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“Captain America: The First Avenger”: Five things that were missing from the superhero movie

“Captain America: The First Avenger”: Five things that were missing from the superhero movie (photo)

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Last week, I reviewed “Captain America: The First Avenger,” Marvel’s final solo-superhero film before next year’s massive team-up extravaganza, “The Avengers.” In my review, I indicated some of the elements — good and bad — that made it stick out from the rest of the Marvel movie-verse offerings so far.

While the film was filled with nods to the comic book source material, there was quite a bit of material comics fans were likely expecting to see that never quite made the cut. Here are some of the things I was surprised not to see in The First Avenger’s big debut.


Steve Rogers, The Artist

While we received a pair of slight indications of Rogers’ artistic talents (when he sketches a picture of a trained monkey to represent his role, and then when he redesigns his suit), it’s unfortunate that there couldn’t have been a more obvious nod to his interests before becoming America’s super-soldier. In Marvel Comics lore, Rogers was a fine arts student specializing in illustration — and the creator of a comic book or two of his own, in fact. In the film, we find out little of Rogers’ past, only that he desperately wants to join the military.


What Did You Say That Thing’s Made Out Of?

Much like the material that makes up Wolverine’s claws, adamantium, Captain America‘s shield is made of a fictional metal called “vibranium.” In the comics world, vibranium is only found in the African nation of Wakanda, where the Cap’s Avengers teammate Black Panther hails from. While there’s a mention in the movie of Cap’s shield being made of vibranium, there’s little explanation given for why this mystery metal has such unique properties. At first, I was surprised more people weren’t wondering about this, but then I remembered the use of “unobtanium” in “Avatar” and decided to blame the whole thing on James Cameron.


Bucky: Armed or De-Armed

While “The First Avenger” does include the perceived demise of Captain America’s famous partner, James “Bucky” Barnes, things take a bit of a different turn in the film than they did in the comics universe. In Marvels’ Captain America comics, Bucky attempts to disarm a rocket and is presumed dead when his arm is caught in a control panel and the whole thing explodes. Modern readers know that Bucky survived the incident, however, and later returned with a cybernetic arm and a grudge against his former partner. In the film, we see Bucky disappear, but it happens in a far less explosive manner, and with no clear nod to him losing his arm.


Nick Fury, Howling Commando

In the comics, Nick Fury was the original leader of the Howling Commandoes, the elite military squad that Captain America teams up with in the film. While we get a look at Nicky Fury in the modern era later in the film, it was interesting to note Marvel’s decision not to include him in the World War II setting. Sure, some will argue that the timeline wouldn’t make sense in Marvel’s real-world environment, but remember that Fury told Tony Stark in “Iron Man” that he’d been around for very long time.


Wherefore Art Thou, Invaders?

Possibly the most egregious omission from “The First Avenger” is Captain America’s famous fighting team, The Invaders. Made up of Sub-Mariner, the original Human Torch, and other popular WWII-era superheroes, The Invaders wreaked havoc on the Nazis during comics’ Golden Age. There’s a brief nod to The Invaders early in the movie, when the camera passes over an “Artificial Man” exhibit at the World’s Fair. The red, humanoid figure is said to be a reference to the Golden Age version of the Human Torch. Still, it would have been nice to have more evidence of The Invaders’ role in Marvel’s WWII history.


What were you hoping to see but didn’t in “Captain America”? Chime in below or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.