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“Griff the Invisible,” reviewed

“Griff the Invisible,” reviewed (photo)

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Pity the indie superhero. He can’t afford big special effects or a badass car or a personal trainer to help him get big muscles. As a result, the superhero of indie movies is almost always a variation on the same guy, one who’s a lot cheaper to portray on a budget: the crazy dude with no powers who transforms himself into a comic book character as an outward manifestation of some sort of internal distress. Either he’s royally depressed (James Gunn’s “Super”), or hallucinating thanks to an experimental medication (Hal Haberman and Jeremy Passamore’s “Special”) or he’s a guy like the titular hero of “Griff the Invisible” who is… well, to be perfectly honest, I’m not sure what Griff’s problem is. And that, in turn, is the movie’s biggest problem.

Just who is Griff (beyond the fact that he’s played by “True Blood” hunk Ryan Kwanten)? At work, he’s a mild-mannered guy who frequently gets picked on by the office bully and mocked by his cruel co-workers. At night he dons a black rubber costume and prowls his neighborhood, stopping muggings and carjackings. When Griff admires himself in the mirror, his suit looks sleek and shiny. When he’s sitting in a police station being interrogated by an unimpressed cop, it looks cobbled together from crap he bought at a craft store. In other words, a big chunk of Griff’s extracurricular activities are figments of his imagination. But just how much?

It’s never quite clear. And it’s never quite clear, either, what exactly is the root cause of Griff’s behavior. Is he an oddball or a guy with undiagnosed, high-functioning autism? Should we laugh at his antics or pity him? Maybe things are even more serious than that. Given the fact that “Griff the Invisible” is largely told from Griff’s warped perspective, and the fact that the horrible abuse he endures for weeks would be stopped immediately in any real workplace, you could argue that the entire film is actually the paranoid delusion of a schizophrenic.

Griff’s brother Tim (Patrick Brammall) is definitely worried about him; he’s watched Griff’s weird behavior lose him jobs in the past and now it seems to be happening again. But Tim’s new girlfriend Melody (Maeve Dermody) is a bit quirky herself — her hobbies include trying to walk through walls — and she takes a liking to Griff’s moonlighting/daydreaming. Even as Tim tries to get his brother to quit the superhero routine, Melody sends him even deeper into it. These scenes are played as heartwarming and unconventional love story. But consider them if Griff is actually schizophrenic. That makes Melody the worst kind of enabler. Instead of trying to get him treated, she pushes him deeper into psychosis. She spraypaints a jumpsuit and tells Griff it makes him invisible, then sends him off into a dark, abandoned warehouse to go fight crime. Even if Griff’s just a strange guy, that strikes me as reckless behavior. What if there were real criminals in there?

I’m all for ambiguity in films, but it doesn’t feel like writer/director Leon Ford left Griff and his underlying issues vague on purpose. It seems more like he didn’t want to burden his quirky romantic comedy about two oddballs in love with the full psychological ramifications of his characters’ actions. That’s understandable to a certain extent, but ground-level indie superhero movies depends entirely on their realistic texture. This particular “What if superheroes existed in the real world?” story doesn’t feel real at all.

Dermody has a lot of screen presence and she makes the best of her role as a nerd’s dreamgirl, i.e. the gorgeous woman who’s into science and comic books and is so socially awkward she can’t land a normal guy. Kwanten has a sympathetic face, and a few moving scenes near the end of the film; he’s surely got a future as a romantic leading man. I guess it’s a nice message for the misfits of the world — and I include myself in that group — to see someone with eccentricities celebrated onscreen instead of vilified or mocked. But what if Griff’s problems aren’t just eccentricities? What if this guy needs some help? I’m not a doctor, but to me the symptoms are anything but invisible.

“Griff the Invisible” opens in limited release on Friday. If you see it, we want to know what you think of it. Tell us in the comments below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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