DID YOU READ

How “Crazy Stupid Love” stars Ryan Gosling and Emma Stone are saving Young Hollywood

How “Crazy Stupid Love” stars Ryan Gosling and Emma Stone are saving Young Hollywood (photo)

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Over the past few years, a looming question that’s plagued Hollywood has been, “Where have all the movie stars gone?” But, even more recently, the debate has shifted to the other pressing query, “If there are still movie stars left, what even makes one? What constitutes a movie star?” The first one can be answered, in the simplest terms, in that we are living in an era where both talent (Angelina Jolie and Brad Pitt) and non-talent (“The Real Housewives of…Forget It, Now We Can’t Move There”) alike are overexposed and once reliable, bona fide movie stars have turned into unrecognizable, and often times, unlikable versions of people we used to know (Mel Gibson, Tom Cruise.)

To answer that second question, however, gets a little trickier. For those who still believe the movie star exists, it comes down to simple dollars and cents–how much does the actor or actress bring in at the box office — while others see it as famous people who haven’t tainted their image because of their pristine personal lives (Tom Hanks) or have a built-in brand of movies that will likely draw audiences no matter what (Johnny Depp, Will Smith.)

Still, that is a crop of stars who have been around for quite some time. While this generation has been lucky enough to grow up with plenty of talented other A-listers like Leonardo DiCaprio, Kate Winslet, and the, late, great Heath Ledger, who left an immeasurable void in Hollywood, I couldn’t help but ask the question of, “Does this generation — my generation — have any stars to claim for their own?”

The uber-popular celebrities in the 2000s were sacred for many, but equally maligned for just as many others (the “Twilight” and “High School Musical” kids), while those who possessed a genuine talent, had too much of a reluctance of their fame for us to want to get attached to them (Jesse Eisenberg, Ellen Page.) Perhaps the worst offenders were those who had the combination of mass sex appeal, buzz, and genuine hits to make them into our generations movie stars, but didn’t have the self-control (Lindsay Lohan) or humility (Shia LaBeouf) to actually make it happen. It seemed, for some time, we were going to be an era without a crop of talent to call our own.

Then, like a beacon of hope in the form of enviable abdominal muscles and faux ginger hair, came our saviors: Ryan Gosling and Emma Stone. Sure, it’s not as though the two, who star in this weekend’s romantic comedy “Crazy, Stupid, Love,” are coming out of the gate and suddenly surprising everyone with their charms, good looks, and knack for effortless acting (he is already an Oscar-nominee for his work in the gritty drug drama “Half Nelson” and she has settled nicely into her role as a female comedic voice in film, thanks to flicks like “Easy A”) but the vehicle serves as a reminder that they really are, finally, ours to brag about.

In “Crazy, Stupid, Love,” Gosling plays Jacob, a rich Lothario who falls for Hannah, Stone’s character, a headstrong law student who sees through his act. Left in the hands of other young stars, the storyline could have felt contrived or downright predictable, but both actors, who have scorching chemistry to boot, never make the blooming love story feel inauthentic. In one of the movie’s best moments, Gosling and Stone’s characters spend the night talking and getting to know one another. The scene never feels gimmicky or with forced sentimentality and, in turn, the audience falls in love with their falling in love.

Then again, if you’re familiar with Gosling and Stone’s body of work, you’ve been falling for sometime. Gosling, 30, who got his start alongside fellow stars like Justin Timberlake and Christina Aguilera on the Mickey Mouse Club has managed to shed the teen heartthrob image (though, not entirely, due to the massively popular 2004 romance flick “The Notebook”) and, thanks to some major indie cred, become the most promising actor to come along in, well, ages. Gosling’s essential movies — the aforementioned “Half Nelson,” as well as “Lars and the Real Girl,” “The Believer,” and “Blue Valentine” (arguably his best performance to date as a broken man trying to survive love in the tough, true-to-life drama)–all have one common thread: He transforms entirely into these rich, complicated characters. You’re watching Gosling, but you never actually see him.

But, it’s not just the talent that solidifies Gosling’s spot as our go-to guy. Rarely the subject of tabloid fodder, Gosling has managed to keep his personal life — even including a high-profile romance with ex Rachel McAdams — separate, but without being a Hollywood recluse. While promoting “Crazy, Stupid, Love,” Gosling made the rounds to talk shows and did what so few stars do in the midst of a press tour: He had fun with it. From reenacting a scene from “Dirty Dancing” with Al Roker on the Today Show to bringing his Mohawk-ed pooch to Jimmy Fallon’s couch, it was evident that Gosling is a serious actor who doesn’t take himself very seriously.

She may not have the same stigma of dramatic actor attached to her the way Gosling does, but Stone, who is equally refreshing on-screen an in real life, has come up against her own challenges. The 23-year-old has spoken honestly and candidly about the pressure on women her age in Hollywood to look a certain way (Stone refreshingly shot from the hip when she criticized fad diets to Vanity Fair and carries the burden of being the funniest female on the big screen. Still, she’s handled that pretty well thus far thanks to her Golden Globe-nominated turn as a wrongly accused high school slut in last year’s “Easy A,” as well as holding her own in the boys club that was 2007’s “Superbad,” and kicking ass and taking undead names in 2009’s “Zombieland.”

Still, it seems as though all of this, including “Crazy, Stupid, Love,” is nothing more than the beginning for Gosling and Stone. A precursor of even more great things to come. In addition to this year’s “Drive,” Gosling has a bevy of exciting projects–mainstream and otherwise–including a remake of “Logan’s Run” and then opposite Sean Penn and Josh Brolin in “The Gangster Squad.” Stone is equally busy–this year especially–as she can be seen in three movies this summer, including “Friends with Benefits” and the highly anticipated adaptation of the bestseller “The Help.” Forgoing any unforeseen scandals or major casting missteps, neither of them are going anywhere any time soon, and that is the best news Hollywood– and a generation of jaded moviegoers–could have gotten in quite some time.

Perhaps the reason why “Crazy, Stupid, Love” could mark the turning point in their careers is not just because of their sweet, sexy storyline, but how much their characters echo why they are this generation’s greatest assets in the first place. Gosling plays a sickeningly handsome dude that all the ladies love and all the guys want to emulate (including co-star Steve Carell, who plays his ladies man apprentice) because both sides know there’s way more than what’s on the surface. Stone plays a woman that is both parts strikingly beautiful and attainable, with an attitude that is sweetly no-nonsense and has a throaty laugh that invites you to do just the same.

It seems Gosling and Stone may have just answered the biggest question of all: Where have you been all our lives?

Are you fans of Emma Stone or Ryan Gosling? Tell us why in the comments below or on Twitter or Facebook.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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