DID YOU READ

“The Interrupters,” reviewed

“The Interrupters,” reviewed (photo)

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I see a lot of bad documentaries about good people. Some of the most boring docs are about the most interesting people because their filmmakers simply assume that their subjects’ greatness will transfer to their documentary through some sort of cinematic osmosis. Steve James and Alex Kotlowitz, director and producer of the new documentary “The Interrupters,” do not make that mistake.

Their subjects are good people — flawed, but good — working to end the disease of violence in Chicago. But James and Kotlowitz don’t just get a couple talking head interviews with these men and women, throw in a few experts on crime and gang violence, and call it a day. They spent a year with these so-called “violence interrupters,” insinuating themselves into their lives and their work. We get to know who they are, what they’ve done, and what they continue to do for the city of Chicago. “The Interrupters” is about an important issue and important people, but it doesn’t parade its importance like a medal of honor. It never forgets it’s a movie first, and its job is to do more than educate: it must entertain and move as well as enlighten.

The violence interrupters work for a Chicago organization named CeaseFire. Founded by an epidemiologist, the violence interrupters’ work is founded on the idea that crime works like a viral infection and that the best way to defeat it is to combat it accordingly: by stopping it at its point of transmission. That’s why the interrupters work with their community to literally interrupt disputes: they interject themselves into arguments and mediate conflict or target the victims of violent crime and counsel them in the hopes of staving off retaliatory attacks. This is incredibly dangerous work; in one scene, an interrupter breaks up a dispute and winds up in the hospital with multiple gunshot wounds. Though their primary metaphor is disease, you might also say that the interrupters are also street-level bomb diffusers; every time they go out on the job lives, including their own, are on the line. But when the interrupters are successful they can not only save lives in the short-term, they can change them for the better in the long-term.

Perhaps the greatest beneficiaries of the interrupters’ work are the interrupters themselves, who are all former violent offenders. James and Kotlowitz’s three main subjects are all reformed criminals who have found a productive outlet for their experiences as gangsters, hustlers, and murderers as interrupters. Their experience and their history gives them an edge when talking to someone considering violence that you or I would never have. There’s Ameena, the daughter of an infamous Chicago gang leader, and a fearless woman who will interject herself into a group of twenty-five men and challenging their manhood. Jovial Cobe works his phone like a Hollywood agent, constantly looking for the next gig; he deflates incidents with common sense and absurd humor. And finally Eddie, the newest interrupter of the three, works to stop crime before it starts, by speaking with young children to teach them how to avoid and learn from gang violence at an early age. Any one of these interrupters would be a good enough subject for their own movie, but James and Kotlowitz expertly blend all three, along with some of their more troubled clients, into a massive and compelling tapestry of life on the streets of Chicago.

They accompany Ameena, Cobe, and Eddie on the job and capture some extraordinary footage: a fight raging out of control between some angry women; a young man, fresh out of prison, with the courage to confront the people he wronged and apologize to them; a man who wants to retaliate after police have wronged his family, convinced to drop the matter thanks to wise advice of an interrupter. With the richness of character of a great novel and the crackerjack suspense of a good thriller, “The Interrupters” is never less than totally engaging. The interrupters do good work, but that’s just one of many reasons why this is a very good film.

“The Interrupters” opens Friday in New York City. If you see it we want to hear what you think. Tell us in the comments below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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