DID YOU READ

“Killer Elite,” reviewed

“Killer Elite,” reviewed (photo)

Posted by on

You’ve heard people boast they could beat someone up with one hand tied behind their back before. In “Killer Elite,” Jason Statham beats two guys up with both of his hands tied behind his back, while the rest of him is tied to a chair. That’s a picture of the scene above. Look at that. Jason Statham, tied to a chair, beats the crap out of a guy who is not tied to a chair. That is awesome. He is awesome. And “Killer Elite” is awesome enough, in scenes like that, that it doesn’t really matter that it’s insanely, pointlessly complicated. Jason Statham beats up two dudes while he’s tied to a chair. That is satisfaction.

Actually, there’s more to like about this movie than the single coolest fight scene of the year. One of two men the chairbound Statham is tussling with is Clive Owen, who brings a lot of intensity to the role of Statham’s primary antagonist in the film. Every scene these two share together — and there aren’t many, unfortunately — crackle with antagonistic energy. They just look like they genuinely hate each other in a way that goes beyond the animosity between characters who, as we’ll get to, don’t really have a lot to fight over. It’s like these two guys were up for the same part in something, and one got it and the other didn’t, and they never let it go, and now years later they finally worked it out onscreen. Statham and Owen were born to beat the shit out of each other. They should be in ten more movies together where they fight whilst attached to various types of furniture.

The third member of this impressive cast is Robert De Niro, and it is he who sets this whole narrative contraption into motion. He plays Hunter (First name? Last name? PSN login?), former partner of Statham’s special agent Danny Bryce. After a hit gone bad, Danny officially retires. He’s pulled back into things when Hunter is kidnapped by an Omani sheik. To save his friend, Danny must kill the men of Britain’s Special Air Service who killed the sheik’s sons. But doing so brings Danny and his crew to the attention of a shadowy organization of British elites named “The Feather Men.” The Feather Men, all former SAS veterans themselves, want to protect their own, and send Owen’s Spike (First name? Last name? Cable television channel product integration?) to kill Danny.

These Feather Men are a hoot. They hold secret meetings in their clubhouse on the set of the movie “Clue” where they do absolutely nothing except explain who the Feather Men are for the benefit of the audience. “That’s why we’re called The Feather Men,” one proclaims to Spike. “Because our touch,” pause for dramatic effect, “is light!” That’s ridiculous! Not only is the line itself ridiculous, the sheer existence of any line in that situation is ridiculous. Why is he describing who the Feather Men are to a group of Feather Men? Shouldn’t they be fairly familiar with the concept of the organization since they are the only people in it? I’m still laughing at that line, and I saw this movie two weeks ago.

The oil sheik, the Feather Men, the forced allusions to the modern war on terror (the film is set about thirty years ago), they’re all needless distractions from the main event: Statham (and occasionally De Niro) kicking ass on Owen and company. You know how I know they’re needless distractions? Because none of them appear for even a frame in the trailer for “Killer Elite” and it all still makes perfect sense without them. Actually, the movie might make even more sense without them; the various factions and backstories and allegiances all become a wee big complicated for a film that’s ultimately about Jason Statham chairfighting guys.

Still, the good stuff is good enough to recommend the film. Statham delivers yet another satisfyingly ferocious performance, and his athleticism and physicality in the fight scenes remain amongt the best of his generation. Director Gary McKendry is clearly from the Paul Greengrass school of chaos cinema but he keeps things coherent enough to follow what’s going on. A lot of that has to do with Statham who, of course, can do many of the stunts himself, requiring less cutaways and editing. You should see him in that scene with the chair, man. It’s an instant classic.

“KIller Elite” opens Friday. If you see it, we want to know what you think. Tell us in the comments below or on Facebook and Twitter.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet