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“Rise of the Planet of the Apes”: Easter eggs from the film that you may have missed

“Rise of the Planet of the Apes”: Easter eggs from the film that you may have missed (photo)

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The new “Rise of the Planet of the Apes” isn’t connected in any concrete way to the original five film series that ran from 1968 to 1973 or Tim Burton’s reboot from 2001.  But even though “Rise” establishes its own, new continuity (of the apes), it still contains a ton of references, shout-outs and easter eggs to its old school brethren (or simian, in this case).  Here are all the ones this long-time “Ape” fan caught. And be aware that this piece may contains extensive SPOILERS for every film in the series.

1. Character Names (of the Apes)
Most of the main cast of “Rise of the Planet of the Apes” are named with a wink to the past.  The leader of the ape rebellion, Caesar (Andy Serkis) shares his moniker with the similar character, played by Roddy McDowell, from “Conquest of” and “Battle For the Planet of the Apes.”  Scientists at the GenSys lab nickname Caesar’s mother Bright Eyes — which was one of the ape’s nickname for Charlton Heston‘s Taylor in the original “Planet of the Apes.” After Caesar is sent to live in an ape sanctuary, he’s repeatedly abused by a guard named Dodge Landon, an amalgam of the names of two of Taylor’s fellow astronauts, Dodge (Jeff Burton) and Landon (Robert Gunner), from “Planet of the Apes.” And the lone female ape at the sanctuary is named Cornelia, a riff on Roddy McDowell’s character Cornelius in “Planet of the Apes” and “Escape From the Planet of the Apes.”

There are even a few names that recall the creators of the first “Apes” series: James Franco‘s Will Rodman takes his name from “Twilight Zone” creator and “Planet of the Apes” co-screenwriter Rod Serling, whose full first name was Rodman. Will’s boss at GenSys is Steven Jacobs (David Oyelowo), a nod to franchise producer Arthur P. Jacobs. Caesar strikes up a friendship with an orangutan named Maurice — an homage to actor Maurice Evans, who played the sinister orangutan Dr. Zaius in the first “Planet of the Apes.”

2. Famous Lines (of the Apes)
If some of the dialogue in “Rise of the Planet of the Apes” sounded familiar, there’s a reason for that. Several of the big zingers are taken from the 1968 “Planet of the Apes.” Listen carefully for Dodge to shout “It’s a madhouse!” during one moment of ape rebellion: that’s an echo of an identical exclamation by Chuck Heston when some apes spray him with a fire hose (more on that later). Dodge also gets the honor of reciting one of Heston’s most iconic lines, when he yells “Take your stinking paws off me you damn dirty ape!” after Caesar confronts him in a hand-to-paw fight.

In response, Caesar screams “NO!” — his first words — and smacks Dodge in the face. This might be a stretch but Caesar’s “NO!” reminds me of the repeated uses of the same word in “Conquest of the Planet of the Apes,” where apes are trained to be slaves in a dystopian future, and are conditioned with electroshock therapy to fear and hate when a human says the words no.

3. Recurring Motifs (of the Apes)
A few of “Rise”‘s signature images have earlier origins as well. The aforementioned fire hose makes a return appearance, when Dodge sprays Caesar with one after he throws his food in the guard’s face. So does the sight of an ape on horseback (mirroring the famous introduction of the “Planet of the Apes”‘ titular stars in this brilliant scene) when Caesar leads a charge against the San Francisco police atop one of the mounted cops’ ride.

Of course, the most famous visual from “Planet of the Apes” is that legendary twist ending that reveals the decayed ruins of the Statue of Liberty. “Rise” is set in San Francisco so we didn’t get to see the real Statue, but in the scene where Caesar watches John Lithgow’s Charles Rodman get attacked by an angry neighbor, the chimp is playing with a Statue of Liberty toy. It’s a cute reference, but the timing of the Statue’s appearance in this particular scene is also a clever bit of foreshadowing. During this sequence Caesar leaps to Charles’ defense and gets into a fight with the angry neighbor. That leads directly to the chimp’s imprisonment, which leads directly to his ape uprising. So you could say that the entire rise of the planet of the apes — the death of a whole species and the ascendancy of another — dates back to this singular moment. And in that singular moment, director Rupert Wyatt inserts this brilliant reference to the single image most associated with the “Planet of the Apes.” In other words, it all started here. It’s a nice touch.

4. Space Flight (of the Apes)
While events surrounding Will and Caesar continue in the foreground of “Rise,” the media makes several background references to a spaceship named Icarus. A briefly glimpsed news report announces “Icarus Entering Mars Atmosphere” and a few scenes later, a copy of the San Francisco Chronicle reports that the same vessel was “Lost in Space.” In the ’68 “Apes,” the Icarus is the ship that Taylor, Landon, and Dodge take to the year 3978; two movies later it’s also the ship Cornelius, Zira (Kim Hunter), and Milo (Sal Mineo) take back to 1973. If we get direct sequels to “Rise of the Planet of the Apes,” you can expect to see more of that spacecraft.

5. Charlton Heston (of the Apes)
The man, the myth, the grumpy, sweaty, intensely-tanned, loincloth-wearing legend makes a very brief cameo, on a television screen at the ape sanctuary. Regrettably, no one says they’ll only change the channel when they pry the remote control their cold, dead hands.

Catch any references we missed?  Tell us about them in the comments below or on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.