DID YOU READ

“Halo” creators looking to help launch indie games into orbit

“Halo” creators looking to help launch indie games into orbit  (photo)

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No matter how big you wind up getting, everybody starts off small. Bungie–the powerhouse development studio behind the mega-hit “Halo” franchise–started off as a partnership between friends in Chicago, where they boxed copies of their self-published games by hand. Even though the Mac platform had a smaller base of potential customers, the nascent Bungie focused on making games for Apple’s computers. One moderate success was an RPG called “Minotaur: The Labyrinths of Crete,” which moved a whopping 2,500 copies. Not a lot by any means, but enough to keep them making games. And it’s a good thing, too, because after “Minotaur” came “Marathon,” the first title that wan Bungie a significant following and one that hinted at the design philosophy that would inform the “Halo” games. After years of a slow and steady build, “Halo” was the game that got Bungie acquired by Microsoft, as well as lionized by millions of fans the world over. 2010’s “Halo: Reach” marked the end of an era for Bungie, though. In a surprise move last year, Bungie left Microsoft (who still retain the rights to “Halo”) to chart their own destiny, and entered into partnership with Activision to create a new intellectual property meant to sprawl out over a ten-year span.

So, yeah, there aren’t many companies bigger than the Seattle-based dev collective nowadays. But, the recent announcement of a new initiative by Bungie makes it clear they remember their humbler beginnings. Dubbed Bungie Aerospace, it’s a project that aims to help incubate and disseminate smaller games in the mobile and social markets. While most of Bungie works on their new mystery IP–which they’ll own outright–a small team’s dedicated to all things Aerospace. Part of that involves helping fund a project code-named “Crimson” by indie studio Harebrained Schemes. Not much is being said about “Crimson,” but it’s due out for Android and iOS this summer. When it does come out, Bungie will use Bungie.net, the website that’s home to their most loyal fans to get word-of-mouth started. Aside from their experience and track record of success, Bungie.net is another part of the company’s formidable ecosystem, one they didn’t have to let go when “Halo” stayed with Microsoft. The combo of resources and marketing make Bungie Aerospace a rare bird. It’s a developer associated with a hardcore game franchise actime almost like a publisher for smaller dev teams. Over at Kotaku, Bungie’s community manager Eric Osborne describes it this way:

We want to give them some of our proprietary rocket fuel, whether that be resources, audience, funding or what have you and let them showcase their great games.

There isn’t a checklist I could give you about: ‘These are the three things we’re looking for. It really is about finding teams that we believe are passionate about making games. That may sound like a naive, optimistic approach, but, when it comes down to it, that’s what makes a game great: the people who are building it. If we believe in them and see the experience they are building is something that would resonate with us, that’s a pretty good metric to think that maybe we should be working with these guys.

When you think about it, it’s heartening that Bungie Aerospace is being started as a launchpad for other smaller games to fly off of. Having become masters of their own destiny again in this, their 20th anniversary year, no one would blame Bungie for focusing squarely on their own future success. Yet, the pay-it-forward ethos of Aerospace revolves around the idea that shared success benefits the entire video game medium and that not every game has to be a “Halo.” And with the prestige of a studio like Bungie behind it, it probably won’t be long before an Aerospace game goes into hyperdrive.

Do you think Bungie’s efforts in the indie game space will be fruitful? Let us know in the comments below or on Facebook or Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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