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IFC.com’s 2011 Fall Movie Preview Guide

IFC.com’s 2011 Fall Movie Preview Guide (photo)

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10/14 – “THE BIG YEAR” (20th Century Fox – David Frankel – Comedy)

darby2-05302011.jpgWhat Is It: Three hardcore birdwatchers (Steve Martin, Jack Black and Owen Wilson) set out to outdo each other in a contest to see who can spot the most bird species across North America in this adaptation of Mark Obmascik’s comic novel, “The Big Year: A Tale of Man, Nature and Fowl Obsession.” Rashida Jones, Anjelica Huston and Rosamund Pike provide a woman’s touch to this testosterone-fueled tale of manly competition directed by David Frankel (“The Devil Wears Prada,” “Marley & Me”).

Why We Care: This sounds like one of those Wes Anderson movies that was made by someone besides Wes Anderson. Steve Martin, Jack Black and Owen Wilson as avid birdwatchers is already a golden comedy team in and of itself, but having them engaged in what will probably be a fiercely competitive cross-country odyssey sounds even better — we can’t wait to see what kind of underhanded tactics these guys employ as they try to sabotage each other’s quests. The existential questions conjured by such a “Waiting For Godot” kind of premise boggle the mind, but we’re sure the road-comedy laughs and pokes at how unmovable the male ego can be will get priority over any smarty-pants analysis about life and death and our place in nature’s grand scheme of things and whatnot. Besides the three ladies mentioned above, the impressive supporting cast also includes Brian Dennehy, Corbin Bernsen, JoBeth Williams, Anthony Anderson, Tim Blake Nelson, Kevin Pollak and Dianne Wiest. The birds are in good company!


10/14 – “THE THING” (Universal – Matthijs van Heijningen, Jr. – Sci-Fi Horror)

darby2-05302011.jpgWhat Is It: The remake, er, prequel to John Carpenter’s 1982 sci-fi horror classic follows an Antarctica-based Norwegian team of scientists (and a cute American grad student, natch) as they uncover a nasty alien lifeform that likes to replicate its victims and make everyone else all freaked out and paranoid and unable to trust anyone. But remember, it’s not a remake — it’s a prequel.

Why We Care: The producers of “The Thing” have pulled off a neat trick — their movie looks to have the exact same plot as its predecessor and yet it manages to dodge the bad feelings that come with being a “remake” by being a “prequel.” In its defense, how could it not have the same plot — pretty much beat for beat — of John Carpenter’s original? If you uncover this outer space nasty in an isolated setting, there’s really only one way the whole thing (heh heh) can play out. And, remember, Carpenter himself set us up for this story — his film opens with the only survivors of the Norwegian team chasing and shooting at a poor doggie via helicopter. Yeah, the would-be sniper couldn’t speak English, and everyone in this prequel seems to be able to just fine (how else could they communicate with the hottie American played by Mary Elizabeth Winstead?), but most people hate subtitles, so just go with it. Anyway, if “The Thing” is even half as scary and creepy as Carpenter’s film, we’re in for a delicious Halloween treat — and that R-rating is definitely a good sign.


10/21 – “MARTHA MARCY MAY MARLENE” (Fox Searchlight – Sean Durkin – Drama/Thriller)

darby2-05302011.jpgWhat Is It: This festival darling stars Elizabeth Olsen (an Olsen Non-Twin) as Martha, a young woman trying to piece her life — and sanity — back together after she flees from an abusive cult led by the creepy, manipulative Patrick (John Hawkes). Fantasy, reality and memory all blend into a dark and sinister dreamscape in a moody thriller that many are calling this year’s “Winter’s Bone” (in which Hawkes played Teardrop). Writer-director T. Sean Durkin won the Directing Award at the 2011 Sundance Film Festival.

Why We Care: If something is being described as “this year’s ‘Winter’s Bone,'” you bet we’re going to be first in line to see it. The trailer for “Martha Marcy May Marlene” is heavy on the dread as Elizabeth Olsen proves she ain’t her sisters’ sister (probably a very conscious career move on her part) in what looks like a devastating performance as the victim of a cult that bent her sense of space and time — and identity (see the title). Expect to feel constantly creeped out and uncomfortable at this one, a sensation that very few films are able to pull off — we’re betting that T. Sean Durkin definitely earned that Sundance directing award and then some. Also, the more John Hawkes we can get in our lives, the better — he’ll also be featured this fall in Steven Soderbergh’s “Contagion.”


