This browser is supported only in Windows 10 and above.

DID YOU READ

Spoiling a spoiler manifesto

Spoiling a spoiler manifesto (photo)

Posted by on

I’m in a weird position here. I’m publicly on record as someone who doesn’t mind spoilers. And generally, I really don’t. I have no problem with someone telling me the end of a movie I’m not planning on seeing (“No, please! Don’t spoil the end of “Hide and Seek!” I might casually flip past it on basic cable someday!”). To me, twelve years is enough time to talk freely about the major twist in the film whose image appears above (“He sees dead people. He sees dead people.”). And I believe strongly that writers should be able to write seriously and thoroughly about films and television shows; if that means they have to write about important elements of the plot, then so be it. If you are sensitive to these matters, then avoid articles by and conversations with people who are not.

And yet! An article I read yesterday infuriated me by revealing a spoiler of a show I’m currently watching. Either I’m a hypocrite (possible) or the writer of this piece crossed a line (also possible). Maybe it’s both. I’ll let you decide.

The article is entitled “Spoiler Alerts: A Manifesto” by Gawker‘s Brian Moylan. As someone with a fairly strong point of view on the subject of spoilers, I was curious when I saw the link pass through my Twitter feed. Here is how the piece begins:

“America loves having its movies and television shows recapped, reviewed, and regurgitated back to them, but the one thing that it hates more and more is having the events of those things spoiled by reviewers. It’s time for a guide on what constitutes a spoiler and what does not.”

I agree completely with that premise, and I’m fully on board with a manifesto. I love manifestos. They’re intense, hyperbolic, and full of utterly pointless outrage (kind of like the article you’re reading right now). So I continued, until I was slapped in the face by this whopper:

“The final straw for me was reading this review of the second season of [[SHOW REDACTED]] by Emily Nussbaum. She gives a spoiler alert to the [[SPOILER REDACTED]] at the end of season one. Yes, she spoiler-alerted something that happened more than a year ago, in a piece about the show’s almost-finished second season.”

Again, I agree with Moylan’s fundamental point: it’s sort of ridiculous that the author of a piece about the second season of a television show should have to go through the trouble to warn readers that they’re going to discuss plot details from that television show’s first season. To me, talking about something that happens at the end of season one of a TV show in an article about season four of that same TV show is not a spoiler.

But here’s the problem: Moylan himself wasn’t writing a piece about season four of a TV show, he was writing a general blog post about the concept of spoilers. In the process, he brazenly and intentionally ruined a major chunk of a series — that I have helpfully and rather exaggeratedly redacted — that I and others, I imagine, are currently catching up with on DVD.

He didn’t unleash this spoiler to further a complex argument about a work of art, either. He did it for shock value and to reinforce his larger point that there should be a statute of limitations on TV spoilers. According to him “Just like the TV networks get credit for everyone who watches a show on DVR a week after its initial airing, that is how long you should keep the details of a scripted television show a secret. One week.” Movies, he thinks, deserve longer and larger cones of silence. “Other than basic outlines of what happens in [a] movie,” Moylan says, “details of the ending shouldn’t be openly discussed until the movie is out on DVD.”

Here’s where we really disagree. And here’s why. Television shows are a much bigger time commitment than any one movie. A movie is ninety minutes. If you really think you’ve had a movie spoiled, just don’t watch it. Unless someone leans over to you twenty minutes into “The Usual Suspects” and tells you who Keyser Soze is, there’s no way to spoil “The Usual Suspects” once you’ve committed the time to watching it.

A television show, on the other hand, can be spoiled in the middle of a season. You can decide to watch something, invest hours upon hours of your life in it, and then have the very end of the experience ruined by, say, a dude suddenly and without warning telling you what’s coming three episodes down the road. Moylan says that “reviews of [a] movie should also avoid mentioning that there’s a surprise ending because knowing a shock is coming is like going up the hill on a roller coaster: You may not know how steep the hill is, but you’re waiting for it the whole time.” Exactly right, but it’s so much worse for television shows, where you can wait for that hill for six or eight or twelve hours. If you’ve put that much time into something, you deserve the full experience.

If I’d been stupid enough to click on an episode or season recap, that would be my own damn fault. But I didn’t. And for my curiosity, I learned a valuable lesson, though perhaps not the one I was supposed to learn. In the process of trying to prove why spoiler warnings are pointless and stupid, Moylan has reinforced the very reason why they can be important.

Do you care about spoilers? Tell us in the comments below or on Facebook and Twitter!

Watch More
IFC_Portlandia-AORewind-blog

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More
SistersWeekend_103_MPX-1920×1080

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

IFC_Comedy-Crib_Sisters-Weekend-Series-Image

IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

SistersWeekend_101_MPX-1920x1080

IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

IFC_Comedy-Crib_Sisters-Weekend_About-Image

IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

SistersWeekend_102_MPX-1920x1080

IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More
IFC_BVSS_203_birthday-song-celebration

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

via GIPHY

IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

via GIPHY

IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

Watch More