DID YOU READ

“Tabloid” journalism with Errol Morris

“Tabloid” journalism with Errol Morris (photo)

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These are the very last words on my audio recording of my interview with Errol Morris, spoken by the director himself:

“You can say I hate movies. What’s there to like?”

What’s there to like? Well, for one thing, there are Errol Morris movies. The Oscar winning director of “The Fog of War,” “Gates of Heaven,” and “The Thin Blue Line,” makes singular first person documentaries, touching, hilarious, and sometimes shocking films about truth, lies, and everything in between. His new movie is “Tabloid,” the crazy life story of Joyce McKinney, the model and pageant girl who fell in love with a guy who chose to leave her for a Mormon youth mission to England. Or was he brainwashed? Joyce thinks so. Either way, she followed him, and so did rescues (or kidnappings), kinky sex (or innocent love), and malicious (or accurate) reporting of it all by the British tabloids.

To McKinney, it was a grand love story. To the British tabloid press, it was true crime, as lurid as it gets. As Morris tells it, it’s both; a crazy story and a crazy film, one the director captures in uproarious (or is it moving?) detail with his inimitable in-depth interviews.

So why does Errol Morris hate movies? That came later. First we talked about “Tabloid,” and what Morris thinks of his subject’s continuing campaign to discredit (or drum up publicity for) the film. We also touched on how Morris thinks his tabloid story compares to the one currently engulfing News International, and his long-awaited return to fiction filmmaking. That intriguing sounding project is yet another reason not to hate movies, even if Morris claims that he does.

If you had planned it for months or years through careful and unscrupulous phone tapping, could you have picked a better week to release a movie called “Tabloid?”


Do you think it helps?

Yeah, absolutely. You don’t think so?

I don’t know. I really don’t know.

Obviously your story takes place two or three decades ago, but do you think your film still reflects some of the values of journalism that caused this massive scandal?

There are certainly elements in common. But there are also disparate elements. What’s going on in Britain and News of the World, that’s not a problem with tabloid journalism per se. I would call it beyond tabloid journalism; beyond journalism period. It’s journalism run amok, with no interest in truth or accurate, faithful representation of any underlying reality. It’s journalism for the sake of creating sensation and selling papers.

Words are funny. You apply a word to something and suddenly it takes on all kinds of significance. News of the World was a “tabloid” newspaper, it covered what we take to be “tabloid” stories. But there are things about tabloid journalism that I love. It’s not that unscrupulous part, it’s the fascination with certain stories that are bizarre and peculiar. That part of tabloid journalism, I think, is unendingly interesting. Taking a tabloid story, or a story that just might be discarded as a tabloid story and looking behind it and discovering some depth that might not have been apparent at the outset is what my movie is all about. It’s a tabloid story that was covered by the tabloid newspapers as “a tabloid story.” But I like to think it’s something more.

There are a couple hallmarks of all your films, but certainly fascinating and unusual characters are something audiences have come to expect from you. How did you find Joyce?

Joyce was an AP wire service story which involved dog cloning and the possibility that Bernann McKinney, the woman who cloned her dogs, might be Joyce McKinney, the woman who was at the center of the “sex in chains” tabloid story thirty years ago. And that was the beginning of it.

I was just lucky. I think there are stories that kind of by their very nature attract interesting characters. And the characters in this are just fantastic. Each one of them. Peter Tory [reporter, Daily Express]. Kent Gavin [photographer, The Mirror]. Jackson Shaw [Joyce’s pilot]. Dr. Hong [the scientist who cloned Joyce’s dog]. It’s fantastic.

You recently said on Twitter that Joyce was the best subject you ever had. Why is that?

She’s an amazing interview. For someone like myself that specializes in first person storytelling and first person accounts, I’d never really seen anything quite like it. She was really funny, she was really smart, she was really crazy, she was really entertaining. It’s hard for me to imagine a better interview than the interview Joyce gave me. That’s all done in a day, and that’s kind of jaw-dropping.

The whole interview with her is done in one day?

One day. I’ve only met Joyce three times. I appeared on stage with her in New York at the Skirball Center [at DOC NYC last fall] and then I appeared with her on stage Saturday night [after a preview screening] for over an hour of Q & A which was, in itself, really amazing. I’ve done a lot of interviews over the years and a lot of what I would consider to be remarkable interviews. But Joyce is way the hell up there.

How do you feel about her coming to screenings and trying to rebut parts of the film she doesn’t like?

I’m fine with it. I’ve never had a problem with Joyce coming to screenings or talking to her onstage after the screenings. It’s peculiar because she has been so hostile at times, not directly to me but to others involved with this movie. But given what went on onstage Saturday night, it was not hostile. It was friendly and it was interesting. And yes she was unhappy with this and unhappy with that, like why I put the tabloid journalists in the movie. Well, they’re part of the story. I can’t help that. That’s not my fault. I would be remiss if I didn’t put them in. It’s not as though we take whatever they say to be gospel truth. Far from it. They give us ample evidence that the story was in part constructed to sell newspapers. There was a circulation war.

We had a conversation about people laughing at her in the movie. This is in front of the audience there. [I said] “Joyce, when you say that a woman can’t rape a man because ‘it’s like putting a marshmallow in a parking meter’ you know that’s funny.”

It’s a great line.

It’s a great line.

So why is she upset when people laugh at it?

I don’t think she really is, to tell you the truth. She knows she’s funny.

Have you ever had a similar situation happen to you where you were interviewed by a journalist and you felt like they hadn’t told your story properly?

Yes I have, certainly. It’s like a game of telephone. You pass on a piece of information from one person to another person to another person, the chances are it’s going to get changed around in the process.

We all have ways in which we like to see ourselves, narratives that we have created about ourselves. There’s always room for some kind of disagreement. Most of my experiences, I would say 95% of my experiences with journalists, have been really good. The exceptions are few and far between.

I’ve been writing for The New York Times for the last three plus years, and so I do a lot of interviews on the phone. Actually I prefer doing them on the phone. It’s part of the style of what I do. I’m not doing the familiar journalistic trope of “Mr. X adjusted his toupee,” or, “He was wearing green Sansabelt pants.” There’s none of that physical description. It’s a pure conversation. And the transcriptions of the conversation are invariably long, and they have to be edited and reduced to something more manageable in size. So I handle that by editing the material and then giving it back to the person that I’ve interviewed and asking them if it’s okay. Someone told me “That’s crazy! You can’t do that.” But I do do that. The interest isn’t in blindsiding somebody, it’s actually capturing them. It’s a different kind of idea, I guess.

The one question I was left with after the film was over was how does Joyce have the money to do all these things?

You and me both, by the way.

[laughs] She takes these wild trips abroad, she pays private bodyguards and pilots, and then later she clones her dog! None of that stuff is cheap.

They asked her that same question at the screening on Saturday night, and her answer was that she had been in an accident and she had gotten a settlement. But what the details of any of that might be, I don’t know. I mean she’s travelled all over the country! She’s appeared at festivals in Seattle, San Francisco, Austin, New York, and Sarasota. She’s been a lot of different places.

Do you have any interest in making another fiction film?

I’m about to, with Ira Glass. It’s a story first reported on “This American Life” about the first cryonics freezing.

And are you writing and directing it?

The script was written by Zack Helm, who wrote “Stranger Than Fiction.”

Have you been looking to get back into fiction for a while or was it really this project that caught your eye?

I liked the story. It’s one of the best episodes of “This American Life.” Quite remarkable. It’s a tabloid story, kind of.

Okay we’ve got to wrap it up. Before I go: what’s the best documentary you’ve seen this year?

Have I seen any this year? I’m not even sure what I’ve seen.

How about in the last twelve months?

I’m not sure what I’ve seen. It becomes a blur what I have and haven’t seen. I’ve been watching so many feature films this year that I don’t even know how many documentaries I’ve actually seen.

All right, I’ll take a favorite feature film then.

[Long pause] What am I trying to imagine? Then of course there’s the question do I even like movies? Maybe I don’t like movies, maybe that’s it. Maybe that’s why I don’t see any of them anymore.

Why don’t you like movies anymore?

I went through years and years of obsessive movie watching. Now I watch them and I’m not sure why I watch them. Certainly not for entertainment. It’s usually in connection with something that I’m writing. Maybe it’s just that my interest in film keeps changing. I’m still very much interested in making movies. That should count for something.

“Tabloid” opens in limited release this Friday. If you see it, we want to know what you think. Tell us in the comments below or on Twitter and Facebook!

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Ghost World Thora Birch Scarlett Johansson

Graphic Fiction

10 Offbeat Comic Book Movies You Need To See

Catch The League of Extraordinary Gentlemen this month on IFC.

