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ADAPT THIS: “Superman: Red Son” by Mark Millar, Dave Johnson, and Kilian Plunkett


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With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of each “Adapt This” column, you’ll also find some thoughts from the industry’s top comic creators about the books they’d like to see make the jump from page to screen.

This Week’s Book: Superman: Red Son by Mark Millar (w), Dave Johnson (a), and Kilian Plunkett (a)

The Premise: What if, instead of landing in Smallville, Superman landed in the Soviet Union? How would the DC Universe change if the Man of Steel grew up on a collective instead of a farm in Kansas? This tale from DC’s popular “Elseworlds” line explores how Batman, Wonder Woman, Lex Luthor, and the rest of Superman’s fellow heroes and villains would’ve changed in a world where the most powerful being on the planet was a champion of Socialism instead of a force for “truth, justice, and the American way.”

The Pitch: With DC’s entire line of superheroes and villains receiving a reboot this week, it seems appropriate to put the spotlight on some of the publisher’s past alternate-universe success stories.

Published in 2003, Superman: Red Son was scripted by Kick-Ass and Wanted writer Mark Millar, and presents a very different — and fascinating — take on the Superman mythos. Not only does Superman’s story chart a dramatically different course, but Millar also offers up alternate versions of Batman, Wonder Woman, Green Lantern, Lex Luthor, Brainiac, and more characters whose histories are inextricably tied to that of Jerry Siegel and Joe Shuster’s bullet-proof Man of Steel.

However, given the high profile of Superman these days in Zack Snyder’s upcoming “Man of Steel” movie, it’s unlikely that Red Son would — or should — get the live-action treatment. What the story could benefit from, though, is a feature-length animated film like the recent “All Star Superman,” which was also based on a Superman adventure (his final adventure, in fact) falling outside the character’s regular continuity.

Widely regarded as one of the best of DC’s popular “Elseworlds” tales, Red Son is not only a compelling story with a strong narrative arc and powerful conclusion, but it also serves as a reminder of all the reasons why Superman has become one of the world’s most iconic characters — simply by showing how different he could have been.

Like All-Star Superman and Justice League: The New Frontier before it, Superman: Red Son also offers a nice opportunity to experiment with different artistic representations of some of the DC’s most popular characters. From the Soviet version of Batman to America’s ultra-militarized Green Lantern Corps, Red Son is packed with new twists on old favorites that have become some of the most popular alternate versions of the characters introduced over the years.

The Closing Argument: While it’s certainly not viable for live-action adaptation at this point, Superman: Red Son is an easy choice for animated feature treatment. By combining a thought-provoking story that appeals to adults with colorful, fascinating twists on well-known characters, Red Son is one of those rare projects that bridges the gap between generations and illustrates why comics — and the movies based on the them — are still fresh and full of surprises for new and old fans alike.

This Week’s Comic Creator Recommendation: Bad Machinery by John Allison

“I would love to see Bad Machinery by John Allison adapted into a television series. It’s a positively charming British take on children solving mysteries. The humor is fresh, the kids are whip smart, and the plots are kooky and inventive. It gives a hilarious peek at the peculiarities of growing up in modern day England and the fun of solving mysteries like ‘Is the stray dog roaming town actually a baby wendigo?'”

Chris Hastings, author of the award-winning webcomic The Adventures of Dr. McNinja and the recent three-issue Marvel Comics miniseries Fear Itself: Deadpool.

Would “Superman: Red Son” make a good animated movie? Would “Bad Machinery” make a good television series? Chime in below or on Facebook or Twitter.


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.