly the most perfect viral video ever made, Too Many Cooks distilled almost every style of television in a single intro sequence. The soap opera elements are maybe the most hilarious, with more characters and sudden shocking twists in an intro than most TV scribes manage in an entire season.
6. Garth Marenghi’s Darkplace
Garth Marenghi’s Darkplace was more mockery than any one medium could handle. The endless complications of Darkplace Hospital are presented as an ongoing horror soap opera with behind-the-scenes anecdotes from writer, director, star, and self-described “dreamweaver visionary” Garth Marenghi and astoundingly incompetent actor/producer Dean Learner.
7. “Attitudes and Feelings, Both Desirable and Sometimes Secretive,” MadTV
Soap opera connoisseurs know that the most melodramatic plots are found in Korea. MADtv‘s parody Tae Do (translation: Attitudes and Feelings, Both Desirable and Sometimes Secretive) features the struggles of mild-mannered characters with far more feelings than their souls, or subtitles, could ever cope with.
8. Twin Peaks
Twin Peaks, the twisted parody of small town soaps like Peyton Place whose own creator repeatedly insists is not a parody, has endured through pop culture since it changed television forever when it debuted in 1990. The show even had it’s own soap within in a soap called…
9. “Invitation to Love,” Twin Peaks
Twin Peaks didn’t just parody soap operas — it parodied itself parodying soap operas with the in-universe show Invitation to Love. That’s more layers of deceit and drama than most televised love triangles.
10. “As The Stomach Turns,” The Carol Burnett Show
The Carol Burnett Show poked fun at soaps with this enduring take on As The World Turns. In a case of life imitating art, one story involving demonic possession would go on to happen for “real” on Days of Our Lives.
11. Days of our Lives (Friends Edition)
Still airing today, Days of Our Lives is one of the most famous soap operas of all time. They’re also excellent sports, as they allowed Friends star Joey Tribbiani to star as Dr Drake Ramoray, the only doctor to date his own stalker (while pretending to be his own evil twin). And then return after a brain-transplant.
And let’s not forget the greatest soap opera parody line ever written: “Come on Joey, you’re going up against a guy who survived his own cremation!”
12. Acorn Antiques
First appearing on the BBC sketch comedy series Victoria Wood As Seen on TV, Acorn Antiques combines almost every low-budget soap opera trope into one amazing whole. The staff of a small town antique store suffer a disproportional number of amnesiac love-triangles, while entire storylines suddenly appear and disappear without warning or resolution. Acorn Antiques was so popular, it went on to become a hit West End musical.
13. “Point Place,” That 70s Show
In a memorable That ’70s Show episode, an unemployed Red is reduced to watching soaps all day. He becomes obsessed despite the usual Red common-sense objections (like complaining that it’s impossible to fall in love with someone in a coma). His dreams render his own life as Point Place, a melodramatic nightmare where Kitty leaves him because he’s unemployed. (Click here to see all airings of That ’70s Show on IFC.)
14. The Spoils of Babylon
Bursting from the minds of Will Ferrell and creators Andrew Steele and Matt Piedmont, The Spoils of Babylon was a spectacular parody of soap operas and epic mini-series like The Thorn Birds. Taking the parody even further, Ferrell himself played Eric Jonrosh, the author of the book on which the series was based. Jonrosh returned in The Spoils Before Dying, a jazzy murder mystery with its own share of soapy twists and turns.
15. All My Children Finale, SNL
SNL‘s final celebration of one of the biggest soaps of all time is interrupted by a relentless series of revelations from stage managers, lighting designers, make-up artists, and more. All of whom seem to have been married to or murdered by (or both) each other.
In the early ’90s, The X-Files was a cultural happening, right up there with Pogs and the Bartman. It hit at a perfect moment, spawning catchphrases and racy fan fiction that helped shape the early days of the Internet. With The X-Files: Fight the Future and The X-Files: I Want to Believe airing this month on IFC, we thought we’d revisit some of the scariest episodes the show ever produced. Wake up your inner ’90s child, and let them know they won’t being going to sleep tonight, because the truth is out there, and it is freaking terrifying.
