Exclusive download & interview: John Congleton’s urgent The Nighty Nite

Exclusive download & interview: John Congleton’s urgent The Nighty Nite (photo)

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If Dimples, the name of the debut EP by the Texas band The Nighty Nite, suggests a certain romantic sweetness, you’re going to be disappointed. Led by former Paper Chase frontman and producer extraordinare John Congleton, The Nighty Nite fills Dimples with references to cancer, murder and greed, all delivered with the sort of Pentecostal urgency that makes you feel like bad things are just around the corner.

But these songs actually have enough punch and potency to wipe a smile across your face, with hooks that are built for the big time and then hurled with magnetizing gusto. Only the beginning of what Congleton hopes becomes a much bigger body of work, Dimples is a beautiful, brutal collection that makes you want more immediately after their thundering cover of The Magnetic Fields’ “Meaningless” ends.

We spoke with Congleton about The Nighty Nite by e-mail. You can download the EP’s first track, “Dimes in Their Dimples,” here.

How long have the songs on Dimples been written?

A real long while. That’s actually why I chose to release these songs, because they were so old, written before any band other than The Paper Chase was in my life. These were around and just kinda sitting there with no home.

How did the The Nighty Nite come together, and what input did the band as a unit have on writing/recording these songs?

I’m a busy guy, so I just write whenever I can. I kinda just peck away at things in hotels or late at night, after sessions. Everything we have been playing was stuff put together long before I had band members in mind. Once I did have people pieced together, I just sent them demos. We had to practice to see how we would get along playing together. I knew there was a real danger of it seeming too much like a studio creation, which there is a saturation of right now. I wanted us to be able to be a real good live band.

How do you see this work relative to The Paper Chase–a continuum or a departure, and why?

A continuum. Everything I do is similar and feels like one long narrative to me.

There’s sickness and thoughts of adultery and accusations of commercial wastefulness here: What connects them?

In my personal interests and creative life, I’ve always been drawn to hyperbolic situations and extreme characters. I like my life to be placid and calm, but I’m attracted to drama in art and in humanity. That’s the only connection I can really make with any validity. I’m a
happy person, but my music never sounds that way.

Is there one lyric or moment you’re proud of here, either as a writer or band member or both?

I really like the lyric “In my hospital gown directing traffic somewhere downtown” because it’s such a short, colorful sentence. It’s disgusting and cute, funny and sad, hopeful and miserable–all at the same time. I feel like I’m always trying to do things like combine opposites and see if they can live harmoniously in music. The Paper Chase was like that a lot to me as well.

You seem interested in a combination of noise and tunefulness. Who are other writers and composers who accomplish this for you?

Wow, great question because that’s truly what interests me–things that are almost beautiful or slightly crippled melodies. Awesome melodies played poorly or awkwardly is like a musically crystalized humanity to me. We are flawed but some of us can be so beautiful in those flaws. I think that Scott Walker has really nailed that with The Drift, Lou Reed with Berlin.

When did you first hear “Meaningless,” and why do you feel it’s appropriate as the closing statement of this band’s first release?

In The Paper Chase, we had a member who was a Magnetic Fields fan. It took me a real long while to get it, but once I heard 69 Love Songs, my interest grew. “Meaningless” is simply a song I wish I wrote. I think it’s positively superb and a perfect ha-ha, wink-wink for this band, even if I’m the only one who gets the joke. I think people will get the punch line once more music comes out from The Nighty Nite. The songs we’ve been preforming live that have been written directly for the band are really zeroing in on how “meaningless” existence can feel but at the same time jabbing myself for being a navel gazer. It’s all very funny to me, like a black comedy. I enjoy the beauty of philosophy and science but adore the absurdity of it.

What’s next for the band?

I wanna play more, and that’s the plan. We’re gonna be recording an LP as soon as I have enough time to figure out what time zone I’m in.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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