10/21 – “PARANORMAL ACTIVITY 3” (Paramount – Henry Joost – Horror)

darby2-05302011.jpgWhat Is It: Things go bump a third time as we go back to the ’80s to see the beginnings of sisters Kristi and Katie’s little problem with a demon that likes to drag people out of bed, beat up dogs and make all of the kitchen cupboards slam open at once. Apparently, you really shouldn’t do that “Bloody Mary three times in front of a mirror” thing, unless you’re up for a lifetime of bad supernatural mojo.

Why We Care: The “Paranormal Activity” movies are that ultra-rare kind of low-budget horror film: cleverly written, unobtrusively directed and actually scary. Kudos to Paramount for having “Paranormal Activity 2” stay more or less true to the DIY vibe of the original, and even more kudos for sticking to the aesthetic for this third (and, we’re assuming, final) chapter. “PA2” was also slick in serving as both a prequel and sequel to its predecessor, a narrative combo that looks to be continuing with the third installment as we go back and forth between the ’80s (with Kristi and Katie as grade-school kids) and the present day (where we last saw the possessed Katie kidnapping poor Kristi’s infant son). Bring on another round of creepy video surveillance and neat-o sound design! A side observation: is it just us or, judging from the trailer, is the picture quality of the analog VHS camera capturing all of the ’80s events really, really good?


10/21 – “RED STATE” (SModcast Pictures – Kevin Smith – Horror)

darby2-05302011.jpgWhat Is It: Three teenage boys respond to a post on “the Craigslist for people who want to get fucked” and end up being punished for getting down with the Devil’s business by a group of crazy Fundamentalists who dish out the violent wrath of God upon the wicked. Later, the law (John Goodman and Kevin Pollack) tracks down these Bible-thumping crazies and a righteous all-out war ensues. From the director of “Jersey Girl.”

Why We Care: After “Jay and Silent Bob Strike Back” (still one of the grandest inside jokes to ever come out of Hollywood), Kevin Smith has been struggling to find his voice outside the View Askewiverse. He tried romantic comedies outside the Askewiverse, some more successful (“Zack and Miri Make a Porno”) than others (“Jersey Girl”). He indulged in a poignant and enjoyable but ultimately unnecessary return to the well (“Clerks II”) and even tried to be a director for hire (“Cop Out”). And none of these noble endeavors have been able to catch that old “Clerks” and “Chasing Amy” magic. We think Kevin needs to completely stray from the land of comedy he feels so comfortable in to truly redefine himself as a filmmaker, which is why we have high hopes for his first dabbling in the horror-thriller genre. Smith has always had a bug up his ass about the concept of “religion” and all of its wide and wonderful contradictions, and it looks like “Red State” goes places that “Dogma” didn’t dare venture. No matter the end result, this is exciting new territory for the much-beloved geek auteur who isn’t so much growing up as he is finally truly branching out.


10/28 – “IN TIME” (20th Century Fox – Andrew Niccol – Sci-Fi Thriller)

darby2-05302011.jpgWhat Is It: “Gattaca” director Andrew Niccol returns to spin the tale of a future in which humans stop aging at 25, and anything beyond is bought and traded as a commodity. The weighted system thus ensures that rich folks can live forever whereas poor people…well, you get the idea. When one young man (Justin Timberlake) inherits a fortune in time credits, he is accused of murder and forced to go on the run, where he is lucky enough to run into Amanda Seyfried.

Why We Care: Niccols is a prolific storyteller, having not only wrote and directed the fan-favorite sci-fi pic “Gattica” but also the excellent Nicolas Cage thriller “Lord of War.” This is his first project since that 2005 film and we’re excited to see where he takes “In Time.” The story isn’t particularly original — it easily compares to the ’70s “Logan’s Run” — but Niccols has proven an ability to craft a unique take on the material, and he has a talented cast to helm him do that. Justin Timberlake takes the lead in his first starring non-comedic role, and given his impressive versatility in roles like “The Social Network” and “Alpha Dog,” it’ll be interested to see what he can do with a non-ensamble thriller.


