This browser is supported only in Windows 10 and above.


Five horror movies by comedy directors

Five horror movies by comedy directors (photo)

Posted by on

Before this weekend, Kevin Smith was always known as a comedy guy. “Clerks,” “Chasing Amy,” “Zack and Miri Make a Porno,” plus his Smodcast podcast and Q&A-slash-stand-up films like “An Evening With Kevin Smith.” He stretched himself a little into drama, animation, and acting, but until his new film “Red State” — available now on VOD — the scariest thing Kevin Smith had ever directed was “Jersey Girl” (I kid).

The transition from comedy to horror is rarely an easy one for directors. Few guys as entrenched in the comedy genre as Smith have ever tried to break out of it, and even fewer have made their break successfully. Here are five interesting — and very different — examples of horror movies made by guys we’d typically classify as comedy directors. We’ll get to see soon enough how Smith’s big move compares with theirs.

“Misery” (1990)
Directed by Rob Reiner
Comedy Resume: “This is Spinal Tap” (1984), “The Princess Bride” (1987), “When Harry Met Sally…” (1989)
Outcome: Very solid. The film earned $60 million, respectable dollars for 1990, and today is widely regarded as one of the best cinematic adaptations of author Stephen King’s work. “Misery” holds up well, too: if you haven’t watched it in a while (or ever) revisit it and check out Kathy Bates’ crazy performance as obsessed fan Anne Wilkes. In 2011, she looks like a prescient figure, the prototype for the ultimate Internet fanboy. George Lucas better hope his car never breaks down on a snowy mountain road…

“An American Werewolf in London” (1981)
Directed by John Landis
Comedy Resume: “Kentucky Fried Movie” (1977), “Animal House” (1978), “The Blues Brothers” (1980)
Outcome: Exceptional. From a practical perspective, the film made $30 million at the U.S. box office in 1981 and went on to earn untold millions more on home video. Its cult grew large enough to justify a sequel, 1997’s “An American Werewolf in Paris.” But even if “American Werewolf” hadn’t made back its money, this one would still rate as the all-time great comedy-to-horror directorial switch. Landis managed to bring his comedic skills to a truly scary movie and made what I think is still the best horror comedy of all time, a film that’s equally good at wringing laughs and screams from audiences. Landis has remained a predominantly comedy-oriented director in the thirty years since, though he’s returned to the horror genre a few times, notably in the big-screen adaptation of “The Twilight Zone” and 1992’s “Innocent Blood,” his version of vampires.

“The Day the Clown Cried” (1972)
Directed by Jerry Lewis
Comedy Resume: “The Ladies Man” (1961), “The Nutty Professor” (1963), “The Family Jewels” (1965)
Outcome: Legendarily bad. Strictly speaking, “The Day the Clown Cried” might not be considered a horror movie. But its horrifying subject matter — a clown (named Helmut Doork, played by Lewis) who leads Jewish children into the Nazi gas chambers during the Holocaust — and the supposed quality of the final product qualify it in my eyes. I say “supposed” and “legendarily” because only a handful of people have ever seen this movie, which has never been released to this day. “The Simpsons”‘ Harry Shearer, one of the few men who’ve watched the finished film, told Spy Magazine in 1992, that seeing “The Day the Clown Cried” was “really awe-inspiring, in that you are rarely in the presence of a perfect object. This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. ‘Oh My God!’ Thats all you can say.” Lewis reportedly refuses to speak about the movie in interviews, or even acknowledge its existence. He only directed two more movies in his career after “The Clown Cried.” Both, not surprisingly, were comedies.

Shearer talking about “The Day the Clown Cried” on “The Howard Stern Show:”

“Dragonfly” (2002)
Directed by Tom Shadyac
Comedy Resume: “Ace Ventura: Pet Detective” (1994), “Liar Liar” (1997), “Patch Adams” (1999)
Outcome: A quiet flop. “Dragonfly” was Shadyac’s follow-up to his surprise 1998 hit “Patch Adams,” and it’s another movie about an altruistic doctor. This guy, played by Kevin Costner, has lost his wife and is starting to think she may still be hovering around him like a ghost (or a dragonfly, her favorite animal before she died). The problem, as identified by critic Stephanie Zacharek in her review of the film, is that Shadyac never quite figured out just how frightening his movie should be. “[Shadyac] layers the movie with lots of mystical-spooky touches that don’t really need to be there,” Zacharek writes. “In fact, they raise more questions than they answer: If [Costner’s wife] is a benevolent spirit who’s simply trying to get her husband’s attention, why does she seemingly cause her cranky, beloved pet parrot to suffer a seizure?” The film made $30 million at the box office, the same as “An American Werewolf in London,” but these were thirty million 2002 dollars, not 1981 dollars, which are quite a bit different.

“Cirque du Freak: The Vampire’s Assistant” (2009)
Directed by Paul Weitz
Comedy Resume: “American Pie” (1999), “About a Boy” (2002), “In Good Company” (2004)
Outcome: An even quieter flop. In fact, I had to double-check this movie ever came out at all in the U.S.; I remembered covering it at Fantastic Fest 2009, and never heard about it again. The film did open in theaters, earning just $13 million domestically and a 38% rating from critics on Rotten Tomatoes. The film was more of a horror-fantasy hybrid than a straight-ahead scary movie, one clearly designed in an attempt to capitalize on “Twilight,” another teen-oriented vampire movie franchise. In a strange twist, Weitz’s brother Chris — who he collaborated with on his early hits like “American Pie” and “About a Boy” — wound up directing the second “Twilight” film, “New Moon,” which opened a few months after “Cirque du Freak” in 2009. That one, as you may recall, was a massive hit.

Do you have a favorite horror movie by a comedy director? Tell us in the comments below or on Facebook and Twitter.

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

Watch More