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Exclusive: Cameron Crowe on the soundtrack of “We Bought a Zoo” and why it sounds different than anything he’s done before

Exclusive: Cameron Crowe on the soundtrack of “We Bought a Zoo” and why it sounds different than anything he’s done before (photo)

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You think of Cameron Crowe movies, you think of the music in Cameron Crowe movies. John Cusack and the boombox in “Say Anything…” Stillwater singing “Tiny Dancer” on the tour bus in “Almost Famous.” Orlando Bloom’s mixtape roadtrip at the end of “Elizabethtown.” Nobody does movie music quite like Crowe. That’s why we’re wrapping up our multipart interview on his new movie “We Bought a Zoo” (you can read parts 1 and 2 here and here) with his thoughts on its soundtrack, which Crowe says is totally different than anything else he’s done as a director.

A big reason why is Jónsi, the singer and guitarist from Icelandic rock band Sigur Rós, who is serving as “We Bought a Zoo”‘s composer. Crowe said he wanted him to score the film, after listening to his music on set while he was shooting.

“We fell in love with the music of Jónsi and Sigur Rós just as an environment while we were making the movie,” Crowe explained. “And about halfway through the edit it became obvious that I had to ask if Jónsi himself would come score it. I wrote him an email and reached him in Iceland. He asked to read the script and I sent him the script and streamed him a scene and he got on a plane and came from Iceland. He wrote the theme for the movie immediately and we’ve been living in this intoxicating world of his music in the movie ever since.”

Asked whether the only music in the film would be Jónsi’s, Crowe replied “There are a few other songs, but it’s different from other stuff that I’ve done that’s felt like a mixtape or a radio station with a lot of different [music] in it. That’s kind of the way I’ve always approached it, but this is definitely Jónsi creating the overall musical character — and it is like a character, and there a few records along the way. I’ve never done it like this before and it’s really exciting.”

Searching for a point of comparison for his unusual approach, Crowe invoked the name of another director who knows a thing or two about movie music: Wes Anderson. “It’s probably like “Royal Tenenbaums”‘ relationship between records and Mark Mothersbaugh’s stuff,” Crowe said. “It’s probably a little more that that, but a similar relationship. Where Mothersbaugh created that joyful, whimsical, happy, sad exuberance — that’s Jónsi.”

No word from Crowe yet on what other artists might be contributing to the “We Bought a Zoo” soundtrack, mostly, he told me, because they haven’t asked all the artists yet (“They could say no, and that would be embarrassing,” he laughed). Plus, the already limited roster of additional musicians keeps shrinking because Jónsi keeps writing new pieces of music. “What I like, though,” Crowe added, “is it has a real strong musical feeling, as strong as anything I’ve ever done.”

So what’s next for Crowe, once this project is done? Asked whether he’d be resuming work on his Marvin Gaye biopic, Crowe instead told me about a brand new project he’s started. It came about, he said, “from auditioning and working with a bunch of actors for ‘We Bought a Zoo.’ This woman that I work with, Gail Levin, is a great casting director. She’s always finding new faces. The kids she found for ‘We Bought a Zoo’ are so exciting. We met with all these actors, and they would leave the room and it was a situation where I would turn to Gail and say ‘They’re not right for this one, but I want to write something where we can work with that person.’ That was the genesis for writing a whole new script which I’ve been working on while we were doing ‘We Bought a Zoo’ and finishing this Pearl Jam movie.”

It sounds like whatever this upcoming project is, it’s going to see Crowe return to his roots in teen-driven storytelling. It will also be his fourth movie in a little more than a year, a huge output for a director whose last film opened in 2006. “I’m trying out this prolific thing,” Crowe admitted. “The thing about being prolific? It’s a lot of work.”

“We Bought a Zoo” opens December 23. What’s your favorite Cameron Crowe soundtrack? Tell us in the comments below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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