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First wave of 2011 Toronto Film Festival titles announced

First wave of 2011 Toronto Film Festival titles announced (photo)

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Straight from the Twitter feed of festival co-director Cameron Bailey comes the first wave of titles from this year’s Toronto Film Festival. And they are:

“Trishna,” directed by Michael Winterbottom, starring Freida Pinto and Riz Ahmed (World Premiere)
“The Lady,” directed by Luc Besson, starring Michelle Yeoh and David Thewlis (WP)
“Countdown,” directed by Huh Jong-ho (WP) starring Jeon Do-yeon (WP)
“360,” directed by Fernando Mereilles, starring Jude Law, Rachel Weisz, and Anthony Hopkins. (WP)
“Moneyball,” directed by Bennett Miller, starring Brad Pitt and Jonah Hill (WP)

The festival announced the rest of the first wave of titles at a press conference earlier today (you can read quotes from the announcement plus synopses for all the movies over on indieWIRE). Highlights include new movies from George Clooney, Alexander Payne, Cameron Crowe, Madonna, Francis Ford Coppola, William Friedkin, The Duplass Brothers, and Marjane Satrapi and Vincent Paronnaud (the creators of “Persepolis”).

Here’s the rest of the lineup thus far; TIFF’s official Twitter page says there will be more titles added weekly. What a tech-savvy fest. This year’s Toronto Film Festival runs September 8 thru 18.

“Albert Nobbs,” directed by Rodrigo Garcia, starring Glenn Glose
“Butter,” directed by Jim Field Smith, starring Jennifer Garner, Hugh Jackman and Olivia Wilde
“From the Sky Down,” directed by Davis Guggenheim, starring U2
“A Happy Event,” directed by Rémi Bezancon
“The Ides of March,” directed by George Clooney, starring Ryan Gosling, Paul Giamatti, and Clooney
“Peace, Love, & Misunderstanding,” directed by Bruce Beresford, starring Jane Fonda and Catherine Keener
“Take this Waltz,” directed by Sarah Polley
“W.E.,” directed by Madonna

Special Presentations
“11 Flowers,” directed by Wang Xiaoshuai
“50/50,” directed by Jonathan Levine, starring Joseph Gordon-Levitt and Seth Rogen
“Americano,” directed by Mathieu Demy, starring Salma Hayek
“Anonymous,” directed by Roland Emmerich, starring David Thelwis and Vanessa Redgrave
“The Artist,” directed by Michel Hazanavicius, starring Malcolm McDowell and John Goodman
“A Better Life,” directed by Cédric Khan, starring Guillaume Canet
“Burning Man,” directed by Jonathan Teplitzky
“Chicken With Plums,” directed by Marjane Satrapi and Vincent Paronnaud
“Coriolanus,” directed by Ralph Fiennes
“Dark Horse,” directed by Todd Solondz, starring Justin Bartha and Selma Blair
“The Deep Blue Sea,” directed by Terrence Davies, starring Rachel Weisz
“The Descendants,” directed by Alexander Payne, starring George Clooney
“Drive,” directed by Nicolas Winding Refn, starring Ryan Gosling and Albert Brooks
“Elles,” directed by Malgorzata Szumowska, starring Juliette Binoche
“The Eye of the Storm,” directed by Fred Schepisi, starring Geoffrey Rush and Charlotte Rampling
“Friends With Kids,” directed by Jennifer Westfeld, starring Kristen Wiig and Megan Fox
“Habemus Papam,” directed by Nanni Moretti
“Headhunters,” directed by Morten Tyldum
“Hick,” directed by Derick Martini, starring Chloe Moretz and Blake Lively
“The Hunter,” directed by Daniel Nettheim, starring Willem Dafoe
“Jeff, Who Lives at Home,” directed by Jay and Mark Duplass, starring Jason Segel and Ed Helms
“Killer Joe,” directed by William Friedkin,” starring Emile Hirsch and Matthew McConaughey
“Like Crazy,” directed by Drake Doremus, starring Anton Yelchin and Felicity Jones
“Machine Gun Preacher,” directed by Marc Forster, starring Gerard Butler
“Martha Marcy May Marlene,” directed by Sean Durkin, starring Elizabeth Olsen and John Hawkes
“Melancholia,” directed by Lars von Trier, starring Kirsten Dunst
“The Oranges,” directed by Julian Farino, starring Leighton Meester and Adam Brody
“Pearl Jam Twenty,” directed by Cameron Crowe
“Rampart,” directed by Oren Moverman,” starring Woody Harrelson and Sigourney Weaver
“Salmon Fishing in the Yemen,” directed by Lasse Hallstrom, starring Ewan McGregor and Emily Blunt
“Shame,” directed by Steve McQueen starring Michael Fassbender and Carey Mulligan
“A Simple Life,” directed by Ann Hui, starring Andy Lau
“The Skin I Live In,” directed by Pedro Almodóvar, starring Antonio Banderas
“Take Shelter,” directed Jeff Nichols, starring Michael Shannon and Jessica Chastain
“Ten Year,” directed Jamie Linden, starring Channign Tatum and Rosario Dawson
“Twixt,” directed by Francis Ford Coppola, starring Val Kilmer and Elle Fanning
“Tyrannosaur,” directed by Paddy Considine
“We Need to Talk About Kevin,” directed by Lynne Ramsay, starring Tilda Swinton
“Where Do We Go Now?” directed by Nadine Labaki
“Woman in the Fifth,” directed by Pawel Pawlikowski, starring Ethan Hawke and Kristin Scott Thomas

What other titles do you want to see at Toronto 2011? Tell us in the comments below or on Facebook and Twitter.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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