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Photo Credit: Everett Collection

When we think of movies based on comic books, our minds tend to drift towards tights, spectacular powers and origin stories about how those extraordinary powers come with great responsibilities. But not all comic books star superheroes, and not all movies adapted from them do either. In fact, there are a diverse array of films based on graphic novels and comic book titles, telling stories about everything from sexual awakening to cold blooded revenge. Here are a few comic book flix that are worth checking out while you wait for Captain America and Spider-Man to return to the big screen.

10. Persepolis

Persepolis
Sony Pictures Classic

Marjane Satrapi codirected and cowrote the screenplay for this acclaimed animated film, based on her autobiographical graphic novel of the same name. Through vivid animation and moving voiceover, the film tells the tale of Satrapi coming of age as a punk rock-loving kid during the Iranian revolution. A revolution itself, Persepolis scored the 2007 Grand Jury Prize at the Cannes Film Festival and further pushed the boundaries of what a comic book movie can accomplish.


9. Mystery Men

Mystery Men
Universal Pictures

Despite a fun script and an amazing cast (everyone from Ben Stiller to Eddie Izzard to Dane Cook is in this thing), Mystery Men never got much credit for spoofing the superhero genre way before the comic book movie glut. Based on Bob Burden’s Flaming Carrot comics, Mystery Men came and went when it was released back in 1999. It’s worth a second look, if for no other reason than to see Paul Reubens as a superhero with the power of explosive flatulence.


8. The Rocketeer

The Rocketeer
Disney

Released in 1991 on the heels of Batman and Dick Tracy, The Rocketeer was poised to be the next big comic book blockbuster. But the movie fizzled at the box office, eventually finding a much-deserved cult following on home video. Directed by Joe Johnston with the same mix of heart, humor and action-packed thrills that he brought to Captain America: The First Avenger, The Rocketeer is a throwback to classic pulp adventures presented with zero camp. A faithful adaptation of the late Dave Stevens’ graphic novel, it’s a franchise that Disney should consider rebooting. Maybe a Rocketeer/Captain America crossover?


7. Snowpiercer

Weinstein Company
Weinstein Company

Yes, that insanely awesome movie where Chris Evans fights his way through a futuristic train is based on a series of French graphic novels. Directed with visceral style by Bong Joon-ho, Snowpiercer developed buzz when it was released in 2014 thanks to its twisty plot and intense action sequences. The graphic novels are worth checking out, though you’ll have to supply your own bizarre Tilda Swinton accent.


6. Ghost World

United Artists
United Artist

Indie filmmaker Terry Zwigoff adapted this film with the help of Daniel Clowes, the writer and artist of the anthology comic Eightball, where the “Ghost World” story first appeared. The film, like the comic, tells the story of two oddball teenage girls making their way towards adulthood. For the film, Zwigoff and Clowes expanded the role of the middle-aged loner (Steve Buscemi) that Enid (Thora Birch) pranks before eventually befriending. The graphic novel helped put Clowes on the map, and the film went on to receive an Oscar nomination for Best Adapted Screenplay in 2002.


5. A History of Violence

New Line Cinema
New Line Cinema

This paired down thriller was a perfect example of respecting the form and brevity of the source material and translating it to the screen. Genre icon David Cronenberg helped steer this adaptation of John Wagner and Vince Locke’s graphic novel to an Oscar win for William Hurt, and a triumphant screening at the Cannes Film Festival.


4. Road to Perdition

Dreamworks
Dreamworks

Sam Mendes followed up his Oscar-adored film debut, American Beauty, by helming this adaptation of the 2002 comic by Max Allan Collins and Richard Piers Rayner. The story of a mob enforcer who seeks revenge on the men who killed his family, it was notable for casting Tom Hanks, aka America’s nicest movie star, as the heavy for once.


3. Art School Confidential

Sony Pictures
Sony Pictures

Terry Zwigoff and Daniel Clowes reunited for this largely autobiographical story of Clowes’ early days in art school. The original comic was just four pages long, meaning much of the material covered in the movie was original. Still, you should watch it for John Malkovich’s trademark bizzaro performance as a pompous professor, and then stick around for the serial killer subplot that feels like it’s from a different movie. This isn’t a classic like Ghost World, but it’s worth seeing just for the singular talents behind it.