10/28 – “LIKE CRAZY” (Paramount Vantage – Drake Doremus – Drama)

darby2-05302011.jpgWhat Is It: The college romance between an American (Anton Yelchin) and a British foreign exchange student (Felicity Jones) suddenly becomes complicated post-gradution by the challenges of being long-distance when her expired Visa sends her back to England. They struggle to keep their passion alive, despite the miles and the distractions of other attractive young people — Jennifer Lawrence for him (can you blame him?), Charlie Bewley for her. Winner of the Grand Jury Prize at the 2011 Sundance Film Festival.

Why We Care: Even if “Like Crazy” ends up being a bit hokey and contrived, its sincerity is going to take it a long way — the two trailers score a lot of points just for being so unapologetically, un-self-consciously emotional as they show us the personal hells of loneliness in which these two characters are suffering — and the guilt and confusion that comes with such passion eventually fading due to the distance that inevitably becomes more than just physical. This looks like one big ol’ ultra-personal project for writer-director Drake Doremus — and the fact that he’s only 28 has us thinking that he’s actually experienced at least a similar situation, and relatively recently. Even if “Like Crazy” can’t quite hold it together all the way up to breaking up with the audience, you know it’s at least always coming from the heart.

Extra: Watch the “Like Crazy” trailer with exclusive audio commentary from director Drake Doremus


10/28 – “THE RUM DIARY” (FilmDistrict – Bruce Robinson – Drama)

darby2-05302011.jpgWhat Is It: Based on an early work by Hunter S. Thompson, “The Rum Diary” follows freelance journalist Paul Kemp (Thompson alum Johnny Depp) as he tries to save himself from the various self-destructive lost souls surrounding him while working for a small newspaper in the Caribbean. Bruce Robinson (“Withnail and I,” “How to Succeed in Advertising”) directs this darkly comic tale co-starring Amber Heard, Aaron Eckhart, Giovanni Ribisi and Richard Jenkins.

Why We Care: This definitely ain’t Captain Jack Sparrow’s Caribbean! We’re excited for another melding of the acting talents of Johnny Depp with the writings of the late, great Hunter S. Thompson after their first collaboration turned out so well: Terry Gilliam’s 1998 mind-bending drug odyssey, “Fear and Loathing in Las Vegas.” While it would’ve been great if Gilliam had returned for another round of gonzo filmmaking, Bruce Robinson in the director’s chair will more than suffice — “The Rum Diary” marks his first directorial gig since 1992’s so-so thriller, “Jennifer Eight,” but we know the man behind both “Withnail and I” (a joyful portrait of two drunk out-of-work theatre people) and “How to Get Ahead in Advertising” (which features Robinson himself as the voice of a talking boil on Richard E. Grant’s shoulder) can pull off this kind of bizarre material. Bonus: Amber Heard is becoming quite the go-to young hottie for edgy, interesting projects — the fact that she’s not just running off to romantic comedy land is admirable… and hot!


10/28 – “JANIE JONES” (Tribeca Films – David M. Rosenthal – Drama)

darby2-05302011.jpgWhat Is It: A young teen (Abigail Breslin) is abandoned by her junkie mother (Elisabeth Shue) at a concert and thrust into a relationship with her newly-discovered father (Alessandro Nivola), a troubled, alcoholic rock star who stumbles into one spot of trouble after another. Reluctantly agreeing to take his daughter on tour, the film follows their journey as they travel from show to show, slowly learning about each other amidst a rapidly unraveling band. “Janie Jones” features original music and Breslin learned to sing and play guitar for the role.

Why We Care: “Janie Jones” is arguably the best music film since “Walk the Line,” with Abigail Breslin delivering another career-defining performance (the first being “Little Miss Sunshine”). Heartfelt and gripping, “Janie Jones” establishes without a doubt that Breslin is one of the leading actors of her generation, able to gently craft a scene with equal parts vulnerability and strength. Nivola, for his part, shines in his role as a troubled frontman, with the actor taking the stage with a commanding presence and easily stepping into the shoes of a Scott Weiland-type character. The film is touching, funny and memorable, ushering audiences on a ride as large and bumpy as their tour bus.