12. “Our Town,” Season Two
We all know small towns have something to hide, at least on The X-Files. That certainly proved true in this second season episode that made us rethink our eating habits. When The X-Files did horror, the writers always strived to find a new slant on an old genre. Here, that meant taking the iconography of cannibals, masked murderers and factory farming, and whipping them together into a uniquely scary stew. “Our Town” isn’t a perfect episode, falling into cliché at times (Scully pulls the damsel in distress routine for the umpteeth time), but it more than makes up for its faults with some genuine scares.
11. “Chinga,” Season Five
What do you get when you combine the greatest horror show of its time with the greatest horror author of the century? The answer is this fifth season episode, penned by Stephen King himself, about a mind controlling killer doll come to life. Whether it’s clawing out your own eyes, or stabbing yourself with a hammer, this stuffed little lady is impossible to say no to. While the episode received mixed reviews, for any fan of King, it’s a must watch. If nothing else, the surprise the network got when they learned that “Chinga” is actually a curse word in Spanish must’ve been pretty terrifying.
10. “Eve,” Season One
Nothing is scarier than twins. That’s just a fact. But what if those creepy twins were just the tip of the iceberg? What if countless clones were made in some secret government lab, all with one purpose… Murder! That’s the idea here, as Mulder and Scully face off against a ragtag band of grimy killer clones, who will just as soon bite your head off as look at you. “Eve” was a creepy first season episode that demonstrated what a mastery of genre the show would have moving forward.
9. “The Host,” Season Two
For any of us that have worried about what monsters may be lurking in the toilet, this episode confirmed our very worst fears. An early effort at the “Monster-of-the-Week” format that would come to define the show, it’s far from a perfect episode. But what it does do effectively is create a creepy monster with a freakish sucker face that plays on our unspoken fears of the unknown. An early indicator of what this show was capable of, “The Host” (and Flukeman) still freaks us out enough to make the list.
8. “Folie à Deux,” Season Five
There’s nothing scarier than losing your mind. That’s what this season five episode explored, when Mulder found himself seeing monsters no one else could. Was he cracking up? Or were they real (and unstoppable) because no one would believe him? Which is really more terrifying? A spooky outing full of fun ideas and creepy visuals, this was one of the few episodes that made you wonder if Mulder was going to find a way out of it in one piece.
7. “Irresistible,” Season Two
The X-Files would do anything for a scare, even if it meant dropping the supernatural for an episode and showing us how terrifying man can be without all the aliens and ghosts to get in the way. “Irresistible” focused on a Scully-obsessed serial killer who takes misogyny to the next level, killing women and keeping their hair and fingers as trophies. The episode stands out thanks to a furiously creepy performance from Nick Chinlund, who imbues his killer with an oily smugness. Featuring one of the show’s all-time best guest spots, this episode really showed why you should trust no one.
6. “Die Hand Die Verletzt,” Season Two
Everyone knows that substitute teachers are a bunch of pushovers. Well, that doesn’t seem to be the case in Milford Haven, New Hampshire, where desks are filled with student’s eyes and hearts, instead of homework. This season two episode explored what happens when those we trust with our kids prey upon them. While the story was fairly conventional, the scares were intense, playing out ritual sacrifice and supernatural suicide against a backdrop of typical high school drama.
5. “Patient X,” Season Five
Most of the truly scary, full-blown horror episodes of The X-Files were stand alone, and separate from the show’s larger mythology. This episode is different. Diving head first into the show’s labyrinthine plot about alien invasion, “Patient X” showed how terrifying visitors from outer space could be. There’s lots of dark moments here. Bodies burned alive. Alien infections. But none compare to the visual of the infected, their bloody eyes and mouths sewn shut, coming for us all. One of the most striking visuals the show ever came up with, it was a moment that turned an episode that was for true blue fans into something that could freak out just about anybody.
4. “Sanguinarium,” Season Four
Talk about medical malpractice. This fourth season episode explored the trust we place in our doctors to not go batty and start ritually sacrificing us while they’re all up in our guts. Plastic surgery was just becoming a way of life in the ’90s, which meant it was a fertile subject for satire. And what is horror but satire with blood? X-Files creator Chris Carter saw the potential in exploring the glamorous industry’s dark underbelly of vanity and pride. It’s not much of a leap from paying a doctor thousands of dollars for the perfect body to selling your soul for one. And, of course, there’s plenty of blood to boot.
