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Clip Analysis: “BioShock Infinite” E3 2011 demo

Clip Analysis: “BioShock Infinite” E3 2011 demo (photo)

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Video game teasers tend to stick to a certain formula: dazzle the viewer with awesome graphics, show off some of the games’ abilities and maybe dribble a little story out to tantalize would-be players. But every so often, one piece of video-centric marketing will float above the rest or sink to join the sludge.

In Clip Analysis, I’ll be looking at trailers, teasers and just about any game-related video in an effort to call out what works and what doesn’t in terms of communicating a particular game’s coolness.

This time, I’ll be taking a look at the E3 2011 demo for “BioShock Infinite.”

Video games don’t go in for a lot of historical allusions. For every “Red Dead Redemption” that looks back at American history and tries to capture the essences of past times, there’s another sci-fi epic trying to either crib or be different from “Gears of War,” Halo” or “Mass Effect.”

In development by Irrational Games, “BioShock Infinite” looks to chart a different path. I’ve already talked about the trailers teasing the story and showing off the flying city of Columbia and you can read my interviews with Irrational’s Tim Gerritsen and Ken Levine on IFC News as well. Irrational Games unveiled a new demo which blew folks’ minds at E3 last month. That demo is now available for all to see and demonstrates why the new “BioShock” has gamers everywhere counting down the days until it comes out.

I think part of the power that “BioShock Infinite” wields is the idea of American exceptionalism gone awry. Unveiled at the 1900 World’s Fair, Columbia starts out as symbol of American power and ingenuity but becomes its own rogue state when it intervenes on the Boxer Rebellion at the turn of the 20th Century. With that act, the whole world learned that Columbia was carrying massive armaments that make it essentially a Beaux Arts Death Star, leading the U.S. to severs ties with Columbia. In the game’s alternate history, the gravity-defying metropolis floats around above the skies with the threat of imposing its will on earthbound nations.

However, the action in the E3 demo clip shows that Columbia’s at war with itself, too. Lead character Booker DeWitt and Elizabeth–the girl he’s charged with rescuing–walk into a wholesale slaughter being committed by the Vox Populi, a proletariat militia sworn to kill the fat cats who they say are exploiting the common man. The Vox battles against Columbia’s patrician Founders, who want to maintain the status quo.

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The character of Elizabeth going to be the linchpin around which “Infinite” turns. She’s a gameplay partner and a plot element but has a character arc all her own. After Booker’s freed her from captivity, you can see that she’s a bit naïve and inexperienced in the ways of the outside world, but it’s clear that she wants freedom more than life itself. Elizabeth mysteriously has the power to manipulate “tears,” which are rips in the space-time continuum. As a brief glimpse into 1985–complete with “Return of the Jedi” on a movie theater marquee–shows, she can’t always control the rolling back of time. But, per Levine, she’ll be able to open smaller tears to let players access paths, weapons and resources. But there’s no escaping the ominous Songbird, who appears to share a bond with Elizabeth that’s more than just hunter and prey.

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The sky-lines make Columbia feel like an amusement park of death, complete with giant dirigible airships armed to the teeth. Yet, even as the bullets fly and the extradimensional portals open, “BioShock Infinite” gestures at history and offers insight into human behavior without feeling a rote regurgitation of facile tropes. You’re going to be playing inside the ethical dissolution of a closed society, with the future of a nearly innocent young woman at stake. Most ambitiously, neither of the warring factions will be portrayed as good or evil. Instead, Levine and crew hope to impart a sense of curdled idealism behind the conflict. If “BioShock Infinite” manages to pull all of this together, then it’ll join the first “BioShock” as a game that shows the best of what modern video games has to offer.

Are you psyched after watching the E3 2011 demo of “BioShock Infinite”? Let us know in the comments below or on Facebook or Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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