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Rocky IV Stallone Lundgren

Burning Heart

10 Reasons Why Rocky IV Is the Ultimate Rocky Movie

Catch an all-day Rocky movie marathon this Friday, September 30th on IFC.

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Photo Credit: United Artists/Everett Collection

Sure, most people love the first Rocky for its heart, gripping boxing scenes and the classic training montage. Or, you might love Creed for being both a return-to-form and a new exploration of the Rocky mythology. Maybe the thrill of seeing Mr. T and Hulk Hogan in the same movie makes Rocky III your top pick. Well, sorry, you’re wrong: Rocky IV is the greatest of all the “Italian Stallion”‘s movies.

Before you watch the all-day Rocky movie marathon this Friday, September 30th on IFC (with Rocky IV airing at 8P as part of Rotten Fridays), check out a few reasons to appreciate the fourth installment as the king of the series.

1. The Greatest Opening Ever

How many openings are able to sum up the entire conflict of the film in less than a minute and without a single line of dialogue? And how many of those movies have exploding boxing gloves? Just try to watch the opening sequence above and not be completely psyched for the pumped-up flick to come.


2. Montages!

We all know that the best part of any sports movie is the montage, and Rocky IV doesn’t give you one measly montage. There’s a recap of the previous films montage, a getting to Russia Montage, two training montages and an ending fight montage. That’s five montages! There’s probably a montage of montages snuck in there, too.


3. There’s a Full James Brown Musical Number

This movie is so packed with memorable moments, it’s easy to forget one of the first things that happens in the film: Apollo comes out to fight Drago dressed as a shirtless Uncle Sam, while James Brown and a full band play “Living in America.” To drive home the number’s patriotism, there are dancers in tuxedos and top hats, weird unitards and bowler caps, and bedazzled showgirls with headpieces for miles. Oh, and don’t forget the giant tentacled dragon statue on the stage. This is how every boxing match should start. Heck, this is how we always want to enter a room.


4. The Soundtrack

The Rocky IV soundtrack doesn’t just feature James Brown — it has rock anthems galore, all of which make you immediately want to hit the gym. From “Heart’s on Fire” by John Cafferty and the Beaver Brown Band to “Sweetest Victory” by Touch to multiple Survivor jams, you’ll get pumped and stay pumped. Even the instrumental score rocks! Sure, sometimes it sounds like it was made on a kids Casio, but this soundtrack never quits and — to quote Robert Tepper — never takes the easy way out.


5. Abs!

Rocky IV weights

Every Rocky movie shows off Stallone’s incredible physique, but Rocky IV really ups the game. Not only do we get Dolph Lundgren mostly shirtless looking like a man machine, but we get a wide variety of scenes of Stallone doing impossible tasks. Stallone’s crazy dragon fly crunches, aka a thing no human should be able to do, automatically take this movie to the top.


6. Two words: Ivan Drago

Ivan Drago
United Artists

Not only does Rocky IV explore the global conflict between the US and the Soviet Union, but it encapsulates all of our fears of the Cold War in one perfect villain. Ivan Drago only trains with machines and science and looks like he stepped out of an Aryan Nations recruitment poster. He also only responds in short, cold phrases like “If he dies, he dies,” or “I must break you.” There’s never been a villain who we so clearly want to get the crap beat out of than Ivan Drago.


7. Rocky Makes Chores Look Badass

Rocky saw
United Artists

Rocky doesn’t need to be hooked up to machines to become the perfect fighter. All he needs are huge tires and some outdoor chores to do. No one’s ever looked cooler chopping wood and using tractor parts. Half of his training is lifting an old wagon, probably to fix a broken axle. If anything, this film inspires us to take care of that gardening work we’ve been neglecting.


8. Rocky’s Beard

Rocky IV Beard

Stallone’s beard game is truly on point in Rocky IV. And this isn’t some “I forgot to shave, here’s a little stubble” look. No, we get full out, lumberjack-style beard action. Does any other Rocky movie have our hero looking like an old Russian aristocrat? Another point for Rocky IV.