2. American Splendor

HBO Films
HBO Films

American Splendor is an autobiographical film, based on an autobiographical series of comics about the life of cartoonist Harvey Pekar, who also appears in the film as himself, talking to his fictional counterpart, played by Paul Giamatti in a career defining performance. It is idiosyncratic, bizarre and something that has to be seen to truly grasp, but with a Grand Jury Prize for Dramatic Film at the 2003 Sundance Film Festival under its belt, it certainly did its source material proud.


1. The Diary of a Teenage Girl

Sony Pictures Classic
Sony Pictures Classic

Based on the semi-autobiographical graphic novel The Diary of a Teenage Girl: An Account in Words and Pictures, this recent indie favorite is about one teenage girl’s sexual awakening by way of an affair with her mother’s boyfriend. The movie, like the comics before it, mixes the moody angst of teendom with a certain magical realism to create an immersive world of sexual delights and snarky comebacks. Frank and funny, the film was an awards season favorite, and took home Best First Feature at the 2016 Spirit Awards.

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Kylo Ren

Use the Farce

Kylo Ren Outtakes, Maron’s Advice for Millennials And More of This Week’s Funniest Videos

This week we're laughing at Beyonce covers, Ab Fab: The Movie trailer and more.

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As another week ends, it’s important to blow off some steam with some hilarious videos. An entertainment appetizer, if you will, that’ll make the transition from work to play a little easier.

From a bumbling Kylo Ren to a perfect take on every white guy who covers Beyonce, here are five funny things from this week you need to watch.

1. Kylo Ren Outtakes


Exceeding fans’ expectations and being better than it had any right to be, Star Wars: The Force Awakens revitalized an ailing franchise from its abominable sequels. And a large part of the recent film’s appeal is its captivating villain, Kylo Ren. But as Auralnauts present in their YouTube video, the antagonist had a little trouble with negotiating his mask. Check out Kylo’s “outtakes” from the film and hope that director J.J. Abrams de-tints the visor for the next installment.


2. Marc Maron’s Advice for Millennials

The prospect of entering a tough job market with a soaring cost of living and a college degree of diminishing quality is enough to discourage any young millennial. Thankfully, IFC’s designated curmudgeon Marc Maron has some helpful advice for the young men and women to find some solace in an increasingly unfeeling word. Sure, it mostly involves swallowing your pride and accepting misery, but the intention is pure. (Find out how Marc digs himself out of his own personal hole when Maron returns on May 4th at 9P.)


3. Pixies’ “Where Is My Mind?” Covered By Animals


If you got somebody’s answering machine in the early-to-mid ’80s, you might’ve been greeted by a chorus of pups barking “Jingle Bells”, “Grand Old Flag”, or another royalty-free tune. In that vein, YouTuber Insane Cherry assembled the bleats, grunts, and meows from a veritable barnyard of animals into a rendition of “Where Is My Mind?” by the Pixies. Yes, the cats sound like they’re stressed, but to their credit, they’re really nailing Frank Black’s voice.


4. Absolutely Fabulous: The Movie trailer

If you’re like us, you probably have fond memories of watching Patsy and Edina’s drunken adventures back when Comedy Central aired AB Fab reruns in the ’90s. Thankfully the gals are back in a new movie, still sloshed and living a fabulous life. (And this time out, they might have killed Kate Moss.) Considering all the hard living they’ve done, we have to echo Jon Hamm (playing himself in the film) and say we’re surprised they’re still alive and kicking. (For more on the film, visit our pals over on BBC America.)


5. White Guy Covers Beyonce’s Lemonade

Beyonce broke the Internet with her Lemonade album and companion music videos, inspiring a slew of covers and tributes from fans. Funny or Die offered up a perfect spoof of earnest white guy YouTubers who cover Beyonce’s #relatable songs.

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TREMORS [US 1990]  FRED WARD, FINN CARTER     Date: 1990

Better Off Fred

5 Roles That Prove Fred Ward Should Be In Every Movie

Catch a Tremors movie marathon Saturday, April 30th on IFC.

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Photo Credit: Universal/Everett Collection

Fred Ward has always exuded a tough but likeable on-screen “bad-assitude” that has enabled him to enjoy a career spanning five decades. Before he had a recognizable “that guy” face to movie fans, he was cast alongside Clint Eastwood in Escape from Alcatraz. Not many actors can play both Henry Miller and David Spade’s dad in Joe Dirt with equal aplomb. Before you catch IFC’s Tremors marathon, check out some roles that prove Fred Ward can hold his own with the Van Dammes and Stallones of the world.

