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Exclusive: Cameron Crowe on the soundtrack of “We Bought a Zoo” and why it sounds different than anything he’s done before

Exclusive: Cameron Crowe on the soundtrack of “We Bought a Zoo” and why it sounds different than anything he’s done before (photo)

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You think of Cameron Crowe movies, you think of the music in Cameron Crowe movies. John Cusack and the boombox in “Say Anything…” Stillwater singing “Tiny Dancer” on the tour bus in “Almost Famous.” Orlando Bloom’s mixtape roadtrip at the end of “Elizabethtown.” Nobody does movie music quite like Crowe. That’s why we’re wrapping up our multipart interview on his new movie “We Bought a Zoo” (you can read parts 1 and 2 here and here) with his thoughts on its soundtrack, which Crowe says is totally different than anything else he’s done as a director.

A big reason why is Jónsi, the singer and guitarist from Icelandic rock band Sigur Rós, who is serving as “We Bought a Zoo”‘s composer. Crowe said he wanted him to score the film, after listening to his music on set while he was shooting.

“We fell in love with the music of Jónsi and Sigur Rós just as an environment while we were making the movie,” Crowe explained. “And about halfway through the edit it became obvious that I had to ask if Jónsi himself would come score it. I wrote him an email and reached him in Iceland. He asked to read the script and I sent him the script and streamed him a scene and he got on a plane and came from Iceland. He wrote the theme for the movie immediately and we’ve been living in this intoxicating world of his music in the movie ever since.”

Asked whether the only music in the film would be Jónsi’s, Crowe replied “There are a few other songs, but it’s different from other stuff that I’ve done that’s felt like a mixtape or a radio station with a lot of different [music] in it. That’s kind of the way I’ve always approached it, but this is definitely Jónsi creating the overall musical character — and it is like a character, and there a few records along the way. I’ve never done it like this before and it’s really exciting.”

Searching for a point of comparison for his unusual approach, Crowe invoked the name of another director who knows a thing or two about movie music: Wes Anderson. “It’s probably like “Royal Tenenbaums”‘ relationship between records and Mark Mothersbaugh’s stuff,” Crowe said. “It’s probably a little more that that, but a similar relationship. Where Mothersbaugh created that joyful, whimsical, happy, sad exuberance — that’s Jónsi.”

No word from Crowe yet on what other artists might be contributing to the “We Bought a Zoo” soundtrack, mostly, he told me, because they haven’t asked all the artists yet (“They could say no, and that would be embarrassing,” he laughed). Plus, the already limited roster of additional musicians keeps shrinking because Jónsi keeps writing new pieces of music. “What I like, though,” Crowe added, “is it has a real strong musical feeling, as strong as anything I’ve ever done.”

So what’s next for Crowe, once this project is done? Asked whether he’d be resuming work on his Marvin Gaye biopic, Crowe instead told me about a brand new project he’s started. It came about, he said, “from auditioning and working with a bunch of actors for ‘We Bought a Zoo.’ This woman that I work with, Gail Levin, is a great casting director. She’s always finding new faces. The kids she found for ‘We Bought a Zoo’ are so exciting. We met with all these actors, and they would leave the room and it was a situation where I would turn to Gail and say ‘They’re not right for this one, but I want to write something where we can work with that person.’ That was the genesis for writing a whole new script which I’ve been working on while we were doing ‘We Bought a Zoo’ and finishing this Pearl Jam movie.”

It sounds like whatever this upcoming project is, it’s going to see Crowe return to his roots in teen-driven storytelling. It will also be his fourth movie in a little more than a year, a huge output for a director whose last film opened in 2006. “I’m trying out this prolific thing,” Crowe admitted. “The thing about being prolific? It’s a lot of work.”

“We Bought a Zoo” opens December 23. What’s your favorite Cameron Crowe soundtrack? Tell us in the comments below or on Facebook and Twitter.

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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