9. There’s a robot!

Again, there’s so much to Rocky IV, you probably forgot about the robot. Well, Rocky has some money now and he’s not going to spend it on frivolous things for himself. He’s going to buy Paulie a robot! The best part of this scene is how truly disturbed Paulie is by this new technology until he gives it a sexy lady voice.


10. Rocky Ends the Cold War

If you’re still not convinced that Rocky IV is the greatest, answer this question: Does any other Rocky movie bring peace between the US and Russia?

By the end of the film, Rocky rises up to beat the seemingly undefeatable Drago. He fights so well, that even the Russians begin to appreciate his skills. Then, instead of using his victory to prove America’s superiority, he gives a rousing speech of “If I can change and you can change, everybody can change!” The whole crowd goes wild, including all of the Russian government, who we assume give up Communism immediately based solely on Rocky’s words. Stallone’s call for international reconciliation through brutal fighting and a variety of montages makes this if not one of the greatest films of all time, certainly the greatest Rocky of them all.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

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Optimus Prime in TRANSFORMERS: AGE OF EXTINCTION, from Paramount Pictures.

Rotten Apples

10 Rotten Movie Franchises That Need to Stop

Catch the "Too Rotten to Miss" movie Scary Movie 2 tonight at 8P on IFC.

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Photo Credit: Paramount/courtesy Everett Collection

We live in the age of the blockbuster movie franchise. If you want a green-light, you better have tights, a light saber and decades worth of backstory and fan love to build on. And while we love some of these franchises, some just keep getting new entries despite horrible reviews, audience indifference and an utter lack of care from even the people making them.

With IFC and Rotten Tomatoes celebrating “too rotten to miss” movies like Scary Movie 2 this month, we thought it high time to point out just a few franchises than should be retired to the bottom of your Netflix queue. Here are 10 “rotten” movies franchise that need to just go away, please.

10. Transformers

Transformers
Dreamworks Pictures

Hollywood execs, we get it. You grew up in the ’80s, and now you want to produce everything you loved as a child, only make it a lot worse. Here’s the thing: while a show like Stranger Things took all the tropes and style of ’80s movies, and created something new, lingerie commercial director Michael Bay went the opposite way, taking a title and basic concept, and creating a pile of garbage made out of robot parts.

If poop jokes mixed with racism, misogyny and incoherent fight scenes are your thing, this is the franchise for you. If you have even the slightest respect for character or basic story logic, you have to admit this franchise has been awful from frame one. Yes, we were alive in the ’80s, but some things are best left in the past. Unfortunately, with a sixth movie, a Bumblebee spin-off and a proposed G.I. Joe/Transformers crossover movie in the works, this franchise will probably outlive us all.


9. Scary Movie

Scary Movie
Dimension Films

True, its been a couple of years since we’ve been subjected to one of these, but you know that Jamie Kennedy or the Epic Movie guys are sitting in a writers room somewhere, pitching jokes on how to merge The Purge with a fart joke. This franchise started out in a mediocre place, a Wayans family knockoff of better movies like Airplane, and things went downhill from there. You shouldn’t be able to spin five movies out of a few Scream jokes and a Carmen Electra cameo.


8. Alvin and the Chipmunks

Alvin and the Chipmunks
20th Century Fox

Designed to appeal to kids who love ’50s novelty albums and pun-y titles, the Chipmunk franchise feels like it was made by a prop comic from the Uncanny Valley. Full of rapping CGI rodents, and a paycheck cashing Jason Lee, 20th Century Fox has somehow made over a billion dollars off a series of diminishing “Squeakquels.” We do secretly sort of hope these movies keep getting made, just so David Cross keeps getting forced to star in them.


7. X-Men

X-Men Oscar Isaac
20th Century Fox

If we can all be honest with ourselves, these movies have been a mixed bag for the past decade. (Even the foul-mouthed spin-off Deadpool made fun of how self-serious the franchise has become.) In an ever expanding quest to turn the series into a dumbed-down version of the moody mutants’ ’90s cartoon, the stories have gotten paper-thin, the performances phoned in and the monster makeup just this side of Grimace cosplay. (We’re looking at you, X-Men: Apocalypse.)

