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UFC: human cockfighting or utterly captivating?

UFC: human cockfighting or utterly captivating? (photo)

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Ultimate fighting, it seems, has finally come of age. UFC’s recently announced seven year, one hundred million dollar deal with Fox TV imparts a legitimacy to the bloodsport. And now we as a culture are going to have to have an adult conversation about whether or not ultimate fighting should or should not be a “mainstream” sport. Then again, the people may have already spoken on that, as the television deal and the hardcore following the sport has suggests.

UFC is not the anarchic gladiatorial fundament depicted in the movie “Fight Club.” I am somewhat of a divided mind about ultimate fighting. On the one hand, there is quite a bit of “art” that goes into these mixed martial arts — but a manly, very physical kind of art, to be sure. On the other hand, a strong though somewhat prudish argument could be made that it is indeed human cockfighting, as former prisoner of war and U.S. Senator John McCain has described the mixed martial arts. UFC’s earliest incarnation was indeed pretty gory. As David Plotz wrote in Slate in 1999:

UFC began in 1993 as a locker-room fantasy. What would happen if a kickboxer fought a wrestler? A karate champion fought a sumo champion? Promoters built an octagonal chain-link cage, invited eight top martial artists, and set them loose in no-holds-barred, bare-knuckles fights. “There are no rules!” bragged an early press release. Contestants would fight till “knockout, submission, doctor’s intervention, or death.” UFC allowed, even promoted, all notions of bad sportsmanship: kicking a man when he’s down, hitting him in the groin, choking. Four-hundred-pound men were sent into the Octagon to maul guys half their size. Only biting and eye-gouging were forbidden.

But that was then and this is now. The UFC, which has been grappling for a greater legitimacy — and a greater profitability — for several years now, is getting even more aggressive. Aggression is, quite frankly, hard-wired into this sport. But for the past few months their PR push has been on steriods. On November 12th, for example, UFC is going directly up against the Manny Pacquiao-Juan Manuel Marquez PPV fight. In other words, mixed martial arts is being offered on basic cable directly against a major pay-per-view boxing event. The results should be quite interesting.

Further, on August 27th the UFC will air live undercard mixed martial arts matches in Times Square above the Doubletree Hotel. That’s a pretty ballsy move, on the real. It should again be interesting to see how tourist-heavy Midtown Manhattan reacts on a Saturday to the spectacle of two beefy dudes trying, essentially, to choke each into unconsciousness with ancient and modern fighting techniques. These super-aggro pushes could definitely backfire, highlighting the “human cockfighting” charge attached to the sport by its critics. Or these bold moves could have the effect of proving just how undeniably popular the sport has become. And by Christmas we could have a new mainstream sport in our midst.

In the past the organization and its champions have stressed the “art” of the fight. In 2006, Scott Pelley of the venerable 60 minutes spoke to Renzo Gracie of the famous Brazillian Gracie family about the “art” of mixed martial arts. Gracie, whose family utilizes a jiu jitsu heavy form of fighting that has won them titles and acclaim as the first family of the mixed martial arts, defended the sport:

“It goes far beyond that. The first impression is, hit him, knock him out, hurt him, but believe it, it goes far beyond that,” Gracie explains. “There’s so much technique involved, that I, to be honest, I think when I see a good fight, I think it makes a Russian ballet look like a uncoordinated body movements.” He admits that it can sometimes be a bloody ballet. “But the blood is the source of the whole thing. Believe – it’s not blood that’s coming out, it’s a little bit of pride that you’re putting out.”

A very masculine aesthetic; a very “bloody ballet.” Is this an idea whose time has come?

Let us know your own thoughts on UFC in the comments below or on Facebook or Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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