DID YOU READ

The short filmmaker’s guide to short filmmaking

The short filmmaker’s guide to short filmmaking (photo)

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They may not get a lot of press, but short films and short filmmakers are the lifeblood of film festivals. They are the place to discover great new filmmakers. Before Steven Spielberg blew up with “Jaws,” he was a 22-year-old kid with a short called “Amblin.” Before Martin Scorsese reinvented the gangster genre with “Mean Streets,” he was a film student with a six minute movie called “The Big Shave.” Before they were famous filmmakers, they were short filmmakers.

Short films are a great way to get your foot in the door of Hollywood, but if you’ve never made a short before, it may be tough to know how to even open that door in the first place. With that in mind, we recruited the team behind the Fantastic Fest short “No Way Out” — actor A.J. Bowen (a.k.a. one of the stars of the multiple Fantastic Fest award winning feature “You’re Next”), writer/producer Eric Vespe (a.k.a. Quint from Aint it Cool News), and director Kristoffer Aaron Morgan (a.k.a. the director of the upcoming feature “The Home”) — to give us five tips for aspiring short filmmakers. Here’s some great practical advice from a couple guys who know what they’re talking about.

TIP #1: Be prepared.
Kristoffer Aaron Morgan, Co-writer/Director: “Storyboard. Have backup plans to your backup plans. Having a solid prep and battle plan will let you sleep well the night before your first day shooting, and give you the confidence you need to do your job. Direct the storyboards while you’re fully rested, so the sleep deprived bastard on set at 3:00 AM can ask your former self for help when he needs it.”

Eric Vespe, Co-Writer/Executive Producer: “There’s a term in poker: set yourself up in the best position possible. There’s always going to be problems when you’re shooting. It took two hours on the first day for A.J. to get into his appliance. If you’re prepared and you know what you need, you’ll be able to handle it.”

A.J. Bowen, Star: “I live in a movie world largely of improv. That can’t exist if you’re not prepared and don’t already know exactly what you’re trying to say. These guys showed me artwork, they showed me video. We spoke beforehand about everything we were going to do. That let me go in and be free to find happy accidents that occur on the set.”

TIP #2: Focus on performance.
KAM: “At the end of the day, the greatest resource you’ll have to make your short successful is a motivated and talented cast. While important, don’t let technical craft and aesthetics distract you from the most important thing you should be worried about: is your actor telling the story the best way he can? Are you giving him the resources he needs to do so? That’s your job. Let your crew worry about the other things, that’s why you recruited people smarter than you in those positions to begin with.”

AJB: “We shot on a soundstage, which is atypical for shorts. It was a rich environment. I didn’t have to work hard to imagine anyting because they created this amazing playground for me. My job was just to hit that light and then that light.”

TIP #3: Make sure you have a dedicated support system of producers to help you with logistics.
KAM: “This way you can focus fully on the creative. My suggestion is to have, at the very least, one producer that helps you manage the technical/creative aspects of filmmaking, and one to oversee general resource and logistical management. Make sure you get along with them very well, they’re going to be your emotional and logistical foundation during the entire process. You have to trust your producers, otherwise you’ll be up all night with a worry-ape slugging away at your chest.”

EV: “You know that saying that no one will care more about your movie than you will? We didn’t find that. These people were sweating their butts off for three days like it was their own project. It was as if it was their project.

AJB: “That’s the thing; it was their project. Everyone just wants to get behind something that they believe in.”

TIP #4: Be an actual short.
KAM: “Know what you’re trying to say, and say it in as concise of a manner as you can. My rule, keep it under fifteen minutes. Ten is better.”

AJB: “A short should be, in my mind, under ten minutes and you’ve got to tell a beginning, middle, and end of a story. I don’t see the point in making a short film that’s supposed to tell part of a different story unless it’s episodic. Shorts fail when they treat the medium as a lesser version of a feature. I don’t want to see the first act of a feature film as a 30 minute short. Just get your shit together and make the feature.”

TIP #5: Don’t be intimidated and too shy to ask for help from professionals.
KAM: “Even the biggest names want to practice their craft in their off hours, that’s what makes them the best. Also, be humble when asking for favors, but bold when pushing for people’s best work.”

AJB: “I was getting ready to go shoot a movie and Eric called me and was being way too kind, acting like I had the ability to turn anything down. He asked if I’d read the script and I said of course I would. Any chance to work with people whose opinions you respect who you think are talented, it should go without saying: that’s why you do this.”

KAM: “People think we legitimately spent $30,000 on this thing and we didn’t. What we spent was a lot of hard work and passion and favors from some very, very talented people here in Austin.”

What’s the best short film you’ve ever seen? Tell us in the comments below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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