DID YOU READ

Exclusive premiere: Madi Diaz “Let’s Go”

Exclusive premiere: Madi Diaz “Let’s Go” (photo)

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Nashville’s Madi Diaz appeared in the 2005 documentary “Rock School” (which later inspired Richard Linklater’s “School of Rock”), but she first caught my attention only last year with an incredible Stevie Nicks cover and then a sweaty performance of “Let’s Go,” shot in a van at the dangerously intemperate, Bonnaroo festival. She’s just finished a proper collaborative video for the song with director Matt Amato — much of the footage shot by herself and her pals using the retro-digital Harinezumi camera, which purposely lends a nostalgic image quality by mimicking the charm of super 8. I asked her about this, but that was really just an excuse to get her to talk about kissing and Fleetwood Mac.

Tell me about the origins of this infectious pop song, from what place did it spring forth?

I’m not sure, but I think it was on my basement ceiling just wandering, floating around waiting for someone to walk head first into it. I could hear something in the foundation that my guitar player, Kyle Ryan, was building on his home studio that was just begging for something playful to be laced over top. It was our first home in Nashville and that basement was magical. Too bad the rest of the house was kind of in shoddy shape.

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Who are you kissing?

I have no idea. Kissing sure is fun though, right? Actually…I think his name is Erik…Erik with a “k”. Yeah that HAS to be it, why would I remember such specific spelling otherwise? He was a very sweet guy. A gentleman even. I had never kissed on camera before and he was very forgiving.

You shot some of the footage too with a Harinezumi? What was it like collaborating with Matt Amato on the finished video?

Matt. I could never ever say enough about Matt Amato. He has an indescribable presence; this warm loving serene calm with intense interest and excitement bubbling beneath his exterior. He’s some sort of amazing mind reader and balances it with his trust in you and yours in him. Example, that kiss was not planned (at least not to my knowledge) and yet I felt like it was somehow almost our idea together. Shooting the footage together was just one big adventure day. A getting-to-know-you adventure day. There were 7 of us shooting the Harinezumi’s all over the place. Actually, because all of the footage was so fun and unique and filled with story and adventure, we decided to create vignettes for each camera navigator to give a little more of an in depth look at how much work went into shooting this video. So many different incredible perspectives and such absolutely stunning work by all, it would’ve been such a major shame to only use enough to make a four minute music video! It was truly such a wonderful experience and so, so fun to be apart of a visual artist’s world for a moment.

If you could go anywhere right now, where would that be?

Late summer, 7:30 pm in the middle of a massive pine forest lying on a huge, thick bed of red pine needles looking up at the sky with my eyes half closed. The prettiest light in the world. And not one sound — only forest sound. No cars, no planes, no highways, no people, no white city noise, just pine tree forest noise.

That Fleetwood Mac/Stevie song you did with Keegan Dewitt is almost traumatizing it’s so beautiful, and I don’t normally care for Fleetwood Mac covers. How did you two piece that one together?

Thank you! Funny you should say, but before Keegan showed me “Wild Heart” (during his super heavy Fleetwood obsession phase) I didn’t spend much time on it either. But whoa, watching the video of Stevie Nicks just singing her heart out during her backstage photo shoot and her voice just soaring over everything just made my heart jump over and over. Keegs was putting together some material for a session he was doing in town and asked me to join him on this song, and I grabbed a little toy plunker piano that we had strapped a little Casio buddy to and we cracked down. We used the progression straight from the video as that was the one that made us both swoon so hard. Still makes us swoon.

Diaz’s EP “Far From Things That We Know” is out September 20th on tinyOGRE with a full-length slated for early 2012. She kicks off a tour today (with Keegan Dewitt on most dates). Check out her website for some free tracks.

Madi Diaz Tour Dates:

8/8 @ Imogene & Willie, Nashville, TN
8/10 – St. Louis, MO @ Old Rock House*
8/11 – Columbia, MO @ Mojo’s*
8/12 – Lawrence, KS @ The Bottleneck*
8/13 – Lincoln, NE @ Bourbon Theatre*
8/17 – Albuquerque, NM @ Low Spirits Bar & Stage*
8/18 – Tucson, AZ @ Solar Culture Gallery*
8/19 – Mesa, AZ The Nile – Basement*
8/20 – San Diego, CA @ Bar Pink*
8/22 – San Francisco, CA @ Cafe du Nord*
8/23 – Santa Barbara, CA @ SoHo
8/25 – Los Angeles, CA @ Hotel Café*
8/28 – Los Angeles, CA @ Sunset Junction
8/30 – Denver, CO @ Larimer Lounge*
9/1 – Minneapolis, MN @ 7th Street Entry*
9/2 – Evanston, IL @ SPACE*
9/3 – Maquoketa, IA Daytrotter Barnstormin/Codfish Hollow Barn

*co-headlining with Keegan DeWitt

Are you swooning? Let us know in the comments below or on Twitter or Facebook!

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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