Fall Preview: Elizabeth Olsen discusses escaping a cult in “Martha Marcy May Marlene” and breaking from the traditional Olsen Sister path

Fall Preview: Elizabeth Olsen discusses escaping a cult in “Martha Marcy May Marlene” and breaking from the traditional Olsen Sister path (photo)

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In “Martha Marcy May Marlene,” actress Elizabeth Olsen plays a young woman who struggles to acclimate with life after escaping an abusive cult. Winner of the Directing Award and at this year’s Sundance Film Festival and nominated for the Grand Jury Prize, “Martha Marcy May Marlene” is the feature-length film debut of writer/director Sean Durkin, and was one of the most talked-about films at the annual festival.

As the younger sister of twins Mary-Kate and Ashley Olsen, Elizabeth is no stranger to cameras, but in “Martha Marcy May Marlene,” she arrives in the Hollywood spotlight by a decidedly different path. I spoke with Olsen recently about the upcoming limited release of “Martha Marcy May Marlene” in theaters, the responsibility of bringing such a tense, ripped-from-reality story to life, and the award-friendly film’s place in her burgeoning acting career.

IFC: Cults have been in the news quite a bit lately, so I assume there’s no shortage of research material to be found out there. This feels like the sort of role you need to really get inside in order to pull it off, so what did you do to create the right headspace for your performance?

EO: When Sean wrote it, he was inspired by someone he knows – her story. It’s not a retelling of her experience at all, but it is inspired by it. She was involved in a sexually abusive cult. So for me, rather than doing research from an outsider’s perspective — I didn’t want to meet her or infringe on her privacy — Sean kind of clued me in on everything that happened to her within her first year.

She didn’t actually tell anyone what happened to her for a year. She couldn’t put it into words herself, so it sort of comes from that, and hearing what happened to her while she was there and why she left. There was a man who was sort of like John Hawkes’ character for her. Sean told me she remembered seeing him wherever she went for an entire year, and lived in fear of that. Her personal story was what I needed as a launching point.

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IFC: When we see so many of these news reports about cults and people taken in by them, it’s easy for us to say, “Oh, I’d never fall for that,” or write it off as something that only happens to other people. As you were doing the film, didyou find yourself understanding how someone with common sense might get roped into this type of scenario?

EO: Absolutely. Sean wanted to make sure that people couldn’t write off these characters as spacey or unintelligent. He wanted to make sure that these people could be anyone. That was a very conscious choice on his part, but also for me, because when you think about it, all it takes is someone who’s really vulnerable and has a huge void in their life — whether it’s a void of meaning, or family, or love. That’s all it really takes.

And it always starts off with a good idea about how to live life, too. In this case, it’s a self-sufficient farm where everyone’s kind of equal. There are just these elements that make you think, “Wow this is how society really could live happier.” And soon you end up thinking things like, “Well, your body really is everyone’s body,” and that sort of thing. That’s just the beginning of being manipulated. You don’t have to just be someone who’s susceptible to peer pressure or anything like that.

IFC: You and Sean both seem to be at similar points in your careers right now. Did it feel like you two were in sync professionally when it came time to make this film? Did that feeling add anything to the movie-making experience with “Martha Marcy May Marlene”?

EO: We do have a very similar personal theory and reason for why we like making movies. I think because we have a similar goal and the same principles, that’s why we still get along as friends after making the movie.

IFC: “Martha Marcy May Marlene” is a unique film to take on at such an early point in your career. Did it feel like a unique experience? Why was this the right film to do at this point in your life?

EO: First off, this is only my second job opportunity, so this being my second job opportunity is kind of remarkable to me. To me, this was such a challenge and it was something unlike all of the other scripts I was reading. When you’re an unknown, you don’t really get to see a lot of the great scripts. You feel like a scavenger sometimes, like you’re eating people’s leftovers or something. [Laughs] So when I got to read this script, everything in my being was like, “Oh my god, this is so right. I would love to do this.”

IFC: How did the script arrive in your hands?

EO: It was one of the scripts my agent gave me, and I fell in love with it and wanted to do it so badly. I think Sean knew he wanted to cast someone who was an unknown – not necessarily not experienced, but an unknown of some kind. And yes, I think we both sort of met on the same level of tonality, and during the audition, I think we both understood we approached work the same way. So it was a good match.

IFC: While “Martha Marcy May Marlene” has a great supporting cast, the film is clearly resting on your shoulders. Your character is the foundation of the entire story. Was that a daunting prospect for you?

EO: It could’ve been, but the truth is that I was cast three weeks before we started filming, and I was filming another movie at the time called “Peace, Love, and Misunderstanding,” so I didn’t have the extra time to psyche myself out. That’s the truth. If I had two months leading up to it, I’d probably be worried about how I was going to prepare, and trying to read all sorts of books and psyching myself out. But all I had was the script and my instincts for those three weeks, and in between scenes of the other movie, I just tried to analyze it and make the best choice possible for what was to come.

So no, I just didn’t have the time to psyche myself out.

Also, while we were filming it, because I’m very new to making movies, I didn’t really understand the festival circuit and the larger independent film environment. For me, making the movie was in our environment, it wasn’t in the world’s environment. It was just this small world, and whatever happens with the movie happens, and I didn’t think anything more about it until they started talking about it going to Sundance. Now I’m learning about a whole other aspect of this industry.

IFC: You’re supported by a pair of really impressive actors in “Martha Marcy May Marlene” – John Hawkes and Sarah Paulson. Did you find yourself learning from them as the filming went on? What were some of your takeaways from the time you spent with them on the film?

EO: John’s a really selfless actor, and when he’s offscreen, he does everything he can do to get a new reaction to something, and he always says, “If you need anything or if there’s anything specific I can do to help, just tell me.” I had no idea what to tell him. I was like, “I have no idea what I even need.” [Laughs] But what I learned from him is that there is a way you can be effectively helpful offscreen for another actor rather than just being present. You obviously want to be present when someone else is working, but he’d do something extra.

Sarah was like a sister to me. She and I became really, really friendly, and it was almost frustrating to Sean, because we’d be singing or laughing between takes of scenes that really weren’t funny. With her, the ability to be able to step outside of what you’re doing was a really great lesson.

“Martha Marcy May Marlene” hits theaters in limited release October 21, 2011. The film is written and directed by Sean Durkin and stars Elizabeth Olsen, John Hawkes, and Sarah Paulson.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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