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DID YOU READ

“Halo” creators looking to help launch indie games into orbit

“Halo” creators looking to help launch indie games into orbit  (photo)

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No matter how big you wind up getting, everybody starts off small. Bungie–the powerhouse development studio behind the mega-hit “Halo” franchise–started off as a partnership between friends in Chicago, where they boxed copies of their self-published games by hand. Even though the Mac platform had a smaller base of potential customers, the nascent Bungie focused on making games for Apple’s computers. One moderate success was an RPG called “Minotaur: The Labyrinths of Crete,” which moved a whopping 2,500 copies. Not a lot by any means, but enough to keep them making games. And it’s a good thing, too, because after “Minotaur” came “Marathon,” the first title that wan Bungie a significant following and one that hinted at the design philosophy that would inform the “Halo” games. After years of a slow and steady build, “Halo” was the game that got Bungie acquired by Microsoft, as well as lionized by millions of fans the world over. 2010’s “Halo: Reach” marked the end of an era for Bungie, though. In a surprise move last year, Bungie left Microsoft (who still retain the rights to “Halo”) to chart their own destiny, and entered into partnership with Activision to create a new intellectual property meant to sprawl out over a ten-year span.

So, yeah, there aren’t many companies bigger than the Seattle-based dev collective nowadays. But, the recent announcement of a new initiative by Bungie makes it clear they remember their humbler beginnings. Dubbed Bungie Aerospace, it’s a project that aims to help incubate and disseminate smaller games in the mobile and social markets. While most of Bungie works on their new mystery IP–which they’ll own outright–a small team’s dedicated to all things Aerospace. Part of that involves helping fund a project code-named “Crimson” by indie studio Harebrained Schemes. Not much is being said about “Crimson,” but it’s due out for Android and iOS this summer. When it does come out, Bungie will use Bungie.net, the website that’s home to their most loyal fans to get word-of-mouth started. Aside from their experience and track record of success, Bungie.net is another part of the company’s formidable ecosystem, one they didn’t have to let go when “Halo” stayed with Microsoft. The combo of resources and marketing make Bungie Aerospace a rare bird. It’s a developer associated with a hardcore game franchise actime almost like a publisher for smaller dev teams. Over at Kotaku, Bungie’s community manager Eric Osborne describes it this way:

We want to give them some of our proprietary rocket fuel, whether that be resources, audience, funding or what have you and let them showcase their great games.

There isn’t a checklist I could give you about: ‘These are the three things we’re looking for. It really is about finding teams that we believe are passionate about making games. That may sound like a naive, optimistic approach, but, when it comes down to it, that’s what makes a game great: the people who are building it. If we believe in them and see the experience they are building is something that would resonate with us, that’s a pretty good metric to think that maybe we should be working with these guys.

When you think about it, it’s heartening that Bungie Aerospace is being started as a launchpad for other smaller games to fly off of. Having become masters of their own destiny again in this, their 20th anniversary year, no one would blame Bungie for focusing squarely on their own future success. Yet, the pay-it-forward ethos of Aerospace revolves around the idea that shared success benefits the entire video game medium and that not every game has to be a “Halo.” And with the prestige of a studio like Bungie behind it, it probably won’t be long before an Aerospace game goes into hyperdrive.

Do you think Bungie’s efforts in the indie game space will be fruitful? Let us know in the comments below or on Facebook or Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.