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Exclusive download & interview: John Congleton’s urgent The Nighty Nite

Exclusive download & interview: John Congleton’s urgent The Nighty Nite (photo)

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If Dimples, the name of the debut EP by the Texas band The Nighty Nite, suggests a certain romantic sweetness, you’re going to be disappointed. Led by former Paper Chase frontman and producer extraordinare John Congleton, The Nighty Nite fills Dimples with references to cancer, murder and greed, all delivered with the sort of Pentecostal urgency that makes you feel like bad things are just around the corner.

But these songs actually have enough punch and potency to wipe a smile across your face, with hooks that are built for the big time and then hurled with magnetizing gusto. Only the beginning of what Congleton hopes becomes a much bigger body of work, Dimples is a beautiful, brutal collection that makes you want more immediately after their thundering cover of The Magnetic Fields’ “Meaningless” ends.

We spoke with Congleton about The Nighty Nite by e-mail. You can download the EP’s first track, “Dimes in Their Dimples,” here.

How long have the songs on Dimples been written?

A real long while. That’s actually why I chose to release these songs, because they were so old, written before any band other than The Paper Chase was in my life. These were around and just kinda sitting there with no home.

How did the The Nighty Nite come together, and what input did the band as a unit have on writing/recording these songs?

I’m a busy guy, so I just write whenever I can. I kinda just peck away at things in hotels or late at night, after sessions. Everything we have been playing was stuff put together long before I had band members in mind. Once I did have people pieced together, I just sent them demos. We had to practice to see how we would get along playing together. I knew there was a real danger of it seeming too much like a studio creation, which there is a saturation of right now. I wanted us to be able to be a real good live band.

How do you see this work relative to The Paper Chase–a continuum or a departure, and why?

A continuum. Everything I do is similar and feels like one long narrative to me.

There’s sickness and thoughts of adultery and accusations of commercial wastefulness here: What connects them?

In my personal interests and creative life, I’ve always been drawn to hyperbolic situations and extreme characters. I like my life to be placid and calm, but I’m attracted to drama in art and in humanity. That’s the only connection I can really make with any validity. I’m a
happy person, but my music never sounds that way.

Is there one lyric or moment you’re proud of here, either as a writer or band member or both?

I really like the lyric “In my hospital gown directing traffic somewhere downtown” because it’s such a short, colorful sentence. It’s disgusting and cute, funny and sad, hopeful and miserable–all at the same time. I feel like I’m always trying to do things like combine opposites and see if they can live harmoniously in music. The Paper Chase was like that a lot to me as well.

You seem interested in a combination of noise and tunefulness. Who are other writers and composers who accomplish this for you?

Wow, great question because that’s truly what interests me–things that are almost beautiful or slightly crippled melodies. Awesome melodies played poorly or awkwardly is like a musically crystalized humanity to me. We are flawed but some of us can be so beautiful in those flaws. I think that Scott Walker has really nailed that with The Drift, Lou Reed with Berlin.

When did you first hear “Meaningless,” and why do you feel it’s appropriate as the closing statement of this band’s first release?

In The Paper Chase, we had a member who was a Magnetic Fields fan. It took me a real long while to get it, but once I heard 69 Love Songs, my interest grew. “Meaningless” is simply a song I wish I wrote. I think it’s positively superb and a perfect ha-ha, wink-wink for this band, even if I’m the only one who gets the joke. I think people will get the punch line once more music comes out from The Nighty Nite. The songs we’ve been preforming live that have been written directly for the band are really zeroing in on how “meaningless” existence can feel but at the same time jabbing myself for being a navel gazer. It’s all very funny to me, like a black comedy. I enjoy the beauty of philosophy and science but adore the absurdity of it.

What’s next for the band?

I wanna play more, and that’s the plan. We’re gonna be recording an LP as soon as I have enough time to figure out what time zone I’m in.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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