Do we really need to see Hugh Jackman’s take on Wolverine for the ninth time? There is only so much steamed chicken and protein powder this man can eat before this franchise legitimately becomes a form of torture. Fox Studios, there are enough superheroes on the big screen right now. Maybe let this one go, and a decade from now Marvel can reclaim it and make some good movies again.


6. Tarzan

Tarzan
Warner Bros.

There have been over 200 projects starring Tarzan since pictures started motioning at the turn of the last century. 200! This vaguely racist story of a white man taming the, ahem, Dark Continent, has been told ad nauseam. We know Hollywood loves to keep beating iconic characters into the ground, and Tarzan probably has near universal name recognition, but that doesn’t mean that anyone wants to, you know, go and watch a movie about the guy, no matter how ripped Alexander Skarsgard’s abs are.


5. Teenage Mutant Ninja Turtles

Tarzan
Paramount Pictures

These “heroes in a half shell” were a stretch for movie stardom back at the peak of their popularity, but thanks to some ingenious work by The Jim Henson Company, and Vanilla Ice’s “Ninja Rap,” they were able to have a moment during the early ’90s.

Now, decades later, Michael Bay’s desperate desire to ruin all of our childhoods has found its way to these pizza loving turtles with ‘tude. The CGI monstrosities that have resulted can barely be called movies. Like the Transformers franchise, but with more creepy scenes of an anthropomorphic turtle hitting on Megan Fox, these movies are a nail in the coffin of ’80s nostalgia, and need to be put to bed before Bay starts sniffing around the Thundercats.


4. Now You See Me

Now You See Me
Summit Entertainment

Magic tricks are impressive when you see them performed live. The fun is in wondering how they could possibly do that. When you watch a bunch of Christopher Nolan castoffs performing CGI tricks created in post production, the only thing you’re left wondering is what the point even was.

This is perhaps the strangest movie franchise to come along in awhile, a collection of genres tropes quilted together by a cavalcade of filmdom’s best supporting actors. Take a bit of Ocean’s Eleven, and a touch of The Prestige. Add a pinch of Morgan Freeman and James Franco’s brother, and cross your fingers that audiences will be dumb enough to line up for a sequel to that movie they didn’t totally hate when they saw it on an airplane that time.


3. God’s Not Dead

Pure Flix Entertainment
Pure Flix Entertainment

The Christian movie genre has blown-up over the last decade. God’s Not Dead, and its sequel, were beneficiaries of this expanding audience, raking in tens of millions of dollars at the box office. But, despite connecting with an audience, all is not well in God’s Not Dead-land.

These insipid movies, that never met a straw man they didn’t hate, tell laughable stories about the evils of college campuses and the ACLU, full of cartoonish villains whose sole purpose in life is to crush good Christian souls. With a “who’s who” of “Remember Them??” in the cast, including TV’s Superman Dean Cain and TV’s Hercules Kevin Sorbo, these movies are as poorly produced as the message they’re espousing. God may not be dead, but the careers of the filmmakers behind these movies should be.


2. Bridget Jones

Universal Pictures
Universal Pictures

It’s been more than a decade since the last Bridget Jones movie was foisted on us, and in that time young Bridget has remained the same self-involved, unrealistically clumsy mess. With pacing that makes each movie feel 10 hours long, sub-par slapstick and an unlikeable lead, the Bridget Jones trilogy too often feels like Sex and the City without the sex or the city.

Just because the book series your franchise is based on churns out another entry doesn’t necessarily mean you need to get the gang back together. Well, some of the gang, considering Hugh Grant wisely let Dr. McDreamy himself Patrick Dempsey fill in for him this go around. Remember when Renee Zellweger was an acclaimed, Oscar-winning actress? Yeah, that was a long time ago…


1. Avatar

20th Century Fox
20th Century Fox

Seriously, is anyone really excited for the four sequels that James Cameron has promised us to this box office breaking blockbuster from 2009? Yes, at the time the 3D wonderland of CGI planets and tail sex was a revelation, making us overlook the fact that we were watching a hokey Dances With Wolves knockoff starring an actor with the approximate charisma of a broken toaster. But over the last few years, Avatar has slipped from the public consciousness. When’s the last time you popped in your Blu-ray of it, or saw someone cosplaying a Na’vi, or even mentioned it in casual conversation? If Cameron were making one sequel, okay, but four? FOUR? Maybe it’s best to just remember Avatar for what it was — a blue-hued fluke, and move on.