5. Wilkes, Uncommon Valor

Due to his rugged, determined look, Ward was often cast as cops, crooks and military men. It’s no surprise that he appeared in Uncommon Valor, the 1983 film where Gene Hackman puts together a ragtag squad of ex-Vietnam vets to rescue his son who was left behind in Laos. Sure, the movie pretty much set out to make a Vietnam version of The Dirty Dozen, but that doesn’t mean it wasn’t entertaining in its own right. Ward fits right in with a cast of ’80s era tough guys, including Patrick Swayze, Randall “Tex” Cobb, and Tim Tomerson. Ward’s character Wilkes was a tough-as-nails Vietnam Vet who was a “tunnel rat” during the war. There’s a funny training session scene that provides a comic relief moment where Wilkes captures every one of the guys in the unit, including Gene Hackman’s Colonel Rhodes, by hiding under water. Eat your heart out, Rambo.


4. Earl Bass, Tremors

Not many actors can pull off lasso-tossing an explosive in order to lure a huge worm creature with snake tongues out of the desert sand, but Ward pulls off the moment with zero camp. His Earl Bass, the tough but average Joe ranch hand turned hero, didn’t need Kevin Bacon’s long hair and exaggerated Southern drawl either. Ward and Kevin Bacon made a great team trying to save their town from the Graboids, elevating the humor in this out-of-this-world (or under-this-world) horror comedy.


3. Sgt. Hoke Moseley, Miami Blues

In a movie where Alec Baldwin completely shines as a psychotic (and highly entertaining) criminal using Miami as his own personal joy ride, Fred Ward gives an equally great performance as the grizzled Miami cop who’s seen one too many cases. After being attacked by Baldwin’s character in his own home, Ward’s Sgt. Hank Moseley loses his badge, his gun and his dentures, which really pisses him off. (And nobody plays pissed off better than Ward.) Baldwin’s Junior goes on a crime spree while using Moseley’s identification. Moseley’s wily veteran slowly begins to figure out what Junior is up to through sly conversations with Baldwin and his overly trusting hooker girlfriend, memorably played by Jennifer Jason Leigh. An underrated action comedy that is all the better for giving us a pure shot of uncut Ward awesomeness.


4. Gus Grissom, The Right Stuff

“An astronaut named Gus?” That was the question asked of Virgil Grissom in The Right Stuff by the executive from Life magazine. Who better to play a fearless, rough-around-the-edges astronaut who refused to be called Virgil than Fred Ward? The Mercury Astronauts were the best of the best, and in the film they were played by a group of great actors who were all perfectly cast to portray the brash group of American heroes. In the film, Gus was blunt and to the point and far from loquacious (his character would never use that word) but when he did speak up, it had meaning. In another pivotal scene, in which Deke Slayton was relaying to the other astronauts what Gus was trying to say about beating a monkey into space, it’s Gus’ response that summed up his character perfectly: “F***in’ A, bubba.” Nobody could have delivered that bad-ass line better than Fred Ward. In fact, “F***in’ A bubba” should have been added into the dialogue of every character he played.


5. Remo Williams, Remo Williams: The Adventure Begins

Remo Williams: The Adventure Begins might have gotten ahead of itself with that title as we never got to see the adventure continue, but it had everything you want in an action movie, starting with Fred Ward. Of course, it also had Joel Grey in heavy makeup portraying Korean martial arts master Chiun, but the less said about that unfortunate bit of dated cultural stereotyping the better. Based on a series of pulp novels, Remo Williams was supposed to be an American alternative to James Bond. In an alternate, much cooler universe, it would have propelled Ward to action movie superstardom. In the film, Ward starts out as a NYC street cop recruited to be a government assassin. His face was altered through plastic surgery (to look less like a generic actor and more like Fred Ward with a clean shave) and then he is given the name Remo Williams. There is a lot of humor in this film, which mostly comes through the interaction between Ward and Grey. Chiun teaches Remo the ways of Sinanju, the ancient Korean marital art which enables you to not only dodge punches but point blank range bullets as well. (Let’s see Mr. Miyagi do that.) Anyone who caught this movie during one of its many TV airings during the ’80s remembers the thrilling fight scenes that takes place on the Statue of Liberty. Only Ward could pull off a turtle neck sweater/leather jacket combo and still look badass.

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