3. “Field Trip,” Season Six
This sixth season episode was a head-trip, for both the characters and the audience. What’s real and what’s a hallucination? In the episode, Mulder and Scully both find themselves under the effects of a potent, psychotropic spore that causes them to vividly hallucinate. We see them kidnap aliens and die horrible deaths, all while still trapped inside their own minds. Each time we think they’ve made it free, we realize this is just another layer of fantasy. A mind-tripping horror show that leave us on the edge of our seats, “Field Trip” was one of the most innovative and freaky episodes in the show’s run.
2. “Detour,” Season Five
You’re lost in the woods, being hunted by a monster you can’t see. AND you have to deal with some serious sexual tension with your work wife to boot. That’s the premise of this classic episode from the show’s fifth season which pits Mulder and Scully against nature itself, by way of a chameleon-like “Monster-of-the-Week.” The monster in this episode was one of the show’s best, blending into its surrounding just enough to be anywhere, while always tipping us off with its disturbing, glowing eyes. If we can all agree to ignore its similarities to Predator, this is one of the show’s very best episodes.
1. “Home,” Season Four
One of the most controversial outings in the show’s history, this season four episode was so brutal, so graphic, and so disturbing that some fans felt like they’d been betrayed. In a sense, this episode posits what would happen if Mulder and Scully wandered into The Texas Chainsaw Massacre, but with a bit less chainsaw, and bit more inbred freaks. The show would never again create freaks as disturbing as The Peacocks, who were almost scarier for their way of life than their brutal murders.
Will Carol charm its way to awards season glory? Will Spotlight steal the spotlight? These and more questions will be answered when the 2016 Spirit Awards air live on IFC Saturday, February 27th at 2P/5E.
From the intense Beasts of No Nation to the blistering drama James White (featuring Comedy Bang! Bang!‘s Kid Cudi), the nominees comprise the best of the past year of independent filmmaking. But before you fill out your office Spirit Awards poll (that’s a thing, right? It should be!), take a look at the full list of nominees below. And be sure to check back for more updates on the 2016 Spirit Awards.
Best Feature Anomalisa
Beasts of No Nation
Sean Baker, Tangerine
Cary Joji Fukunaga, Beasts of No Nation
Todd Haynes, Carol
Charlie Kaufman & Duke Johnson, Anomalisa
Tom McCarthy, Spotlight
David Robert Mitchell, It Follows
Charlie Kaufman, Anomalisa
Donald Margulies, The End of the Tour
Phyllis Nagy, Carol
Tom McCarthy & Josh Singer, Spotlight
S. Craig Zahler, Bone Tomahawk
Best First Feature The Diary of a Teenage Girl
Songs My Brothers Taught Me
Best First Screenplay
Jesse Andrews, Me and Earl and the Dying Girl
Jonas Carpignano, Mediterranea
Emma Donoghue, Room
Marielle Heller, The Diary of a Teenage Girl
John Magary, Russell Harbaugh, Myna Joseph, The Mend
Best Male Lead
Christopher Abbott, James White
Abraham Attah, Beasts of No Nation
Ben Mendelsohn, Mississippi Grind
Jason Segel, The End of the Tour
Koudous Seihon, Mediterranea
Best Female Lead
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Bel Powley, The Diary of A Teenage Girl
Kitana Kiki Rodriguez, Tangerine
Best Supporting Male
Kevin Corrigan, Results
Paul Dano, Love &Mercy
Idris Elba, Beasts of No Nation
Richard Jenkins, Bone Tomahawk
Michael Shannon, 99 Homes
Best Supporting Female
Robin Bartlett, H.
Marin Ireland, Glass Chin
Jennifer Jason Leigh, Anomalisa
Cynthia Nixon, James White
Mya Taylor, Tangerine
Best Documentary (T)error
Best of Enemies
Heart of a Dog
The Look of Silence
The Russian Woodpecker
Best International Film A Pigeon Sat on a Branch Reflecting on Existence
Embrace of the Serpent
Son of Saul
Best Cinematography Beasts of No Nation
Songs My Brothers Taught Me
Best Editing Heaven Knows What
John Cassavetes Award (Best Feature Under $500,000) Advantageous
Heaven Knows What
Out of My Hand
Robert Altman Award (Best Ensemble) Spotlight
Kiehl’s Someone to Watch Award
Robert Machoian & Rodrigo Ojeda-Beck
Piaget Producers Award
Rebecca Green and Laura D. Smith