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UFC: human cockfighting or utterly captivating?

UFC: human cockfighting or utterly captivating? (photo)

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Ultimate fighting, it seems, has finally come of age. UFC’s recently announced seven year, one hundred million dollar deal with Fox TV imparts a legitimacy to the bloodsport. And now we as a culture are going to have to have an adult conversation about whether or not ultimate fighting should or should not be a “mainstream” sport. Then again, the people may have already spoken on that, as the television deal and the hardcore following the sport has suggests.

UFC is not the anarchic gladiatorial fundament depicted in the movie “Fight Club.” I am somewhat of a divided mind about ultimate fighting. On the one hand, there is quite a bit of “art” that goes into these mixed martial arts — but a manly, very physical kind of art, to be sure. On the other hand, a strong though somewhat prudish argument could be made that it is indeed human cockfighting, as former prisoner of war and U.S. Senator John McCain has described the mixed martial arts. UFC’s earliest incarnation was indeed pretty gory. As David Plotz wrote in Slate in 1999:

UFC began in 1993 as a locker-room fantasy. What would happen if a kickboxer fought a wrestler? A karate champion fought a sumo champion? Promoters built an octagonal chain-link cage, invited eight top martial artists, and set them loose in no-holds-barred, bare-knuckles fights. “There are no rules!” bragged an early press release. Contestants would fight till “knockout, submission, doctor’s intervention, or death.” UFC allowed, even promoted, all notions of bad sportsmanship: kicking a man when he’s down, hitting him in the groin, choking. Four-hundred-pound men were sent into the Octagon to maul guys half their size. Only biting and eye-gouging were forbidden.

But that was then and this is now. The UFC, which has been grappling for a greater legitimacy — and a greater profitability — for several years now, is getting even more aggressive. Aggression is, quite frankly, hard-wired into this sport. But for the past few months their PR push has been on steriods. On November 12th, for example, UFC is going directly up against the Manny Pacquiao-Juan Manuel Marquez PPV fight. In other words, mixed martial arts is being offered on basic cable directly against a major pay-per-view boxing event. The results should be quite interesting.

Further, on August 27th the UFC will air live undercard mixed martial arts matches in Times Square above the Doubletree Hotel. That’s a pretty ballsy move, on the real. It should again be interesting to see how tourist-heavy Midtown Manhattan reacts on a Saturday to the spectacle of two beefy dudes trying, essentially, to choke each into unconsciousness with ancient and modern fighting techniques. These super-aggro pushes could definitely backfire, highlighting the “human cockfighting” charge attached to the sport by its critics. Or these bold moves could have the effect of proving just how undeniably popular the sport has become. And by Christmas we could have a new mainstream sport in our midst.

In the past the organization and its champions have stressed the “art” of the fight. In 2006, Scott Pelley of the venerable 60 minutes spoke to Renzo Gracie of the famous Brazillian Gracie family about the “art” of mixed martial arts. Gracie, whose family utilizes a jiu jitsu heavy form of fighting that has won them titles and acclaim as the first family of the mixed martial arts, defended the sport:

“It goes far beyond that. The first impression is, hit him, knock him out, hurt him, but believe it, it goes far beyond that,” Gracie explains. “There’s so much technique involved, that I, to be honest, I think when I see a good fight, I think it makes a Russian ballet look like a uncoordinated body movements.” He admits that it can sometimes be a bloody ballet. “But the blood is the source of the whole thing. Believe – it’s not blood that’s coming out, it’s a little bit of pride that you’re putting out.”

A very masculine aesthetic; a very “bloody ballet.” Is this an idea whose time has come?

Let us know your own thoughts on UFC in the comments below or on Facebook or Twitter.

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weird al goldbergs

Keep It Weird

10 Hilarious “Weird Al” Cameos

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P.

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Photo Credit: ABC

“Weird Al” has had one of the most unique careers in entertainment history. Sure, he made his name with parody songs, but he’s long since transcended simply poking fun at pop, becoming an American comedy staple in the process. With his new gig behind the keyboard on IFC’s Comedy Bang! Bang!, we thought we’d take a look back at just a few of his classic pop culture cameos, in which he showed he was more than just the man with the accordion and rhyming dictionary.

10. The Goldbergs

“Weird Al” came full circle with this recent cameo on this ’80s-set sitcom, once again donning the frizzy hair, mustache and Hawaiian shirt to return to his glorious retro roots.


9. Galavant

Galavant, the historical musical comedy series, was recently canceled by ABC, but not before we got to see Al as a doo-wop crooning monk who’d taken a “vow of singing.”


8. Wet Hot American Summer: First Day of Camp

Wet Hot Weird Al
Netflix

With Wet Hot American Summer making a triumphant return last summer, we all should have known they would work in a bit in which “Weird Al” played a summer camp hypnotist who turned into assassin Jon Hamm.


