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How does Henry Cavill’s “Man of Steel” outfit compare to other Superman costumes?

How does Henry Cavill’s “Man of Steel” outfit compare to other Superman costumes? (photo)

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Henry Cavill officially owns Superman’s cape in “Man of Steel” now, and the first picture of him in costume shows that he will be wearing muted tones and a scaly texture. The costume marks just one more evolution in the history of Kal-El’s tights, which have been loosened, tightened and reshaped on numerous occasions since the hero first appeared on the cover of “Action Comics” #1 in 1938.

Although Superman has experienced a handful of dramatic makeovers in the pages of DC Comics, most of his animated and live-action adaptation incarnations have played it safe. Nevertheless, producers and costume designers always find little things to tweak. Here’s how Cavill’s costume looks compared to previous Superman suits.


Animated Superman (voiced by Bud Collyer), “Superman” (1941)
The old Max Fleischer-produced Superman cartoons are legendary in the world of animation. Modern-day movie goers would likely do a double-take, however, if Cavill’s “S” emblem showed up in a black-on-red design. “Man of Steel” will instead be sticking with the iconic red-on-yellow shield that should reassure viewers that they haven’t errantly wandered into some bootleg Superman film from Southeast Asia.


George Reeves, “Adventures of Superman” (1952)
During the laidback 1950s, George Reeves actually got to experience a little breathing room between his skin and his Superman costume. His “S” emblem was neither too small nor too large, but his yellow belt was kind of a joke. Cavill’s belt buckle appears to have some shine to it, indicating that his Superman won’t be clad in some non-functional, quickly-cut strip of fabric that looks like his mom crafted it for a Halloween outfit.


Christopher Reeve, “Superman” (1978)
When the late ’70s and ’80s rolled around and Christopher Reeve donned the big red cape, director Richard Donner kept the colors bright and the costume conservatively true to the comics. Reeve did get some more topography on his belt buckle, however. As far as the material used to make the costume went, this incarnation left little of Superman’s anatomy to the imagination, but the bright circus colors made the Last Son of Krypton look inherently more ready to appear at an 8-year-old’s birthday party than the superhero appearing in “Man of Steel.”


Dean Cain, “Lois and Clark: The New Adventures of Superman” (1993)
Superman’s colors had to turn it down a notch for nighttime TV audiences when Dean Cain showed up with an “S” on his chest for ABC. The shield stayed large, but this was the beginning of a trend toward less circus-appropriate shades of blue and red. Cavill’s look appears even more faded and looks much less like a giant multicolored piece of pantyhose and more like a thin suit of body armor.


Brandon Routh, “Super Man Returns” (2006)
The costume in director Bryan Singer’s film looked a lot more like rubber or vinyl than it did Spandex. The colors weren’t necessarily as muted as they were darker, and the costume had texture all over the place. Routh got a smaller shield on his chest that let him show off his abs a bit more than his predecessors were allowed to do. He also got a clearly pronounced “S” belt buckle. Cavill’s “S” seems to have grown, and his belt looks like it has reverted back to being a simple oval. We still need to see him standing up straight in the light to tell for sure though!


Which is your favorite Superman costume? Let us know below or on Facebook or Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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