Catch the “Too Rotten to Miss” flick Scary Movie 2 this Friday at 8P on IFC.

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Grub Club

How “Juan Likes Rice & Chicken” Nails Foodie Culture

Watch "Juan Likes Rice & Chicken" anytime on IFC.com, Apple TV and the IFC app.

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We’ve all seen those delicious food documentaries that turn dinner into porn one slow motion shot at a time. Well, the boys behind Documentary Now! have too, and this week they’ve aimed their eye for spot-on homage at foodie docs with their latest episode, “Juan Likes Rice and Chicken.”

Here are a few of the ways “Juan,” which you can watch now on IFC.com, Apple TV and the IFC app, nails the absurdity of those Instagramming hipsters who treat food like fine art.

Foodies Will Go Anywhere for a Trendy Restaurant…Even Up a Mountain

“Juan” knows that foodies will hit up the latest hot restaurant, even if they have to march miles through the jungle without any water just for a taste of Three Michelin star-awarded chicken. And what if Juan doesn’t catch the bird and decides fate has determined there will be no chicken on the menu that day? Well, if you’re anything like the food chasing freaks that populate “Juan,” you muster a smile and tell yourself it was all worth it, as long as one Facebook friend is jealous of your trip.

They Obsess Over Celebrity Chefs

Juan Cast

Chefs used to be anonymous. They were the faceless folks back in the kitchen, doing the grunt work so you could enjoy a nice meal with friends and family. Nowadays, they are the Beyoncés of cuisine, attracting fans from around the world, dropping new restaurants like pop stars drop albums, and showing up on cooking shows more than pinches of salt. The monosyllabic Juan of “Juan Likes Rice and Chicken” is no different, despite the fact that he hasn’t left his jungle hideaway for decades. Once you start making waves in the food world, there’s no turning back. If you don’t come to the fame, the fame comes to you.

Comfort Foods Become High Cuisine

Juan Rice

Hot dogs. Dumplings. Donuts. Croissants. Croissant Donuts. Foodies love nothing more than discovering a new twist on a comfort food favorite. Except this common, everyday food isn’t like how mom made — it’s prepared by acclaimed chefs and often requires a second mortgage to taste. Juan’s cuisine couldn’t be simpler — a cup of coffee, a banana sliced in half, rice with a bit of butter and (on most days) chicken. But thanks to endorsements from chef David Chang and food critic Jonathan Gold, food geeks can’t wait to taste Juan’s take on a dish they could easily whip up at home.

Every Bite Is a Sensual Experience

Juan Rice

There is nothing a good food documentarian loves more than the slow motion shot. A fire exploding from a BBQ pit. Hands running through a barrel of coffee beans. Dew dripping from freshly picked parsley or a hand running through rice. “Juan Likes Rice and Chicken” knows that the trick to making foodies care about the seemingly bland items being prepared is to film them in slow motion. All of a sudden, a pile of nuts becomes a delight for the senses.

Offbeat Cooking Methods? Foodies Love ‘Em

Juan Cannon

It’s not enough to grill some chicken. Much like a famous Portlandia sketch, foodies want to know if it’s local, and will go to the ends of the Earth to find out. We want to believe that the best way to prepare chicken is to wrestle the bird to the ground, and if it bests us, it gets to live for another day. That’s why foodies flock to Juan, with his extensive list of “dos and don’ts” when it comes to food preparation. Of course you should shoot raw chicken through an air cannon. Why haven’t we thought of that???

A Foodie’s Dark Secret? They Love Bad Food

Diego Fun Restaurant

Here’s another secret of foodie culture that “Juan” understands: We secretly love crap food. Sure, we’ll trudge miles off course for the supposedly perfect chicken Juan prepares, but we also love to sneak away to Fuddruckers, or Juan’s son Diego’s “Fun Restaurant,” where you can write on the menu and have Skittles on your chicken. Now that’s worth Snapchatting!

Watch Documentary Now!’s take on foodie culture now on IFC.com, Apple TV and the IFC app
.

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