7. Batman: The Brave and the Bold

Wet Hot Batman
Cartoon Network

“Weird Al” creates music for all ages, so it shouldn’t be a surprise that he occasionally pops up on Saturday Morning cartoons, like this turn on Batman: The Brave and the Bold, in which he got to battle the Joker and the Penguin alongside Batman, Robin and Scooby-Doo.


6. Tim and Eric Awesome Show, Great Job!

Al has popped up on Tim Heidecker and Eric Wareheim’s bizarre ode to anti-comedy series a few times, but this wedding fever dream, straight out of the mind of a serial killer, really sort of sums it all up, whatever “all” is.


5. 30 Rock

Al is a man of many talents, but at the end of the day, he knows how to rip out a parody song with some bite. Here he puts his gifts to good use, writing lyrics to the 30 Rock theme song, and highlighting their lack of ratings in the process.


4. Halloween II

“Weird Al” shows up in just about the last place you would expect here, in Rob Zombie’s hard R horror remake. Playing a guest on what looks like an early version of Talking Dead, Al does some typical talk show shtick alongside Michael Meyers’ ethically compromised doctor, Samuel Loomis.


3. Transformers: Animated

Al has quite a history with the Transformers. His song “Dare to be Stupid” was used in 1986’s The Transformers: The Movie, and he also popped up as Wreck-Gar, a simple-minded robot brought to life by the All Spark, on Transformers: Animated.


2. The Naked Gun

Al’s stardom was ascendant in 1988, if this classic gag from Naked Gun was any indication. (He also did the theme song for the 1996 Leslie Nielsen comedy Spy Hard.)


1. Amazing Stories, “Miss Stardust”

Weird Al
NBC

Al’s first TV cameo might just be his, ahem, weirdest. As an alien affectionately known as “Cabbage Man,” “Weird Al” made quite the impression without even needing his trusty accordion.

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Sally Kellerman- Maron – Season 4, Episode 5

Hello Sally

5 Roles That Prove Sally Kellerman Is a Comedic Genius

Sally Kellerman returns to Maron this Wednesday at 9P on IFC.

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With her statuesque beauty and sarcastic verve, Sally Kellerman has put her stamp on several iconic TV and film roles. She always gave as good as she got, keeping her leading men on their toes. With Toni Maron returning to help Marc through a tough time on Wednesday’s brand new Maron, we thought it was time to revisit a few of Sally’s classic roles that prove she’s more woman than most of us can handle.

5. Judge Henderson, Moving Violations

Playing a saucy judge with a taste for bondage, Kellerman got to go full-on villain in this absurd comedy starring lesser Murray brother Joel. Who needs Bill when you’ve got Sally in a full leather getup?


4. Louise, Brewster McCloud

It takes some real talent to make a conversation about remaining celibate this sexy. Kellerman turns up the heat here, mixing sensuality with a mythic quality (she may be a fallen angel of some sort in this movie), that makes us want to forget Brewster’s dream of flying, and just spend a little more time with her on the ground.


3. Maron

Whether she’s dropping passive aggressive comments or searching for his love handles, Toni is the perfect representation of all of Marc Maron’s neuroses.


2. Back to School

Holey moley, when literature professor Dr. Diane Turner starts reading some sexy prose to her class, Rodney Dangerfield isn’t the only one whose eyes nearly pop out of his head. Kellerman proves yet again that she can mix class and crass with the best of them, playing the type of woman you can discuss erotic literature with — or just live it out with.


1. M*A*S*H

In perhaps her most iconic part, the one that scored her an Oscar nom, Kellerman plays the apple of a whole army base’s eye. It’s far from easy getting that kind of attention in the middle of a war zone, which Kellerman shows with one truly epic meltdown. Major “Hot Lips” Houlihan would make anyone’s grandpa’s war stories a littler bit easier to listen to.

Watch how Toni comes back into Marc’s life on this week’s Maron. 

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Fred Armisen Carrie Brownstein

Southern Fried SNL

Watch Fred Armisen and Carrie Brownstein in SNL’s Southern Rock Supergroup

Fred and Carrie kept it mellow on the SNL season finale.

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Photo Credit: Saturday Night Live / NBC Universal

It was a veritable “band from comedy heaven” this weekend as a myriad of comedians assembled for a feel-good musical sketch in the Saturday Night Live season finale. Guest host Fred Armisen was joined by Portlandia cohort Carrie Brownstein as well as Maya Rudolph, Andy Samberg, Jason Sudeikis, Larry David, and members of the SNL cast to form faux-southern-rock supergroup The Harkin Brothers — a band whose members managed to outnumber its audience.

If The Harkin Brothers’ smooth vocal stylings remind you of The Blue Jean Committee from Documentary Now!, that’s probably not a coincidence. The BJC first appeared in a different, more regionally-specific form in a SNL sketch with Sudeikis on drums.

Watch an all-star SNL cast perform a mellow tribute to Arkansas called “Summertime in Fayetteville” in the video below.

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