DID YOU READ

Fantastic Fest 2011: “Clown,” reviewed

Fantastic Fest 2011: “Clown,” reviewed (photo)

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What’s the funniest movie of the year? “Bridesmaids?” “Horrible Bosses?” “Justin Bieber: Never Say Never?” No, the funniest movie of the year so far is a Danish comedy called “Clown.” The only problem with this movie is you can’t see it: it currently has no distribution and its content is so edgy, it might have trouble finding it without some significant cuts. So it’s the funniest movie you won’t see this year. It poses a sort of cinematic philosophical conundrum: if a movie is hysterical, and no one is around to laugh at it, is it really funny?

“Clown” is a big-screen adaptation of a TV series of the same name that I’d never even heard of before it screened at Fantastic Fest. Fortunately, you don’t need to know anything about the series to enjoy “Clown;” all that’s required is a love of “Curb Your Enthusiasm”-style observational-slash-confrontational awkwardness and Farrelly Brothers-style gross-out sex humor. Smash those two together and drown them in Underberg bitters and you’ve got “Clown.”

The premise is very “Curb,” with two Danish actors, Frank Hvam and Casper Christensen, playing loosely fictionalized versions of themselves, stand-up comedians with endlessly patient girlfriends. Frank is uptight, Casper is outrageous. The two plan a vacation away from their loved ones they secretly name “Tour De Fisse” — a.k.a. “Tour De Pussy” in English — a canoe trip to the greatest brothel in the world. The only problem is Frank’s girlfriend is newly pregnant, and she’s been giving him flack about hating kids and being unprepared for fatherhood. Determined to prove her wrong (even though she’s absolutely right) he drags a pre-pubescent boy named Bo (Marcuz Jess Petersen) that his girlfriend’s supposed to be babysitting along for the trip. The Tour De Pussy. You see the problem here.

The film wears its episodic roots on its sleeve: Tour De Pussy becomes a series of epic misadventures along the trio’s trip. The threads that connects it all together are the character dynamics: Casper devilishly egging on Frank, Frank struggling to connect with Bo, Bo trying to figure out what the hell he’s doing on this trip with these two weirdos. All three make wonderful traveling companions, even if their travels don’t always go so wonderfully. The final act of the film manages to pull off a combination of sentimentality and humor so simultaneously sweet and hilarious that it would make Judd Apatow super(bad) jealous. And while the jokes are utterly immature, the film actually offers a surprisingly mature portrait of masculinity in all its wondrous insecurities.

I know what you’re thinking: “Matt, this movie sounds fine, but you haven’t explained what makes it so funny.” That was by design. This sort of outrageous shock comedy works best as a surprise. I can tell you that the film has a sex scene so funny it made me cry, and a riff on the final punchline in “The Hangover” so outrageous it made me scream (and might also be illegal to show in the United States). Both of those moments are the biggest laughs in any movie this year, if only you could see them this year.

“Clown” does not have US distribution, but holy cow it deserves it. If you saw it at Fantastic Fest, or you’re a fan of the original series, tell us in the comments below, or on Facebook and Twitter..

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.