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R-rated comedies rating highly at the summer box office

R-rated comedies rating highly at the summer box office (photo)

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At Badass Digest, Devin Faraci has a piece entitled “The Summer of The R-Rated Comedy,” declaring that the success of movies like “The Hangover Part II” ($250.8 million and counting), “Bridesmaids” ($158.1 million and counting), “Bad Teacher” ($78.7 million and counting) and the just released “Horrible Bosses” ($28.1 million in its opening weekend, better than the family-friendly “Zookeeper”) means that “R-rated comedies are back in a big way.”

“The story coming into Summer 2011 was that we had a whole bunch of superhero movies on deck; well, none of those have really set the world on fire (although ‘Thor’ has done okay), but it’s the quiet legion of R-rated movies that have really cleaned up.

This was something I was considering too as I looked over the weekend’s box office chart. On Friday, I was listening to local radio, and several DJs who have a sort of fantasy box office league, betting on which movies will open the biggest, were discussing the weekend’s releases. The unquestioned given amongst all three guys was that “Zookeeper” was going to be the highest grossing new movie of the weekend, and that it would flatten the competition. That didn’t turn out to be the case; it made $21.0 million to “Horrible Bosses” $28.1. Now you might say that had something to do with marketing, or star power (“Zookeeper” had just Kevin James on the poster; “Horrible Bosses” had Jennifer Aniston and Colin Farrell and Jason Bateman and Kevin Spacey) or the fact that “Zookeeper” looked carcinogenically bad. But “Paul Blart: Mall Cop” had all of those problems in 2009 and became a surprise hit. So maybe there is something to this R-rated renaissance.

When comparing this particular batch of R-rated comedies, it may be worth nothing something else about them: these are not R-rated movies aimed at teenagers. These aren’t stories about teenagers getting laid, or teenagers going to college and getting laid, or college kids who get laid off on a wacky road trip, getting laid. These are all films about adults; immature, foul-mouthed adults, yes, but adults all the same. They’re not sex comedies. And right now there aren’t a lot of mainstream options out there for adults in theaters. If you don’t want Terrence Malick or Woody Allen, you either take an R-rated comedy or risk date night on super-heroes or animated talking cars or pandas.

I guess we should also acknowledge that these films, are, to varying degrees, all pretty good too. We might to be having this discussion about “Bridesmaids” if it wasn’t funny and smart about female relationships, or about “Horrible Bosses” if the film didn’t have a pretty crackerjack murder/revenge plot. “Bridesmaids” has been a huge word-of-mouth hit; by now it’s $26.2 million opening is just an unusually low 16% of its total gross (“Pirates 4” opening weekend, for example, accounts for 38% of its total gross). But again: “Paul Blart: Mall Cop” was a massive hit. So you never know.

Faraci says the lesson of this summer is to “be cheap. Make the movies cheaply and you will make a profit on them.” As I wrote last week, Hollywood studios have already started taking the advice, thanks to comedies’ weak box office overseas. And just to throw a little cold water on this whole R-rated comedy renaissance, let’s consider how these movies have done internationally. With the exception of “The Hangover Part II” (everyone loves a face tattoo joke), they’re not anywhere near as successful in foreign countries as they are here. Despite being the biggest surprise hit of the summer in the United States, “Bridesmaids” has made just $48.5 million abroad. Some of its grosses are crazy low. It made only $37,342 in Iceland. Come on Iceland! “Horrible Bosses” hasn’t opened internationally yet, but “Zookeeper” has; when you combine domestic and foreign box office together, it’s made more money than “Horrible Bosses.” Cue ominous dramatic music.

So it’s the summer of R-rated comedies here. Everywhere else, it’s pretty much the summer of “Transformers” and “Pirates 4.” Which means there’s a very good chance this summer won’t be endless.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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