Interview: Billy Corgan and the Fool’s journey (pt. 1)

Interview: Billy Corgan and the Fool’s journey (pt. 1) (photo)

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In Tarot, the Fool represents infinite possibility, new beginnings, and the often naive exuberance one may feel setting off, wide-eyed, on life’s path. He is a pleasant figure, much more so than the contemporary meaning of the name implies, or what rumor may sometimes suggest. The Fool’s journey is one of discovery and delight. Freed from caution and convention, he passionately pursues the path that he chooses. He does what you, indeed what many, may not always have the courage or disposition to do, he follows his heart — or as Joseph Cambell, popular purveyor of the kindred, Hero’s journey once advised, the Fool might say “follow your bliss.”

Billy Corgan once followed his bliss, but then the world changed, the album died, his band broke up and we were left with rumors about him snorting sea monkeys with Marilyn Manson. But Corgan is back, and in December 2009 The Smashing Pumpkins began releasing “Teargarden By Kaleidyscope,” a colossal 44-song work being put out piecemeal for free online first and as a collection of EP’s. The Pumpkins’ upcoming album within an album, “Oceania,” is part of this larger work, which Corgan has described as harkening back to the band’s “original psychedelic roots.” I talked to him about this new incarnation of the Pumpkins and a short film/music video they did with director Robby Starbuck for the song “Owata.” Our conversation took some heavy turns into his views on spirituality, the world of female wrestling, and the films of Andrei Tarkovsky. As such, this is only part one, part two is here.

You’ve said Teargarden By Kaleidyscope” is about “The Fool’s Journey.” Are you willing to play the fool?

Well, all rock and roll is based in artifice. The Ramones were not really the Ramones 24-hours a day. Nor were the Stooges, or even the Beatles. What most people do is try to find a comfortable persona that they’re in alignment with and the public likes and appreciates them for. In my case I don’t mind playing a character that irritates people or makes people question my sanity.

Do you think you’ve been stuck as a kind of character in the public’s mind, or perhaps a different one at different points in time, the Billy Corgan of “Siamese Dream,” the Billy Corgan of “Oceania,” is that something you’re conscious of?

Yeah, but it doesn’t mean anything. You know?

Well, where do you find yourself now, spiritually speaking?

What’s surprised me about having a consciousness about spirituality or a relationship to, let’s call it a higher power, is that it’s a multi-dimensional shift. It’s not one singular destination and I think that does relate to the Fool’s journey in that sense. You’re not gonna conquer yourself, you’re not gonna understand God by sort of, one thing. You’re not gonna figure it out by praying. You’re not gonna figure it out by charity. You’re not gonna figure it out by throwing yourself off a roof and you’re not gonna figure it out by sitting on a mountain. You have to figure it all out, and that’s sort of the point, I think. So if you’re asking where I’m at in my spirituality, I think I’m in a good place, a balance where I have a deeper understanding of myself spiritually, but I’m also more invested in my life. Where for a time, I had a hard time understanding how life could be spiritual. Or being in a very materialistic culture like America, being in a very materialistic business like the music business, it was very hard for me to understand how I could be a spiritual person and still be successful. They seemed counterintuitive to each other and now, I’m at a point now where I don’t see it that way.

That’s wonderful…

Which brings us to the short film [laughs].

Yes for “Owata,” shot on the Red Epic camera, which may be a first for a music video — and this isn’t the first time you’ve been associated with wrestling.

No, my public relationship with wrestling goes back to I think,’99. I was doing stuff with a promotion called ECW out of Philadelphia.

Why now and why female wrestlers?

I’d wanted to do something to do with wrestling for a while. Wrestling has a very fascinating subculture. Most people don’t know that wrestling came out of the circus. I got very disappointed with rock and roll as a subculture in the ’90s when I, sort of felt like I wasn’t having a good time with it. It ceased to be something of fascination for me. I found, somewhere along the way, that I could find the same enjoyment out of this subculture in wrestling, that used to find rock and roll. The same kind of mythic aspects to it without I having to be personally related to me. And then, over time, I got to know people in the wrestling business, and became friends. The lead in the “Owata” video, Melissa — the babyface, the girl in the silver outfit who wins the match — she’s a friend of mine. We were in Vegas, got to talking about how we should do this video I’ve had an idea for, and that was the birth of the whole thing.

Tell me about the misogynistic themes running through it with the male character, you just want to shove your fist in his mouth.

He’s good at that [laughs]. Yeah there’s a tremendous amount of misogyny in the wrestling business. There’s a movement just like there was in the alternative music culture. There’s a movement within wrestling that women want to be respected athletically, physically the same way that the men are. They don’t just want to be cheesecake, tits and ass. They actually want to be recognized for being athletes who have a skill and a craft. You have a similar thing that you’ve seen in many subcultures politically where women are stepping forward and saying, hey, “We’re just not going to accept the role we’re handed to by men. So I was fascinated by that because it reminded me of what we went through with the Pumpkins in the beginning, because we had a woman on bass. I mean we were constantly questioned like as if she was just a prop on stage, giving no credit at all to her craft, the hours that we spent, the travel, everything. It was just like we hired some, you know, model to stand on stage because it would help us sell records. It was very offensive to her and to the band.

Were you into the old school wrestlers like Rowdy Roddy and Andre the Giant back in the day?

Oh yeah, and even earlier than that. Like the wrestlers out of Chicago, Dick the Bruiser, Baron von Rashke, who had a Nazi gimmick, hard to imagine anybody doing that now.

There’s also this Pumpkins clip with Kareem Abdul-Jabbar floating around — whom I once had the pleasure of sitting behind on airplane. I’ve never seen a man make an airplane look small before [laughter]. How did you two hook up?

Actually my best friend, who also hooked me up with Robby [and the”Owata”] video, he met Kareem at Bonnaroo. They became friendly and it was Kareem’s idea! I think that’s really the world we’re entering into, people working together to draw attention to what people have to say. I was really excited to work with someone I really respect. You know, it was a small thing but, it really meant a lot to me.

Wrestling, basketball legends, you’re doing a lot of cross promotion. You’re also giving all the songs completely for free [digitally] on this release. What do you think about the state of the music industry, what’s your strategy?

99% of the people in the music business now don’t have the resources to properly market their music. So if you’re gonna market yourself you have to figure out how. We’re trying to do it with a wink and a nod. But you have to figure out how to generate energy. You have to register some level of creative integrity. The Pumpkins, as a business, is a creative enterprise that’s constantly generating new waves of energy, through music, through cultural fucking-with… through the Tarot [laughter].

In part 2, Billy talks about Lady Gaga, the death of the album as an art form, and the films of Andrei Tarkovsky. Read it here!

Are you a fool for the Pumpkins? Let us know in the comments below or on Twitter or Facebook!

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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