DID YOU READ

Exclusive Premiere: The Goldberg Sisters “Erik Erikson”

Exclusive Premiere: The Goldberg Sisters “Erik Erikson” (photo)

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Adam Goldberg was once a young, handsome, multi-talented actor, musician and director. The last time I spoke with him he was fresh off the completion of a 16mm elegy for The Goldberg Sisters’s song “The Room.” He was prolific, witty, some would say muscular, and his whole life was ahead of him. But, as you’ll see in the Warholian video for this track with a killer riff, “Erik Erikson,” he’s now turned 40.

Viewers sensitive to images of developmental psychologist Erik Erikson, imposing fonts, or those with anxiety about what stage of psychosocial development they’re stuck in, should hit play with caution.

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Erikson is best known for giving us the concept of identity crisis and his theory of the psychosocial stages of development — which have clearly haunted Adam Goldberg, who’s been an existential psychoanalysis fanatic since high school (See “Dazed and Confused“). “I found a journal entry recently,” Goldberg told me. “I was a senior in high school…. pining over an unrequited romance or rather, at the time, I think it was requited, but I was ambivalent, according to this entry dated 3/11/88 12:29 A.M.” The entry read, “It is odd, yeah, yeah, Erikson is really right: you can’t have a relationship — or a successful one or a satisfying one — if you don’t like yourself.”

Clearly, Goldberg was grappling with what Erikson would call, Intimacy vs. Isolation, well ahead of the normal developmental schedule. Fast forward to the year 2000 and Goldberg writes this song, “Erik Erikson” about prematurely experiencing the last of Erikson’s “stages of life” (Integrity vs. Despair) at the age of 30. Now, another decade later, he updated the track for release on The Goldberg Sisters.

For the developmentally curious, the landmark age of 40 is marked by Erikson as the Generativity vs. Stagnation stage. A sense of stagnation, an unproductive lull is often felt when entering midlife. Those who perceive that they have failed to achieve anything, and continue to stagnate through their 40’s, feel stuck and eventually sink into despair. Even alpha types who were incredibly successful, who seemingly sprung effortlessly through life, a career and fame, may find it all catching up with them and suddenly feel burdened. What was it all worth? Is this all that I am?

Others, like Goldberg (who let’s face it, has been living anxiously the whole time) take this opportunity to create art, to “generate” more — which is why he’ll surely ascend to Erikson’s last stage with integrity. Here we see him about to turn 40 complete with numerical evidence. He sat down in a chair and waited for it (and filmed it with a 16mm camera along with his iPhone). “And much like life,” he said, “nothing happens.”

In the spirit of developmental evolution, here’s the decidedly Sonic Youth-inspired, scratch track Goldberg recorded at home. It’s spare, raw promise, compared to the salvo of overlaying guitars and pedal lust that made the final track on the album:


DOWNLOAD: “Erik Erikson – Scratch”

Hey, what developmental stage are you in? Let us know in the comments below or on Twitter or Facebook!

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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